{"id":4985,"date":"2026-02-25T13:24:19","date_gmt":"2026-02-25T12:24:19","guid":{"rendered":"https:\/\/ctalker.org\/?p=4985"},"modified":"2026-02-24T13:29:57","modified_gmt":"2026-02-24T12:29:57","slug":"kurbli-filmklub-feher-gyorgy-szurkulet","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2026\/02\/25\/kurbli-filmklub-feher-gyorgy-szurkulet\/","title":{"rendered":"Kurbli Filmklub: Feh\u00e9r Gy\u00f6rgy-Sz\u00fcrk\u00fclet"},"content":{"rendered":"\n<p>2026.02.25.\/Szabadka<\/p>\n\n\n\n<p>Feh\u00e9r Gy\u00f6rgy: Sz\u00fcrk\u00fclet,<strong> <\/strong>1990, magyar krimi-noir, 77 p.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>A magyar \u201efekete sz\u00e9ria\u201d k\u00f6zponti m\u0171ve a rendszerv\u00e1lt\u00e1s idej\u00e9n.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">A&nbsp;<strong><em>Sz\u00fcrk\u00fclet<\/em><\/strong>&nbsp;a k\u00e9s\u0151 K\u00e1d\u00e1r-kor v\u00e9g\u00e9nek, illetve a rendszerv\u00e1lt\u00e1s k\u00f6r\u00fcli kultur\u00e1lis v\u00e1kuumnak egyik legs\u0171r\u0171bb filmnyelvi lenyomata.<\/p>\n\n\n\n<p>A \u201efekete sz\u00e9ria\u201d nem int\u00e9zm\u00e9nyes ir\u00e1nyzat, hanem&nbsp;<strong>kritikai konstrukci\u00f3<\/strong>, amely az al\u00e1bbi jegyek ment\u00e9n v\u00e1lt azonos\u00edthat\u00f3v\u00e1:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>radik\u00e1lis fekete-feh\u00e9r k\u00e9pi vil\u00e1g<\/li>\n\n\n\n<li>hossz\u00fa be\u00e1ll\u00edt\u00e1sok, minim\u00e1lis dramaturgia<\/li>\n\n\n\n<li>egzisztenci\u00e1lis determin\u00e1ci\u00f3<\/li>\n\n\n\n<li>a cselekm\u00e9ny ki\u00fcres\u00edt\u00e9se<\/li>\n\n\n\n<li>mor\u00e1lis \u00e9s ontol\u00f3giai s\u00f6t\u00e9ts\u00e9g<\/li>\n<\/ol>\n\n\n\n<p>Gelencs\u00e9r G\u00e1bor a&nbsp;<em>Metropolisban<\/em>&nbsp;\u00edgy fogalmaz:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>A fekete filmek nem egyszer\u0171en stil\u00e1ris d\u00f6nt\u00e9s k\u00f6vetkezm\u00e9nyei, hanem a t\u00f6rt\u00e9nelmi id\u0151 s\u00f6t\u00e9ts\u00e9g\u00e9nek lek\u00e9pez\u0151d\u00e9sei; a f\u00e9ny hi\u00e1nya itt metafizikai term\u00e9szet\u0171.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p>A film Friedrich D\u00fcrrenmatt&nbsp;<em>Az \u00edg\u00e9ret<\/em>&nbsp;c\u00edm\u0171 reg\u00e9ny\u00e9nek radik\u00e1lisan reduk\u00e1lt adapt\u00e1ci\u00f3ja. Feh\u00e9r azonban nem krimit k\u00e9sz\u00edt, hanem a nyomoz\u00e1s folyamat\u00e1t ontol\u00f3giai v\u00e1rakoz\u00e1ss\u00e1 alak\u00edtja \u00e9s a b\u0171nt nem esem\u00e9nyk\u00e9nt, hanem atmoszf\u00e9rak\u00e9nt kezeli. B\u00edr\u00f3 Yvette a&nbsp;<em>Filmvil\u00e1g<\/em>&nbsp;has\u00e1bjain \u00edrja:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>A&nbsp;<\/em><strong><em>Sz\u00fcrk\u00fclet<\/em><\/strong><em>&nbsp;nem elbesz\u00e9l, hanem v\u00e1r. A t\u00f6rt\u00e9net itt nem kibomlik, hanem elh\u00faz\u00f3dik, mint a s\u00e1r a cip\u0151 talp\u00e1n.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p>A&nbsp;<strong><em>Sz\u00fcrk\u00fclet<\/em><\/strong>&nbsp;k\u00e9pi vil\u00e1ga:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>extr\u00e9m kontrasztok<\/li>\n\n\n\n<li>k\u00f6d, s\u00e1r, erd\u0151, perif\u00e9rikus terek<\/li>\n\n\n\n<li>lass\u00fa kameramozg\u00e1s<\/li>\n\n\n\n<li>a t\u00e9r \u201eelnyeli\u201d a figur\u00e1kat<\/li>\n<\/ul>\n\n\n\n<p>A&nbsp;<strong><em>Sz\u00fcrk\u00fclet<\/em><\/strong>&nbsp;rokon\u00edthat\u00f3 a&nbsp;<strong>K\u00e1rhozat<\/strong>&nbsp;vil\u00e1g\u00e1val, de m\u00edg Tarrn\u00e1l a vil\u00e1g apokaliptikus-romantikus, Feh\u00e9rn\u00e9l ink\u00e1bb&nbsp;<strong>ontol\u00f3giai minimalizmus<\/strong>&nbsp;figyelhet\u0151 meg.<\/p>\n\n\n\n<p>Kov\u00e1cs Andr\u00e1s B\u00e1lint a kelet-eur\u00f3pai modernizmusr\u00f3l \u00edrt munk\u00e1j\u00e1ban \u00edgy jellemzi a magyar fekete filmek id\u0151kezel\u00e9s\u00e9t:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>A t\u00f6rt\u00e9net nem halad, hanem kiterjed. Az id\u0151 nem dramatikus, hanem fenomenol\u00f3giai.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p>A film hangz\u00e1svil\u00e1g\u00e1ban a csend domin\u00e1l, amit a minimaliz\u00e1lt zene \u00e9s a term\u00e9szet hangjai mor\u00e1lis atmoszf\u00e9r\u00e1v\u00e1 fokoznak.<\/p>\n\n\n\n<p><strong>A \u201efekete sz\u00e9ria\u201d mint a rendszerv\u00e1lt\u00e1s el\u0151tti\/ut\u00e1ni id\u0151szak t\u00f6rt\u00e9nelmi t\u00fcnete:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>ideol\u00f3giai \u00f6sszeoml\u00e1s<\/li>\n\n\n\n<li>mor\u00e1lis bizonytalans\u00e1g<\/li>\n\n\n\n<li>t\u00e1rsadalmi atomiz\u00e1ci\u00f3<\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>A fekete sz\u00e9ria filmjei nem a rendszer buk\u00e1s\u00e1t, hanem az emberi t\u00e1j\u00e9koz\u00f3d\u00e1s ellehetetlen\u00fcl\u00e9s\u00e9t r\u00f6gz\u00edtik.<\/em><br>(Borb\u00edr\u00f3 A.: \u201eFekete f\u00e9nyek\u201d,&nbsp;<em>Filmtett<\/em>, 2010\/4.)<\/p>\n<\/blockquote>\n\n\n\n<p>A&nbsp;<strong><em>Sz\u00fcrk\u00fclet<\/em><\/strong>&nbsp;k\u00fcl\u00f6n\u00f6sen radik\u00e1lis film, mert nem t\u00e1rsadalmi tabl\u00f3t fest \u00e9s nem metaforikus politikai film, hanem metafizikai krimi.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Sz\u00e1sz Csongor<\/p>\n\n\n\n<div id=\"wp-block-themeisle-blocks-slider-5075fdde\" class=\"wp-block-themeisle-blocks-slider glide\" data-per-view=\"1\" data-gap=\"0\" data-peek=\"0\" data-autoplay=\"true\" data-height=\"400px\" data-hide-arrows=\"false\"><div class=\"glide__track\" data-glide-el=\"track\"><div class=\"glide__slides\"><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1839050752  fetchpriority=\"high\" decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/639401311_10242701188287241_6593488415551244510_n.jpg\" alt=\"\" title=\"\" data-id=\"4989\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=2002239067  fetchpriority=\"high\" decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/640131826_10242701190367293_6153056577372339166_n.jpg\" alt=\"\" title=\"\" data-id=\"4986\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=696341215  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/640189262_10242701188327242_7641314191894050434_n.jpg\" alt=\"\" title=\"\" data-id=\"4990\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=693350968  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/641018812_10242701188367243_5007152575720911322_n.jpg\" alt=\"\" title=\"\" data-id=\"4992\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1009363464  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/641386014_10242701189207264_3808985001670178925_n.jpg\" alt=\"\" title=\"\" data-id=\"4991\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=653455953  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/641414574_10242701189647275_6903436479925271502_n.jpg\" alt=\"\" title=\"\" data-id=\"4993\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1706501078  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/641540915_10242701189487271_6931886661726992459_n.jpg\" alt=\"\" title=\"\" data-id=\"4994\"\/><\/figure><\/div><\/div><div class=\"glide__bullets\" data-glide-el=\"controls[nav]\"><button class=\"glide__bullet\" data-glide-dir=\"=0\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=1\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=2\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=3\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=4\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=5\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=6\"><\/button><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>2026.02.25.\/Szabadka Feh\u00e9r Gy\u00f6rgy: Sz\u00fcrk\u00fclet, 1990, magyar krimi-noir, 77 p. A magyar \u201efekete sz\u00e9ria\u201d k\u00f6zponti m\u0171ve a rendszerv\u00e1lt\u00e1s idej\u00e9n. A&nbsp;Sz\u00fcrk\u00fclet&nbsp;a k\u00e9s\u0151 K\u00e1d\u00e1r-kor v\u00e9g\u00e9nek, illetve a rendszerv\u00e1lt\u00e1s k\u00f6r\u00fcli kultur\u00e1lis v\u00e1kuumnak egyik legs\u0171r\u0171bb filmnyelvi lenyomata. A \u201efekete&#46;&#46;&#46;<\/p>\n","protected":false},"author":3,"featured_media":4994,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-4985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:371\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/641540915_10242701189487271_6931886661726992459_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:371\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/641540915_10242701189487271_6931886661726992459_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=4985"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4985\/revisions"}],"predecessor-version":[{"id":4995,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4985\/revisions\/4995"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/4994"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=4985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=4985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=4985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}