{"id":5023,"date":"2026-03-18T14:00:12","date_gmt":"2026-03-18T13:00:12","guid":{"rendered":"https:\/\/ctalker.org\/?p=5023"},"modified":"2026-04-21T14:09:34","modified_gmt":"2026-04-21T13:09:34","slug":"kurbli-filmklub-luis-bunuel-tristana","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2026\/03\/18\/kurbli-filmklub-luis-bunuel-tristana\/","title":{"rendered":"Kurbli Filmklub-Luis\u00a0Bu\u00f1uel: Tristana"},"content":{"rendered":"\n

2026.03.18.\/Szabadka<\/p>\n\n\n\n

Luis\u00a0Bu\u00f1uel Tristana, 1969, spanyol szat\u00edra, 95 perc<\/p>\n\n\n\n

Luis\u00a0Bu\u00f1uel\u00a0a filmm\u0171v\u00e9szet egyik legnagyobb szerz\u0151je \u2013 n\u00e1lam benne van az els\u0151 5-ben \u2013\u00a0a\u00a0modernit\u00e1s irracionalit\u00e1s\u00e1t jelen\u00edti meg<\/p>\n\n\n\n

A Tristana<\/em><\/strong> a k\u00e9s\u0151i Bu\u00f1uel-korszak kifejezetten borzongat\u00f3 t\u00e1rsadalmi szat\u00edr\u00e1<\/strong>ja, amely egyszerre \u00e9rtelmezhet\u0151 irodalmi adapt\u00e1ci\u00f3<\/strong>k\u00e9nt, a patriarch\u00e1lis hatalom feminista alleg\u00f3ri\u00e1<\/strong>jak\u00e9nt, valamint a n\u0151i identit\u00e1s tragikus metamorf\u00f3zis\u00e1nak pszichol\u00f3gia tanulm\u00e1ny<\/strong>ak\u00e9nt. Bu\u00f1uel Gald\u00f3s realista reg\u00e9ny\u00e9t a hatalomr\u00f3l, a szexualit\u00e1sr\u00f3l \u00e9s az \u00e1rtatlans\u00e1g megront\u00e1s\u00e1r\u00f3l sz\u00f3l\u00f3 nyugtalan\u00edt\u00f3 medit\u00e1ci\u00f3v\u00e1 alak\u00edtja. \u2013 <\/em>Emma Myers, Film Comment, 2013.<\/p>\n\n\n\n

A t\u00f6rt\u00e9net szerint a 19. sz\u00e1zadi Spanyolorsz\u00e1gban j\u00e1runk, de a Franco-korszak t\u00e1rsadalmi viszonyai is \u00e1thall\u00e1sosak. A film a t\u00f6rt\u00e9nelmi v\u00e1rosban, Toledoban j\u00e1tsz\u00f3dik. <\/strong>A f\u0151 konfliktus a patriarch\u00e1lis hatalom \u00e9s a n\u0151i auton\u00f3mia k\u00f6z\u00f6tt \u00e1ll. A n\u0151 csak akkor szabadul a f\u00e9rfi tekintet\u00e9t\u0151l, amikor m\u00e1r nem erotikus objektum.<\/p>\n\n\n\n

Bu\u00f1uel pesszimista antropol\u00f3giai szeml\u00e9let\u00e9re mutat r\u00e1 Raymond Durgnat: Bu\u00f1uel elutas\u00edt minden \u00e9rzelg\u0151s emancip\u00e1ci\u00f3k\u00e9pet; az elnyomott, amint hatalomhoz jut, maga is k\u00e9pess\u00e9 v\u00e1lik a kegyetlens\u00e9gre.<\/em><\/p>\n\n\n\n

Tristana figur\u00e1ja a n\u0151i identit\u00e1s paradoxon\u00e1t testes\u00edti meg: \u2026<\/em> (Varga Bal\u00e1zs, 2007)<\/p>\n\n\n\n

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„Egy szexu\u00e1lis egyenl\u0151tlens\u00e9g \u00e1ltal rendezett vil\u00e1gban a n\u00e9z\u00e9s \u00f6r\u00f6me az akt\u00edv\/f\u00e9rfi \u00e9s a passz\u00edv\/n\u0151i szerepek k\u00f6z\u00f6tt oszlik meg.“ (Laura Mulvey, 1975)<\/p>\n\n\n\n

Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

2026.03.18.\/Szabadka Luis\u00a0Bu\u00f1uel Tristana, 1969, spanyol szat\u00edra, 95 perc Luis\u00a0Bu\u00f1uel\u00a0a filmm\u0171v\u00e9szet egyik legnagyobb szerz\u0151je \u2013 n\u00e1lam benne van az els\u0151 5-ben \u2013\u00a0a\u00a0modernit\u00e1s irracionalit\u00e1s\u00e1t jelen\u00edti meg A Tristana a k\u00e9s\u0151i Bu\u00f1uel-korszak kifejezetten borzongat\u00f3 t\u00e1rsadalmi szat\u00edr\u00e1ja, amely egyszerre \u00e9rtelmezhet\u0151 irodalmi adapt\u00e1ci\u00f3k\u00e9nt,...<\/p>\n","protected":false},"author":3,"featured_media":5024,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-5023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/images-1.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/images-1.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=5023"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5023\/revisions"}],"predecessor-version":[{"id":5028,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/5023\/revisions\/5028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/5024"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=5023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=5023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=5023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}