{"id":4688,"date":"2025-11-05T21:58:39","date_gmt":"2025-11-05T20:58:39","guid":{"rendered":"https:\/\/ctalker.org\/?p=4688"},"modified":"2025-12-02T22:07:13","modified_gmt":"2025-12-02T21:07:13","slug":"kurbli-filmklub-leos-carax-holy-motors","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2025\/11\/05\/kurbli-filmklub-leos-carax-holy-motors\/","title":{"rendered":"Kurbli Filmklub: Leos Carax-Holy Motors"},"content":{"rendered":"\n

Szabadka\/2025.11.05.<\/p>\n\n\n\n

Leos Carax: Holy Motors, 2012, francia fantasy-dr\u00e1ma, 115 p.<\/p>\n\n\n\n

A\u00a0Holy Motors<\/em><\/strong>\u00a0egy sokr\u00e9teg\u0171 allegorikus m\u0171, amely a filmnyelv, az identit\u00e1s \u00e9s a m\u0171v\u00e9szet hat\u00e1rait feszegetve\u00a0m\u00e9ly filoz\u00f3fiai k\u00e9rd\u00e9seket vet fel<\/strong>\u00a0a modern t\u00e1rsadalomr\u00f3l \u00e9s a m\u0171v\u00e9szet szerep\u00e9r\u0151l.<\/p>\n\n\n\n

Monsieur Oscar (Denis Lavant elk\u00e9peszt\u0151 alak\u00edt\u00e1s\u00e1ban) mintha sz\u00edn\u00e9sz lenne: P\u00e1rizs utc\u00e1in k\u00fcl\u00f6nb\u00f6z\u0151, olykor sz\u00fcrre\u00e1lisnak t\u0171n\u0151 szerepeket ad el\u0151. Leos Carax rendez\u0151<\/strong> \u2013 te\u00e1tr\u00e1lis \u00e9s tal\u00e1nyos filmm\u0171v\u00e9szeti install\u00e1ci\u00f3ja \u2013 az identit\u00e1s fluidit\u00e1s\u00e1nak modern alleg\u00f3ri\u00e1j\u00e1t t\u00e1rja el\u00e9nk, ahol az identit\u00e1s nem fix, hanem performat\u00edv \u2013 el\u0151adott \u00e9s folyamatosan form\u00e1l\u00f3d\u00f3 \u2013 fejtegeti Vincent Kane, ScreenAge Wasteland<\/em>.<\/p>\n\n\n\n

Folyton v\u00e1ltoz\u00f3, digitaliz\u00e1lt vil\u00e1gunk \u00e9szlel\u00e9sekor olykor az abszurdit\u00e1s t\u0171nik a legval\u00f3s\u00e1gosabbnak. Hogy mir\u0151l sz\u00f3l a Holy Motors<\/em><\/strong>? A k\u00e9rd\u00e9s \u00e9rdekesebb a v\u00e1laszn\u00e1l. A filmm\u0171v\u00e9szet \u0151sereje, a csod\u00e1lattal vegyes nyugtalans\u00e1g<\/em> ker\u00edti hatalm\u00e1ba a leskel\u0151d\u0151 n\u00e9z\u0151t, azt sugallva, hogy a film megfejt\u00e9s\u00e9hez a racion\u00e1lis gondolatai mellett, ink\u00e1bb az \u00e9rz\u00e9seire figyeljen.<\/p>\n\n\n\n

Rendk\u00edv\u00fcl k\u00fcl\u00f6nleges film\u00e9lm\u00e9ny \u00e9s nem csup\u00e1n egy utaz\u00e1s a bizarr vil\u00e1g\u00e1ba, hanem idi\u00f3m\u00e1t teremt\u0151 <\/em>metafilm. \u2026 virtu\u00f3z, semmit\u0151l vissza nem riad\u00f3 vizsg\u00e1l\u00f3d\u00e1sa annak, hogy mire k\u00e9pes a filmm\u0171v\u00e9szet. <\/em>(Edwin Turner, Biblioklept)<\/p>\n\n\n\n

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\"\"<\/figure>\n<\/figure>\n\n\n\n

A Holy Motors tov\u00e1bbgondolja Shakespeare metafor\u00e1j\u00e1t: az \u00e9let ma is szerepek sorozata, \u00e1m Caraxn\u00e1l ezeknek m\u00e1r nincs stabil\u00a0t\u00e1rsadalmi kerete \u00e9s nincs biztos tekintet, aki el\u0151tt j\u00e1tszunk. A technol\u00f3gia kor\u00e1ban a szerepek csup\u00e1n f\u00e9nyk\u00e9pez\u0151g\u00e9pek, kamer\u00e1k \u00e9s l\u00e1thatatlan megb\u00edz\u00f3k sz\u00e1m\u00e1ra l\u00e9teznek \u2014 \u00edgy az identit\u00e1s v\u00e9gk\u00e9pp sz\u00e9thullik.<\/p>\n\n\n\n

Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2025.11.05. Leos Carax: Holy Motors, 2012, francia fantasy-dr\u00e1ma, 115 p. A\u00a0Holy Motors\u00a0egy sokr\u00e9teg\u0171 allegorikus m\u0171, amely a filmnyelv, az identit\u00e1s \u00e9s a m\u0171v\u00e9szet hat\u00e1rait feszegetve\u00a0m\u00e9ly filoz\u00f3fiai k\u00e9rd\u00e9seket vet fel\u00a0a modern t\u00e1rsadalomr\u00f3l \u00e9s a m\u0171v\u00e9szet...<\/p>\n","protected":false},"author":3,"featured_media":4691,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-4688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:527\/h:400\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2025\/12\/574108117_10241100980363043_5653698180214982381_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:527\/h:600\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2025\/12\/574108117_10241100980363043_5653698180214982381_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=4688"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4688\/revisions"}],"predecessor-version":[{"id":4699,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4688\/revisions\/4699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/4691"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=4688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=4688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=4688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}