{"id":5119,"date":"2026-05-13T16:17:24","date_gmt":"2026-05-13T15:17:24","guid":{"rendered":"https:\/\/ctalker.org\/?p=5119"},"modified":"2026-07-04T16:20:36","modified_gmt":"2026-07-04T15:20:36","slug":"kurbli-filmklub-22","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2026\/05\/13\/kurbli-filmklub-22\/","title":{"rendered":"Kurbli Filmklub: Robert Eggers – A vil\u00e1g\u00edt\u00f3torony"},"content":{"rendered":"\n

Szabadka\/2026.05.13.<\/p>\n\n\n\n

Robert Eggers: A vil\u00e1g\u00edt\u00f3torony<\/strong> (The Lighthouse), 2019, amerikai art-horror j\u00e1t\u00e9kfilm, 110 p.<\/p>\n\n\n\n

Robert Eggers rendez\u00e9se kilencven\u00e9ves optik\u00e1kkal, 1.19:1-es vertik\u00e1lisan ny\u00fajtott k\u00e9par\u00e1nyban \u00e9s mono hangs\u00e1vban r\u00f6gz\u00edtett absztrakt alkot\u00e1s, amelyet Edgar Allan Poe azonos c\u00edm\u0171 befejezetlen r\u00e9mt\u00f6rt\u00e9nete ihlette. A BFI Sight and Sound <\/em>elemz\u00e9se r\u00e1mutat, hogy a film gazdag intertextu\u00e1lis utal\u00e1srendszert \u00e9p\u00edt, felhaszn\u00e1lva a Smalls Lighthouse-trag\u00e9di\u00e1t, H. P. Lovecraft weird fiction vil\u00e1g\u00e1t, Herman Melville tengerirodalm\u00e1t, a g\u00f6r\u00f6g mitol\u00f3gi\u00e1t (Prom\u00e9theusz\u2013Proteusz), a tenger\u00e9szfolkl\u00f3rt, valamint a n\u00e9met expresszionizmust \u00e9s a korai horrorfilmet. \u00d6sszess\u00e9g\u00e9ben A vil\u00e1g\u00edt\u00f3torony <\/em><\/strong>Poe hat\u00e1sa nyom\u00e1n a vil\u00e1g\u00edt\u00f3torony mint izol\u00e1lt t\u00e9r, a napl\u00f3szer\u0171 pszichol\u00f3giai sz\u00e9tes\u00e9s, a paranoia, az elszigetelts\u00e9g \u00e9s a fokoz\u00f3d\u00f3 ment\u00e1lis destabiliz\u00e1ci\u00f3 szintj\u00e9n \u00e9rz\u00e9kelhet\u0151. https:\/\/screenrant.com\/lighthouse-movie-true-story-explained\/?utm_source=chatgpt.com<\/a><\/p>\n\n\n\n

Az 1890-es \u00e9vekben j\u00e1tsz\u00f3d\u00f3 t\u00f6rt\u00e9net\u00e9vel A vil\u00e1g\u00edt\u00f3torony<\/em><\/strong> olyan monokr\u00f3m alkot\u00e1s, amely egy r\u00e9gi filmst\u00edlust id\u00e9z\u0151, minimalista, sz\u00fcrre\u00e1lis \u00e9s horrorisztikus elemekkel oper\u00e1l\u00f3 akvatikus g\u00f3tikus kamaradr\u00e1ma, mik\u00f6zben a modernit\u00e1s \u00e9s a felvil\u00e1gosod\u00e1s kritikai olvasat\u00e1t is artikul\u00e1lja. Gerdesits P\u00e1l Apert\u00fara Magazinban<\/em> \u00edrt essz\u00e9j\u00e9t alapul v\u00e9ve a film k\u00eds\u00e9rtetiess\u00e9ge t\u00falny\u00falik az akvatikus g\u00f3tika m\u0171faj\u00e1nak keretein, \u00e9s sokkal ink\u00e1bb egyfajta hantol\u00f3gi\u00e1t, illetve t\u00f6rt\u00e9nelem ut\u00e1ni, posthistoire, de legal\u00e1bbis er\u0151sen (poszt)modern kritikus gondolkod\u00e1st t\u00fckr\u00f6z. \u2026 A film r\u00e1ad\u00e1sul egy<\/em> igen saj\u00e1tos szint\u00e9zis\u00e9t mutatja be a fens\u00e9ges tapasztalat\u00e1nak<\/em><\/strong>. <\/em>\u2013 folytatja Gerdesits P\u00e1l \u00e9s kifejti, hogy amit Robert Eggers sz\u00ednre visz azt Sigmund Freud az ember harmadik nagy traum\u00e1j\u00e1nak nevezi. <\/em>T\u00e1rgya pedig az ember saj\u00e1tos viszonya a benne rejl\u0151 \u00e9s \u0151t minden esetben domin\u00e1l\u00f3 tudattalanhoz.<\/em><\/p>\n\n\n\n

Szerepl\u0151ink (Willem Dafoe \u00e9s Robert Pattinson) belekezdenek traum\u00e1ik \u00fajraj\u00e1tsz\u00e1s\u00e1ba<\/em> \u2013 ahogy Freud \u00edrja, lelkileg r\u00f6gz\u00edtve vannak<\/em>.<\/p>\n\n\n\n

A vil\u00e1g\u00edt\u00f3torony<\/em><\/strong> elnyerte a Cannes-i filmfesztiv\u00e1l FIPRESCI-d\u00edj\u00e1t.<\/p>\n\n\n\n

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A rendez\u0151 \u00e9s az operat\u0151r is rajong a n\u00e9met expresszionizmus\u00e9rt, \u00edgy a filmben szerepl\u0151 vil\u00e1g\u00edt\u00f3tornyot val\u00f3ban fel\u00e9p\u00edtett\u00e9k, valamint \u00faj\u00edt\u00f3an haszn\u00e1lt\u00e1k fel az izmus egyik kiemelked\u0151 operat\u0151r\u00e9nek Karl Freundnak kidolgozott \u201echiaroscuro\u201d (f\u00e9ny-\u00e1rny\u00e9k) technik\u00e1j\u00e1t. T\u00f6bb jel szerint A vil\u00e1g\u00edt\u00f3torony alkot\u00f3i megid\u00e9zik az 1930-as \u00e9vekben az amerikai Universal Pictures st\u00fadi\u00f3ban k\u00e9sz\u00fclt horrorfilmek filmnyelvi eszk\u00f6zeit is, \u00fagy mint a kameramozgat\u00e1st, a pl\u00e1noz\u00e1st, a mont\u00e1zstechnik\u00e1t \u2013 pl. Tod Browning: Drakula (Lugosi B\u00e9l\u00e1val a f\u0151szerepben), Rouben Mamoulian: Dr. Jekyll \u00e9s Mr. Hyde vagy James Whale: Dr. Frankenstein.<\/p>\n\n\n\n

\u00c9rdemes kit\u00e9rni m\u00e9g a Jacques Derrida \u00e1ltal haszn\u00e1lt \u201ehantol\u00f3gia\u201d kifejez\u00e9s \u00e9rtelm\u00e9nek tiszt\u00e1z\u00e1s\u00e1ra, valamint az \u201eakvatikus g\u00f3tika\u201d \u00e9rtelmez\u00e9s\u00e9re. A \u201ehantol\u00f3gia\u201d (hanter = k\u00eds\u00e9rteni + l\u2019ontologie = l\u00e9tfiloz\u00f3fia) kifejez\u00e9s alatt az a fajta kiz\u00f6kkents\u00e9g \u00e9rtend\u0151, amikor valami m\u00faltb\u00e9li dolog jelenl\u00e9te, megtestes\u00fcl\u00e9se tapasztalhat\u00f3 a jelenben \u2013 ak\u00e1r egy k\u00eds\u00e9rtet.<\/p>\n\n\n\n

Az \u201eakvatikus g\u00f3tika\u201d a g\u00f3tika hagyom\u00e1ny\u00e1t kapcsolja \u00f6ssze a v\u00edzhez, a tengerhez, a m\u00e9lys\u00e9ghez, az elmer\u00fcl\u00e9shez \u00e9s a foly\u00e9konys\u00e1ghoz k\u00f6t\u0151d\u0151 imagin\u00e1riummal, amelyben a v\u00edz az ismeretlen, a trauma, az identit\u00e1sfelold\u00f3d\u00e1s \u00e9s a nem emberi vil\u00e1g fenyeget\u0151 metafor\u00e1jak\u00e9nt jelenik meg. Az akvatikus g\u00f3tika \u201ea term\u00e9szetbe transzpon\u00e1lja \u00e1t a horrorisztikus von\u00e1sokkal (is) b\u00edr\u00f3 fens\u00e9ges \u00e9s kiismerhetetlen er\u0151ket.\u201d(Nemes Z. M\u00e1ri\u00f3, Filmvil\u00e1g, 2018\/2)<\/p>\n\n\n\n

Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2026.05.13. Robert Eggers: A vil\u00e1g\u00edt\u00f3torony (The Lighthouse), 2019, amerikai art-horror j\u00e1t\u00e9kfilm, 110 p. Robert Eggers rendez\u00e9se kilencven\u00e9ves optik\u00e1kkal, 1.19:1-es vertik\u00e1lisan ny\u00fajtott k\u00e9par\u00e1nyban \u00e9s mono hangs\u00e1vban r\u00f6gz\u00edtett absztrakt alkot\u00e1s, amelyet Edgar Allan Poe azonos c\u00edm\u0171...<\/p>\n","protected":false},"author":3,"featured_media":5124,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-5119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:EH47.b242\/w:600\/h:400\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/07\/689021785_10243953922084803_525776727172485568_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:EH47.b242\/w:600\/h:450\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/07\/689021785_10243953922084803_525776727172485568_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=5119"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5119\/revisions"}],"predecessor-version":[{"id":5125,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5119\/revisions\/5125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/5124"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=5119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=5119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=5119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}