{"id":3179,"date":"2024-01-27T17:03:00","date_gmt":"2024-01-27T16:03:00","guid":{"rendered":"https:\/\/ctalker.org\/?p=3179"},"modified":"2024-12-18T13:44:27","modified_gmt":"2024-12-18T12:44:27","slug":"torok-ferenc-1945-beszelgetes-torok-ferenc-rendezovel","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2024\/01\/27\/torok-ferenc-1945-beszelgetes-torok-ferenc-rendezovel\/","title":{"rendered":"Kurbli Filmklub: T\u00f6r\u00f6k Ferenc-1945 + Besz\u00e9lget\u00e9s T\u00f6r\u00f6k Ferenc rendez\u0151vel!"},"content":{"rendered":"\n

Szabadka\/2024.01.30.<\/p>\n\n\n\n

T\u00f6r\u00f6k Ferenc: 1945<\/em><\/strong>, magyar t\u00f6rt\u00e9nelmi dr\u00e1ma, 1997, 91 perc<\/p>\n\n\n\n

T\u00f6r\u00f6k m\u00faltfelt\u00e1r\u00f3 alkot\u00e1sa egyetemes, \u00e9get\u0151 k\u00e9rd\u00e9seket feszeget. A holokauszt ut\u00e1ni \u00e1tmeneti id\u0151szakban j\u00e1tsz\u00f3d\u00f3 filmet az teszi kiv\u00e9teless\u00e9, hogy a f\u00f3kusz\u00e1ba \u00e1ll\u00edtott azonos\u00edtatlan magyarorsz\u00e1gi falu \u00e9s tipikus lak\u00f3inak vizsg\u00e1lata k\u00f6zben, a rendez\u0151 nem az elhurcolt, majd 1945<\/em><\/strong>-ben t\u00fal\u00e9l\u0151k\u00e9nt visszat\u00e9r\u0151 zsid\u00f3k t\u00f6rt\u00e9net\u00e9re koncentr\u00e1l \u2013 ez a vid\u00e9ki Magyarorsz\u00e1g vil\u00e1g\u00e1ban egy\u00e9bk\u00e9nt sem volt jellemz\u0151. Helyette, a film rendszerkritikus t\u00e9m\u00e1ja az egy\u00e9ni \u00e9s a kollekt\u00edv felel\u0151ss\u00e9g k\u00e9rd\u00e9seit feszegeti. A telep\u00fcl\u00e9s t\u00f6bbs\u00e9gi tagjai k\u00f6z\u00e9 tartoz\u00f3k szemsz\u00f6g\u00e9t f\u00fcrk\u00e9szi, azok szem\u00e9lyes \u00e9s k\u00f6z\u00f6ss\u00e9gi v\u00edzi\u00f3it \u00e9s f\u00e9lelmeit, akik akarva-akaratlanul a zsid\u00f3 etnikum\u00faak elhurcol\u00e1s\u00e1nak haszon\u00e9lvez\u0151iv\u00e9 v\u00e1ltak. Ennek az etnikumokat \u00e9s kisebbs\u00e9geket \u00e9rint\u0151, glob\u00e1lisan jelenl\u00e9v\u0151 \u00e9s az emberis\u00e9g t\u00f6rt\u00e9net\u00e9ben egyre kr\u00f3nikusabb\u00e1 v\u00e1l\u00f3, r\u00e1ad\u00e1sul folyamatosan b\u0151v\u00fcl\u0151 \u00e9s \u00fajratermel\u0151d\u0151 probl\u00e9mak\u00f6rnek a boncolgat\u00e1sa pedig hozz\u00e1j\u00e1rult a film vil\u00e1gsiker\u00e9hez. Rag\u00e1lyi Elem\u00e9r kontrasztos fekete-feh\u00e9r kompoz\u00edci\u00f3i, Rajk L\u00e1szl\u00f3 egyszerre realista \u00e9s stiliz\u00e1lt d\u00edszletei \u00e9s Szemz\u0151 Tibor finoman \u00e9p\u00edtkez\u0151 minimalista zen\u00e9je ugyancsak hozz\u00e1j\u00e1rul az 1945<\/strong> k\u00fcl\u00f6nleges atmoszf\u00e9r\u00e1j\u00e1hoz. <\/em>(B. S.)<\/p>\n\n\n

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A m\u00e1ig tabus\u00edtott, k\u00e9nyelmetlen b\u0171n\u00f6kkel szembes\u00edt\u0151 film krimi-, thriller-, westernfilmes<\/em> st\u00edluselemeket \u00e9s hat\u00e1rid\u0151 dramaturgi\u00e1t is felhaszn\u00e1lva figyelmeztet traum\u00e1ink tarthatatlans\u00e1g\u00e1ra, mik\u00f6zben felt\u00e1rja az emberi viselked\u00e9sform\u00e1k<\/em> tragikuss\u00e1g\u00e1t. A sz\u00edn\u00e9szi alak\u00edt\u00e1sok mellett a tagad\u00e1s \u00e9s elhallgat\u00e1s terh\u00e9t n\u00f6vel\u0151 csend kap fontos dramaturgiai szerepet. A k\u00f6z\u00f6s \u0151sb\u0171n\u00f6k felsz\u00ednre ker\u00fcl\u00e9se \u00e9s az ennek hat\u00e1s\u00e1ra m\u00e9g sz\u0171kszav\u00fabb\u00e1 v\u00e1l\u00f3 jellegzetes falusi karakterek j\u00e1t\u00e9ka, hamar megalapozz\u00e1k a v\u00e9szkorszakot tematiz\u00e1l\u00f3 m\u0171 koncentr\u00e1lt l\u00e9gk\u00f6r\u00e9t. A Sz\u00e1nt\u00f3 T. G\u00e1bor Hazat\u00e9r\u00e9s<\/em> c\u00edm\u0171 elbesz\u00e9l\u00e9se nyom\u00e1n k\u00e9sz\u00fclt film, D\u00e1vid R\u00e9ka Anna tanulm\u00e1nya szerint az\u00e9rt rendk\u00edv\u00fcli a magyar filmt\u00f6rt\u00e9nelemben, mert a t\u00f6rt\u00e9n\u00e9szek \u00e9s pedag\u00f3gusok \u00e1ltal javasolt \u00f6nkritikus nemzeti eml\u00e9kezetet er\u0151s\u00edt\u0151 alkot\u00e1s \u2026<\/em> fel\u00e9breszti a falusiak lelk\u00e9ben szunnyad\u00f3 b\u0171ntudatot, akik a v\u00e9gs\u0151kig bizonygatj\u00e1k jogoss\u00e1gukat a hazug m\u00f3don szerzett tulajdonok felett.<\/em> A film arra is j\u00f3 p\u00e9lda, hogy sohasem k\u00e9s\u0151 \u00fajra\u00e9rtelmezni a fojtogat\u00f3an kibesz\u00e9letlen m\u00faltat. Hiszen a jelen\u00fcnkben meg\u00e9lt \u00f6nk\u00e9pzavaraink \u00e9s identit\u00e1sv\u00e1ls\u00e1gaink m\u00f6g\u00f6tt, olykor val\u00f3di transzgener\u00e1ci\u00f3s traum\u00e1k lapulnak.<\/p>\n\n\n\n

F\u0151szerepben a falu jegyz\u0151j\u00e9t zseni\u00e1lisan alak\u00edt\u00f3 Rudolf P\u00e9ter!<\/p>\n\n\n\n

AZ EST VEND\u00c9GE T\u00d6R\u00d6K FERENC!<\/p>\n\n\n\n

Sz\u00e1sz Csongor<\/p>\n\n\n\n

<\/a><\/p>\n\n\n\n

A programot t\u00e1mogatta: <\/p>\n\n\n\n

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<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2024.01.30. T\u00f6r\u00f6k Ferenc: 1945, magyar t\u00f6rt\u00e9nelmi dr\u00e1ma, 1997, 91 perc T\u00f6r\u00f6k m\u00faltfelt\u00e1r\u00f3 alkot\u00e1sa egyetemes, \u00e9get\u0151 k\u00e9rd\u00e9seket feszeget. A holokauszt ut\u00e1ni \u00e1tmeneti id\u0151szakban j\u00e1tsz\u00f3d\u00f3 filmet az teszi kiv\u00e9teless\u00e9, hogy a f\u00f3kusz\u00e1ba \u00e1ll\u00edtott azonos\u00edtatlan magyarorsz\u00e1gi falu \u00e9s...<\/p>\n","protected":false},"author":1,"featured_media":3180,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[6,8,9],"tags":[],"class_list":["post-3179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmvetites","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/01\/421900882_10233535361987312_6245563291640662195_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/01\/421900882_10233535361987312_6245563291640662195_n.jpg","author_info":{"display_name":"kriszti\u0430n","author_link":"https:\/\/ctalker.org\/rs\/author\/krs\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/3179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=3179"}],"version-history":[{"count":3,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/3179\/revisions"}],"predecessor-version":[{"id":4140,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/3179\/revisions\/4140"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/3180"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=3179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=3179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=3179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}