{"id":4450,"date":"2025-03-05T18:50:00","date_gmt":"2025-03-05T17:50:00","guid":{"rendered":"https:\/\/ctalker.org\/?p=4450"},"modified":"2025-05-06T18:58:47","modified_gmt":"2025-05-06T17:58:47","slug":"kurbli-filmklub-david-lynch-blue-velvet","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2025\/03\/05\/kurbli-filmklub-david-lynch-blue-velvet\/","title":{"rendered":"Kurbli Filmklub: David Lynch-K\u00e9k b\u00e1rsony"},"content":{"rendered":"\n

David Lynch: K\u00e9k b\u00e1rsony (Blue velvet), amerikai thriller, 1986, 120 p.<\/p>\n\n\n\n

Szabadka\/2025.03.05.<\/p>\n\n\n\n

A nagyk\u00f6z\u00f6ns\u00e9g sz\u00e1m\u00e1ra a\u00a0K\u00e9k b\u00e1rsony<\/strong><\/em>ban \u00e1llnak \u00f6ssze azok a stilisztikai \u00e9s tematikus elemek, amelyek Lynch hipnotikus vil\u00e1g\u00e1t jellemzik, de t\u00f6bb teoretikus is ezt tekinti Lynch opus magnumj\u00e1nak. Itt sz\u00fcletik meg az a sz\u00fcrre\u00e1lis neo noir vil\u00e1g, amely k\u00e9s\u0151bb a\u00a0Twin Peaks<\/em>-ben teljesedik ki, majd a\u00a0Lost Highway<\/em>-ben \u00e9s a\u00a0Mulholland Drive<\/em>-ban m\u00e9ly\u00fcl tov\u00e1bb.<\/p>\n\n\n\n

A\u00a0Rad\u00edrfej<\/em>\u00a0dehumaniz\u00e1lt, elm\u00e9be hatol\u00f3 ipari t\u00e1jai \u00e9s marginaliz\u00e1lt polg\u00e1ri csal\u00e1dmodellj\u00e9nek pszicho-horrorja ut\u00e1n, Lynch frusztr\u00e1lt tragikomikus figur\u00e1it a\u00a0K\u00e9k b\u00e1rsony<\/strong><\/em>ban felv\u00e1ltj\u00e1k a kertv\u00e1rosi inkub\u00e1torvil\u00e1g b\u00e1b-fiataljainak esetlen \u00e9s naivan j\u00f3sz\u00e1nd\u00e9k\u00fa karakterei. Megjelennek az amerikai k\u00f6z\u00e9poszt\u00e1ly hamis \u00e9s t\u00f6r\u00e9keny vil\u00e1ga m\u00f6g\u00f6tti romlott, rossz lelkiismeretet kelt\u0151, alvil\u00e1gi torzsz\u00fcl\u00f6ttek. A j\u00f3l\u00e9tb\u0151l kitasz\u00edtott vagy kimaradt, annak hamis kultusz\u00e1t \u00fajfent f\u00e9lre\u00e9rtelmez\u0151 kisv\u00e1rosi, kisst\u00edl\u0171, groteszk, vadhajt\u00e1sr\u00f3l metszett prolik (az ig\u00e9nytelen, \u00edzl\u00e9stelen, kultur\u00e1latlan, de \u00f6ntudatos \u00e9s er\u0151szakos ember) f\u00e9lelmetes, de val\u00f3s\u00e1gosabb k\u00e9pe ker\u00fcl szembe a\u00a0\u201ewhite picket fence life\u201d<\/em>\u00a0\u2013 a feh\u00e9r ker\u00edt\u00e9ses, idilli amerikai \u00e9letet kultiv\u00e1l\u00f3 tisztes polg\u00e1rok katal\u00f3gusb\u00f3l rendelhet\u0151 illuz\u00f3rikus modellvil\u00e1g\u00e1val. Val\u00f3j\u00e1ban mindk\u00e9t vil\u00e1g fenntarthatatlan, civiliz\u00e1ci\u00f3s zs\u00e1kutca. Egym\u00e1s komplementerei, de mindkett\u0151 elfojtott, kiel\u00e9g\u00edtetlen v\u00e1gyakon alapul, ez\u00e9rt lehet mindkett\u0151 szinte egyform\u00e1n perverz. A nehezen defini\u00e1lhat\u00f3 emberl\u00e9pt\u00e9k\u0171 szabads\u00e1g f\u00e9lre\u00e9rtelmez\u00e9sei. Az elemi kertv\u00e1rosi \u00e9letform\u00e1b\u00f3l fakad\u00f3 bujk\u00e1l\u00f3s leskel\u0151d\u00e9s \u00e9s a vall\u00e1sos erk\u00f6lcst\u0151l \u00e9letszer\u0171tlenn\u00e9 tett pedag\u00f3gia ny\u00fajtotta \u201ef\u0171z\u0151s\u00edtett\u201d szexualit\u00e1s m\u00f6g\u00f6tti, kit\u00f6rni k\u00e9sz\u00fcl\u0151 k\u00edv\u00e1ncsis\u00e1g csap itt \u00f6ssze a f\u00e9lrenevelt, lelki betegg\u00e9 v\u00e1lt, rem\u00e9nyvesztett, t\u00e9velyg\u0151k, destrukt\u00edv pog\u00e1nyok band\u00e1j\u00e1val. Lynch \u00e1ll\u00edt\u00e1sa, hogy az 50-es \u00e9vek amerikai middle class al- \u00e9s felvil\u00e1g tagjai mind skizofr\u00e9nek, \u00e9s azok a szab\u00e1lyok amelyek a kett\u0151s szem\u00e9lyis\u00e9g ism\u00e9rveit defini\u00e1lj\u00e1k \u00e9s a jelens\u00e9get kriminaliz\u00e1lj\u00e1k, kett\u0151s m\u00e9rc\u00e9t alkalmaznak \u00e9s \u00fagyszint\u00e9n elrajzoltak.<\/p>\n\n\n\n

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\"\"<\/figure>\n<\/figure>\n\n\n\n

A szexualit\u00e1sa \u00e9s er\u0151szakoss\u00e1ga miatt kezdetben botr\u00e1nyos film, k\u00e9s\u0151bb kultikus st\u00e1tuszba ker\u00fclt. A Frank Booth (Dennis Hopper) \u00e9s a Dorothy Vallensz (Isabella Rossellini) k\u00f6z\u00f6tti szadomazochisztikus kapcsolatot, t\u00f6bb feminista \u00e9s pszichoanalitikus \u00e9rtelmez\u00e9s \u00f6vezi. Ma a posztmodern amerikai film egyik alapm\u0171vek\u00e9nt tartj\u00e1k sz\u00e1mon. Az amerikai \u00e1lom dekonstrukci\u00f3j\u00e1nak egyik legjobb pszichoanalitikus p\u00e9ld\u00e1ja. El\u00e9g, ha csak a film egyik ikonikus zen\u00e9j\u00e9t, Roy Orbison:\u00a0In Dreams\u00a0<\/em>c\u00edm\u0171 klasszikus\u00e1t elemezz\u00fck.<\/p>\n\n\n\n

\u201eHa a filmk\u00e9sz\u00edt\u00e9s egy \u00e1lomgy\u00e1r, amely k\u00e9pes dramatiz\u00e1lni \u00e9s vizualiz\u00e1lni tudatalattink m\u00e9lys\u00e9geit, akkor David Lynch ennek a k\u00fcl\u00f6nc, de zseni\u00e1lis \u00e9p\u00edt\u00e9sze \u00e9s m\u00e9rn\u00f6ke, aki a val\u00f3s\u00e1g elemeib\u0151l alkot sz\u00fcrre\u00e1lis, pszichol\u00f3giai m\u00e9lys\u00e9geket felt\u00e1r\u00f3 v\u00edzi\u00f3kat.\u201d<\/em>(Jonny Smith)<\/p>\n\n\n\n

Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

David Lynch: K\u00e9k b\u00e1rsony (Blue velvet), amerikai thriller, 1986, 120 p. Szabadka\/2025.03.05. A nagyk\u00f6z\u00f6ns\u00e9g sz\u00e1m\u00e1ra a\u00a0K\u00e9k b\u00e1rsonyban \u00e1llnak \u00f6ssze azok a stilisztikai \u00e9s tematikus elemek, amelyek Lynch hipnotikus vil\u00e1g\u00e1t jellemzik, de t\u00f6bb teoretikus is...<\/p>\n","protected":false},"author":3,"featured_media":4456,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-4450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:400\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2025\/05\/01-david-lynch-gq-18jan19-b.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:600\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2025\/05\/01-david-lynch-gq-18jan19-b.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=4450"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4450\/revisions"}],"predecessor-version":[{"id":4460,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/4450\/revisions\/4460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/4456"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=4450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=4450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=4450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}