{"id":5038,"date":"2026-03-25T18:28:54","date_gmt":"2026-03-25T17:28:54","guid":{"rendered":"https:\/\/ctalker.org\/?p=5038"},"modified":"2026-04-21T18:54:10","modified_gmt":"2026-04-21T17:54:10","slug":"kurbli-filmklub-janisch-attila","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2026\/03\/25\/kurbli-filmklub-janisch-attila\/","title":{"rendered":"Kurbli Filmklub-Janisch Attila: \u00c1rny\u00e9k a havon filmvet\u00edt\u00e9s \u00e9s k\u00f6z\u00f6ns\u00e9gtal\u00e1lkoz\u00f3"},"content":{"rendered":"\n<p>2026.03.25.\/Szabadka<\/p>\n\n\n\n<p>Janisch Attila: \u00c1rny\u00e9k a havon, 1992, magyar krimi-thriller 72 perc<\/p>\n\n\n\n<p class=\"has-text-align-center\">A krimin\u00e1lis zs\u00e1nerelemekkel artisztikusan oper\u00e1l\u00f3 magyar fekete filmek vil\u00e1gv\u00e9gehangulat\u00fa alkot\u00e1sai a rendszerv\u00e1lt\u00e1s \u00e9veinek magas m\u0171v\u00e9szi sz\u00ednvonal\u00fa dokumentumai<\/p>\n\n\n\n<p class=\"has-text-align-left\">Elembertelenedett helysz\u00ednei a lepusztult kocsma, az eldugott zegzugok, kietlen \u00e9s \u00e9rdes peremvid\u00e9kek, l\u00e9pcs\u0151h\u00e1zak, csatorn\u00e1k vagy s\u0171r\u0171 \u00e1gas-bogas rengetegek. Olyan kiismerhetetlen filmes limin\u00e1lis terek,&nbsp;<em>ahol b\u00e1rkivel b\u00e1rmi megt\u00f6rt\u00e9nhet. Ahol b\u00e1rkib\u0151l b\u00e1rmi sz\u00f6rny kibukhat.&nbsp;<\/em>(Schubert Guszt\u00e1v, Filmvil\u00e1g, 1997\/04) Lak\u00f3i pedig zs\u00e1kutc\u00e1ba ker\u00fclt sodr\u00f3d\u00f3 egzisztenci\u00e1k. Pillanatnyi elmezavarukban b\u0171nbe esett t\u00e9velyg\u0151k, siralomv\u00f6lgyben verg\u0151d\u0151 \u00e1rtatlanok. A rossz spir\u00e1l csapd\u00e1ja Janisch telt-monokr\u00f3m t\u00e9li tudatfilmj\u00e9ben viszont k\u00e9tfel\u0151l szor\u00edtja a f\u0151h\u0151st. A n\u00e9z\u0151t pedig&nbsp;<em>a b\u0171n el\u0151tti \u00e9s a b\u0171n\u00f6s l\u00e9t\u00e1llapot k\u00f6z\u00f6tt megtett \u00fat t\u00f6rt\u00e9n\u00e9seinek, \u00e9lm\u00e9nyeinek, \u00e9rzeteinek a felt\u00e1r\u00e1s\u00e1ra<\/em>&nbsp;vezeti, mik\u00f6zben a metafizikus t\u00e9r \u00e9s id\u0151 szisztematikusan \u00e1t\u00e9rtelmezi a r\u00f6gval\u00f3s\u00e1g hagyom\u00e1nyos id\u0151folyam\u00e1t.&nbsp;<strong>Az<\/strong><strong><em>&nbsp;\u00c1rny\u00e9k a havon&nbsp;<\/em><\/strong><strong>a magyar fekete<\/strong><strong><em>&nbsp;ir\u00e1nyzat egy\u00e9bk\u00e9nt er\u0151teljes absztrakt v\u00edzi\u00f3ihoz k\u00e9pest is kit\u0171nt elvonts\u00e1g\u00e1val<\/em><\/strong><em>, \u2026 ugyanakkor nem csup\u00e1n elvont szinten \u00e1br\u00e1zolta az apokaliptikus kiszolg\u00e1ltatotts\u00e1g \u00e1llapot\u00e1t, hiszen figur\u00e1iban, ha nem is a magyar filmben megszokott szociol\u00f3giai, mor\u00e1lis vagy parabolikus aspektusb\u00f3l, pontosan felismerhet\u0151ek voltak e k\u00f6z\u00e9p-kelet-eur\u00f3pai t\u00e1j\u00e9k lak\u00f3i: mi magunk.&nbsp;<\/em>(Gelencs\u00e9r G\u00e1bor, Filmvil\u00e1g, 2004\/11)<\/p>\n\n\n\n<p class=\"has-text-align-left\"><em>Az&nbsp;<\/em><strong><em>\u00c1rny\u00e9k a havon<\/em><\/strong><em>&nbsp;a v\u00e9letlen\u00fcl tal\u00e1lt b\u0171n v\u00e1llal\u00e1s\u00e1nak t\u00f6rt\u00e9nete \u2026 a sz\u00e9ls\u0151s\u00e9ges l\u00e9thelyzetbe ker\u00fclt ember megv\u00e1ltozott tudat\u00e1llapot\u00e1t \u2026 pr\u00f3b\u00e1lja megk\u00f6zel\u00edteni, felt\u00e9rk\u00e9pezni, feltal\u00e1lva \u00e9s megalkotva a megjelen\u00edt\u00e9s\u00fckre alkalmas nyelvet, filmes kifejez\u0151eszk\u00f6z\u00f6ket.<\/em>&nbsp;(Bori Erzs\u00e9bet, Filmvil\u00e1g, 2004\/11)<\/p>\n\n\n\n<p class=\"has-text-align-left\"><em>Az amerikai krimikben a b\u0171n\u00f6z\u0151t a rend\u0151rs\u00e9g vagy mag\u00e1nnyomoz\u00f3 z\u00e1rja k\u00f6r\u00fcl, az\u00e9rt nincs menekv\u00e9se, mert akik ut\u00e1na nyomoznak okosabbak, rafin\u00e1ltabbak n\u00e1la. A magyar krimiben a gyilkosok magukat leplezik le. A hossz\u00fa snittek olyanok, mintha a b\u0171n\u00e9r\u0151l elm\u00e9lked\u0151 szem\u00e9vel l\u00e1tn\u00e1nk. A legjobb magyar krimik nem t\u00e1rsadalmi, hanem egzisztencialista dr\u00e1m\u00e1k. A kil\u00e1t\u00e1stalans\u00e1g dr\u00e1m\u00e1i.\u00a0<\/em>(Kolozsi L\u00e1szl\u00f3, Filmvil\u00e1g, 2010\/3)<em>\u00a0<\/em><\/p>\n\n\n\n<div id=\"wp-block-themeisle-blocks-slider-2aa97108\" class=\"wp-block-themeisle-blocks-slider glide\" data-per-view=\"1\" data-gap=\"0\" data-peek=\"0\" data-autoplay=\"true\" data-height=\"400px\" data-hide-arrows=\"false\"><div class=\"glide__track\" data-glide-el=\"track\"><div class=\"glide__slides\"><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1906343837  fetchpriority=\"high\" decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/655357537_10243237429052925_2557232499802531725_n.jpg\" alt=\"\" title=\"\" data-id=\"5039\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1618351398  fetchpriority=\"high\" decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/655601440_10243237429972948_1986968686649091375_n.jpg\" alt=\"\" title=\"\" data-id=\"5041\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=666987136  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/656859710_10243237429092926_4785137654258490719_n.jpg\" alt=\"\" title=\"\" data-id=\"5040\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=195571206  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/657670323_10243237429652940_1340291588614813535_n.jpg\" alt=\"\" title=\"\" data-id=\"5042\"\/><\/figure><\/div><\/div><div class=\"glide__bullets\" data-glide-el=\"controls[nav]\"><button class=\"glide__bullet\" data-glide-dir=\"=0\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=1\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=2\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=3\"><\/button><\/div><\/div><\/div>\n\n\n\n<p>A vet\u00edt\u00e9s, az \u00faj helysz\u00edn\u00fcnk nyit\u00f3 filmje! 2026 m\u00e1rcius 25-t\u0151l, a Majsai \u00fat 20 sz\u00e1m al\u00e1 v\u00e1runk benneteket, a JMS clubba! <\/p>\n\n\n\n<p class=\"has-text-align-right\">Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2026.03.25.\/Szabadka Janisch Attila: \u00c1rny\u00e9k a havon, 1992, magyar krimi-thriller 72 perc A krimin\u00e1lis zs\u00e1nerelemekkel artisztikusan oper\u00e1l\u00f3 magyar fekete filmek vil\u00e1gv\u00e9gehangulat\u00fa alkot\u00e1sai a rendszerv\u00e1lt\u00e1s \u00e9veinek magas m\u0171v\u00e9szi sz\u00ednvonal\u00fa dokumentumai Elembertelenedett helysz\u00ednei a lepusztult kocsma, az&#46;&#46;&#46;<\/p>\n","protected":false},"author":3,"featured_media":5042,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-5038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:400\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/657670323_10243237429652940_1340291588614813535_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:422\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/657670323_10243237429652940_1340291588614813535_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=5038"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5038\/revisions"}],"predecessor-version":[{"id":5043,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5038\/revisions\/5043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/5042"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=5038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=5038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=5038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}