![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/01\/322376353_698985715283528_546954398661518090_n.jpg\")
Leigh munk\u00e1s k\u00f6rnyezetben szocializ\u00e1l\u00f3dott k\u00f6z\u00e9poszt\u00e1lybeli. \u00c9letidegennek meg\u00e9lt sz\u00ednh\u00e1zi tanulm\u00e1nyaib\u00f3l ki\u00e1br\u00e1ndulva a\u00a0London Film School-<\/em>ba ker\u00fcl, majd elkezdi kialak\u00edtani, saj\u00e1tos improviz\u00e1ci\u00f3ra \u00e9p\u00fcl\u0151 sz\u00edn\u00e9szvezet\u00e9s\u00e9t. Nincs \u201ek\u0151be v\u00e9sett\u201d sz\u00f6vegk\u00f6nyv. T\u00f6bbnyire \u00e1lland\u00f3, professzion\u00e1lis sz\u00edn\u00e9szei az alkot\u00f3folyamat sor\u00e1n bizalmi rendszert \u00e9p\u00edtenek ki \u00e9s mint Cassavetesn\u00e9l, szinte az eg\u00e9sz st\u00e1b egyenrang\u00fa alkot\u00f3t\u00e1rss\u00e1 v\u00e1lik. Ken Loacht\u00f3l elt\u00e9r\u0151en az egym\u00e1st\u00f3l mer\u0151ben k\u00fcl\u00f6nb\u00f6z\u0151 vil\u00e1gokat (k\u00f6z\u00e9poszt\u00e1lybeli l\u00e9lektani konstrukci\u00f3kat) megjelen\u00edt\u0151 sorsokon kereszt\u00fcl t\u00e1rul el\u00e9nk a t\u00e1gabb t\u00e1rsadalmi l\u00e9t\u00e1llapot kritik\u00e1ja. Leigh szerint, olyan karaktereket kell teremteni,\u00a0akiken nem \u00e9rezni az elj\u00e1tszotts\u00e1got.<\/em>\u00a0Midcult alkot\u00f3nak tartja mag\u00e1t,\u00a0aki komoly t\u00e9m\u00e1i \u00e9s a gondolkod\u00e1sra k\u00e9sztet\u00e9s mellett sz\u00f3rakoztatni is akar. Realizmus\u00e1nak s\u00falypontja \u2026 az \u00e9rzelmek v\u00e1ltakoz\u00e1s\u00e1nak dokument\u00e1l\u00f3 bemutat\u00e1sa. \u2026 filmjei mintegy mozg\u00f3k\u00e9pes ter\u00e1piak\u00e9nt m\u0171k\u00f6dnek egyr\u00e9szt a benne szerepl\u0151k, m\u00e1sr\u00e9szt a \u2026 n\u00e9z\u0151 sz\u00e1m\u00e1ra.<\/em><\/p>\n\n\n A k\u00f6z\u00e9ppontban pedig minden esetben a csal\u00e1d \u00e9s az ember \u00e1ll. Garry Watson kifejez\u00e9s\u00e9vel \u00e9lve, Leigh\u00a0traumatikus<\/em>\u00a0(film)realizmus<\/em>\u00e1ban,\u00a0szerepl\u0151inek \u00faj \u00e9s szokatlan \u00e9lethelyzetekkel kell megk\u00fczdeni\u00fck, egyfajta \u201etraumatikus utaz\u00e1son\u201d kell \u00e1tesni\u00fck, melynek r\u00e9v\u00e9n k\u00f6zelebb ker\u00fclnek egyr\u00e9szt \u00f6nmagukhoz, m\u00e1sr\u00e9szt a m\u00e1sik szem\u00e9lyhez \u00e9s a csal\u00e1dhoz.\u00a0<\/em>(Pap Tam\u00e1s)<\/p>\n \u00a0<\/p>\n Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":" Szabadka\/2023.01.10. Mike Leigh: Az \u00e9let oly \u00e9des \u00a0(Life Is Sweet), 1990, angol v\u00edgj\u00e1t\u00e9k, 103 perc Mike Leigh, angol filmrendez\u0151 \u00fajrateremti a h\u00e9tk\u00f6znapok eszt\u00e9tik\u00e1j\u00e1t \u00e9s Cassaveteshez hasonl\u00f3an, \u00faj realista po\u00e9tik\u00e1t alkot Filmjeinek form\u00e1j\u00e1t \u2013 a\u00a0cinema...<\/p>\n","protected":false},"author":3,"featured_media":2561,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2558","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/01\/322228299_715708886624641_5984010608525131014_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/01\/322228299_715708886624641_5984010608525131014_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=2558"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2558\/revisions"}],"predecessor-version":[{"id":2562,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2558\/revisions\/2562"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/2561"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=2558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=2558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=2558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/01\/322333943_505876208195261_1065422025897063555_n.jpg\")
<\/figure>\n<\/div>\n\n\n