Bence a f\u0151leg Sim\u00f3-oszt\u00e1lyk\u00e9nt elh\u00edres\u00fclt rendez\u0151k k\u00f6z\u00fcl kil\u00f3gott. Nem v\u00e9gzett filmf\u0151iskol\u00e1t, m\u00e9gis low budget els\u0151 filmje, a 2003-as <\/span>Rengeteg <\/span><\/span><\/i><\/span>\u00fajszer\u0171 m\u00e9lys\u00e9geivel kimagaslott a mez\u0151nyb\u0151l \u00e9s d\u00edjakat nyert nemzetk\u00f6zi terepen is. Folytat\u00e1sa, a 2021-es <\/span>Rengeteg, mindenhol l\u00e1tlak<\/span><\/span><\/i><\/span> <\/span>(Forest)<\/i><\/span> a <\/span>tabl\u00f3film m\u0171faj\u00e1ba sorolhat\u00f3, \u2026 epizodikus cselekm\u00e9nyvezet\u00e9s\u0171, azaz f\u0151leg a jellegzetes, misztikus, \u00e1lomszer\u0171 zenei \u00e1tk\u00f6t\u00e9ssel ker\u00fcl\u00fcnk \u00e1t egyik emberi dr\u00e1m\u00e1b\u00f3l a m\u00e1sikba. \u2026t\u00f6bb ember h\u00e9tk\u00f6znapi, de ann\u00e1l nyomaszt\u00f3bb probl\u00e9m\u00e1j\u00e1t ismerj\u00fck meg \u2026 a rengeteg term\u00e9szetesen felid\u00e9zi a kif\u00fcrk\u00e9szhetetlen erd\u0151 mot\u00edvum\u00e1t, amely az emberi l\u00e9lek misztikum\u00e1ra r\u00edmel. \u2026 \u2026 olyan ment\u00e1lis utaz\u00e1sra invit\u00e1lja a n\u00e9z\u0151t, amelyb\u0151l nem vonhatjuk ki magunkat, mivel a filmforma olyan, mint a mocs\u00e1r: ha egyszer belemer\u00fclt\u00fcnk, nem ereszt t\u00f6bb\u00e9.<\/span><\/span> \u2026 A Rengeteg<\/span><\/span> \u00e9s folytat\u00e1sa is ezt k\u00e9pes megragadni, a l\u00e1that\u00f3 \u00e9s hallhat\u00f3 realit\u00e1son t\u00fali, misztikus \u00e9s f\u00e9lelmetes vil\u00e1got. <\/i><\/span>(Benke Attila)<\/span><\/p>\n\n\n\n A minimalista, dokumentarista j\u00e1t\u00e9kfilm a meditat\u00edv hossz\u00fa be\u00e1ll\u00edt\u00e1sokon alapul\u00f3, rendk\u00edv\u00fcl lass\u00fa slow cinema technik\u00e1t alkotja \u00fajra, ami\u00a0siv\u00e1rs\u00e1g-, melank\u00f3lia- \u00e9s mereng\u00e9s-k\u00f6zpont\u00fa<\/em>v\u00e1 teszi a r\u00f6vid epiz\u00f3dokban, letisztult kamerakezel\u00e9ssel \u00e9s kev\u00e9s v\u00e1g\u00e1ssal oper\u00e1l\u00f3 m\u0171vet. Ezek az elm\u00e9s, indulatos individualista j\u00e1tszm\u00e1k pedig r\u00f6gval\u00f3s\u00e1gunk elrejtett, kibesz\u00e9letlen r\u00e9szei.\u2028Hat nagyon intim t\u00f6rt\u00e9netet foglal mag\u00e1ba a\u00a0kisfilmf\u00fcz\u00e9res forma<\/em>, ahol a mondatr\u00f3l mondatra el\u0151rehalad\u00f3, titkokat felfed\u0151 \u00e9s \u00fajabb titkokat sejtet\u0151 inform\u00e1ci\u00f3adagol\u00f3 filmsz\u00f6vet, egyre fesz\u00fcltebb voyeurizmusba hajszolja a n\u00e9z\u0151t \u00e9s a besz\u00e9lget\u00e9sek karaktereit. V\u00e9gtelen\u00fcl nyitott \u00e1rnyalts\u00e1g\u00fa p\u00e1rbesz\u00e9dek bontakoznak ki, ahol amat\u0151r \u00e9s profik sz\u00edn\u00e9szek mellett, egyszer\u0171 civilek sz\u00ednj\u00e1t\u00e9ka fokozza a szavak hangs\u00faly\u00e1nak, artikul\u00e1ci\u00f3j\u00e1nak karakter\u00e9t \u00e9s t\u00e9tj\u00e9t. Ebben a v\u00e1rakoz\u00f3, ink\u00e1bb passz\u00edv \u00e9s kisebb m\u00e9rt\u00e9kben akt\u00edv befogad\u00f3i poz\u00edci\u00f3ban, k\u00fcl\u00f6nleges \u00e9le lesz a n\u00e9z\u0151 helyzet\u00e9nek. Mint egy thrillerben, a n\u00e9z\u0151 egyszerre a megold\u00e1st \u00e9s az igazs\u00e1got keres\u0151 nyomoz\u00f3, majd a gondolatainak t\u00fckr\u00e9ben elk\u00f6vet\u0151v\u00e9 v\u00e1lik, a mindenhat\u00f3 rendez\u0151vel szemben pedig \u00e1ldozata leskel\u0151d\u0151, te\u00f3riagy\u00e1rt\u00f3 el\u0151\u00edt\u00e9leteinek. \u00cdgy v\u00e1lik a\u00a0Rengeteg \u2013 Mindenhol l\u00e1tlak<\/strong><\/em>, kimagasl\u00f3an impulz\u00edv vit\u00e1ra ingerl\u0151 \u00e9s sz\u00e1mtalan k\u00e9rd\u00e9st felvet\u0151, kifel\u00e9 \u00e9s befel\u00e9 folytatott p\u00e1rbesz\u00e9dek rengeteg\u00e9v\u00e9. A gesztusokon, mimik\u00e1kon \u00e9s verbalit\u00e1son alapul\u00f3 j\u00e1tszm\u00e1k sor\u00e1n a term\u00e9szetes \u00e9s mesterk\u00e9lt vagy ak\u00e1r elrontott sz\u00edn\u00e9szi megnyilv\u00e1nul\u00e1sok k\u00f6z\u00f6tti hat\u00e1rok elmos\u00f3dnak. A profi sz\u00edn\u00e9sz \u00e9s az amat\u0151r k\u00f6z\u00f6tti ellent\u00e9tek a film t\u00fckr\u00e9ben kiegyenl\u00edt\u0151dnek \u00e9s egy felzaklat\u00f3an val\u00f3s\u00e1gos, az \u00e9let ismeretlens\u00e9ge fel\u00e9 nyitnak utat. Itt nincs hamis alak\u00edt\u00e1s, illetve, a hamis alak\u00edt\u00e1s l\u00e9nyege, a film adott szegmens\u00e9ben, ha van is, az \u00e9pp az a fajta sz\u00fcks\u00e9ges hamiss\u00e1g, ami miatt pl. Tarr B\u00e9la\u00a0S\u00e1t\u00e1ntang\u00f3<\/em>j\u00e1ban telital\u00e1lat volt a zen\u00e9sz V\u00edg Mih\u00e1ly csal\u00f3k\u00e9nt val\u00f3 szerepeltet\u00e9se \u2013 nem v\u00e9letlen\u00fcl, V\u00edg ebben a filmben is szerepet kapott!<\/p>\n\n\n\n Sz\u00e1sz Csongor<\/p>\n\n\n\n A programot t\u00e1mogatta: <\/p>\n\n\n\n Szabadka\/2024.04.30. Fliegauf Benedek-Rengeteg, mindenhol l\u00e1tlak, 2021, magyar filmdr\u00e1ma 112 perc Fliegauf Benedek a magyar filmm\u0171v\u00e9szet m\u00e1sodik aranykor\u00e1nak egyik legfontosabb alakja.A 2000-es \u00e9vek elej\u00e9n indult T\u00f6r\u00f6k, P\u00e1lfi, Hajdu, Mundrucz\u00f3 \u00e9s Kocsis \u00c1gnes f\u00e9mjelezte hull\u00e1m f\u0151bb alkot\u00f3i, a...<\/p>\n","protected":false},"author":3,"featured_media":3409,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-3402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/05\/822.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/05\/822.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/3402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=3402"}],"version-history":[{"count":3,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/3402\/revisions"}],"predecessor-version":[{"id":4161,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/3402\/revisions\/4161"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/3409"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=3402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=3402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=3402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/05\/440030125_10234044657759388_8442962864185812391_n.jpg\")
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