{"id":2476,"date":"2022-12-01T19:54:34","date_gmt":"2022-12-01T18:54:34","guid":{"rendered":"https:\/\/ctalker.org\/?p=2476"},"modified":"2022-12-01T19:54:35","modified_gmt":"2022-12-01T18:54:35","slug":"kurbli-filmklub-robert-altman-buffalo-bill-es-az-indianok","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2022\/12\/01\/kurbli-filmklub-robert-altman-buffalo-bill-es-az-indianok\/","title":{"rendered":"Kurbli Filmklub: Robert Altman-Buffalo Bill \u00e9s az indi\u00e1nok"},"content":{"rendered":"\n

Szabadka\/2022.11.29.<\/p>\n\n\n\n

Robert Altman: Buffalo Bill \u00e9s az indi\u00e1nok (Buffalo Bill<\/em>\u00a0and the Indians), 1976, amerikai western szat\u00edra, 123 perc<\/p>\n\n\n\n

Buffalo Bill \u00e9s az indi\u00e1nok, avagy \u00dcl\u0151 Bika t\u00f6rt\u00e9nelemleck\u00e9je<\/strong><\/em><\/p>\n\n\n\n

Az amerikai f\u00fcggetlen filmalkot\u00f3 Robert Altman legnevesebb,\u00a0Nashvill<\/em> c\u00edm\u0171 gigantikus t\u00e1rsadalmi tabl\u00f3ja ut\u00e1n, 1976-ban elk\u00e9sz\u00edti Paul Newman f\u0151szerepl\u00e9s\u00e9vel az amerikai m\u00edtoszok \u0151seredetij\u00e9nek, a vadnyugat sokat manipul\u00e1lt legend\u00e1j\u00e1nak a rombol\u00e1s\u00e1t. A zs\u00e1nerben alkot\u00f3 Amerika kritikus Altman, legf\u0151bb k\u00e9zjegyei a cselekm\u00e9ny \u201efellaz\u00edt\u00e1sa\u201d az elbesz\u00e9l\u00e9sben \u00e9s a hangs\u00e1v sokoldal\u00fa potenci\u00e1j\u00e1nak kreat\u00edv haszn\u00e1lata. P\u00e9ld\u00e1ul az elemi k\u00e9pbe\u00e1ll\u00edt\u00e1sban elhangzott p\u00e1rbesz\u00e9dek polif\u00f3ni\u00e1j\u00e1nak hangs\u00falyoz\u00e1sa, azaz a \u201ep\u00e1rhuzamosan sz\u00f3nokl\u00f3 szerepl\u0151k \u00e9s az \u00e1tfed\u0151 dial\u00f3gok\u201d nagyban fokozz\u00e1k a film val\u00f3s\u00e1goss\u00e1g\u00e1t. Erre a saj\u00e1tosan szenzibilis val\u00f3s\u00e1gkoncepci\u00f3ra pedig sz\u00fcks\u00e9ge is van egy olyan t\u00f6rt\u00e9nelmi perspekt\u00edv\u00e1j\u00fa filmnek, amelynek tal\u00e1n legkifejez\u0151bb \u00fczenete az, hogy a t\u00f6rt\u00e9nelemhamis\u00edt\u00e1s az emberis\u00e9g legnagyobb show biznisze.<\/p>\n\n\n

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\"\"
Buffalo Bill\/Paul Newman<\/figcaption><\/figure>\n<\/div>\n\n\n

Altman egyik legradik\u00e1lisabb, klasszikus elbesz\u00e9l\u00e9sm\u00f3dban k\u00e9sz\u00edtett\u00a0Buffalo Bill<\/strong><\/em>-je \u201em\u00e1r alapkoncepci\u00f3j\u00e1ban is er\u0151teljesen szubverz\u00edv: olyan vadnyugati filmr\u0151l van sz\u00f3, amely utaz\u00f3 cirkuszk\u00e9nt, v\u00e1s\u00e1ri mutatv\u00e1nyk\u00e9nt gondolja \u00fajra a westernt. A cselekm\u00e9ny ugyanis Buffalo Bill egykor val\u00f3ban l\u00e9tez\u0151 vadnyugati show-j\u00e1r\u00f3l mes\u00e9l, ugyanakkor az elbesz\u00e9l\u00e9s (a korabeli cerem\u00f3niamestereket id\u00e9z\u0151 narr\u00e1ci\u00f3 \u00e9s a n\u00e9z\u0151nek c\u00edmzett feliratok r\u00e9v\u00e9n) m\u00e1r a nyit\u00e1nyban jelzi, hogy a film maga is egy t\u00f6rt\u00e9neti rekonstrukci\u00f3 \u2026\u201d (Nagy V. Gerg\u0151) Altman filmje nemcsak a westernt \u00e9s h\u0151s\u00e9t a gy\u0151ztes revolveres cowboyt deheroiz\u00e1lja, hanem, mint el\u0151z\u0151 alkot\u00e1saiban is (pl.\u00a0MASH<\/em>, 1970), Altman zavarba ejt\u0151 szat\u00edr\u00e1t k\u00e9sz\u00edt az amerikaiak civiliz\u00e1lts\u00e1g\u00e1b\u00f3l \u00e9s kineveti a hazug t\u00f6rt\u00e9nelemhamis\u00edt\u00f3kat \u00e9s p\u00e9nz\u00e9hes \u00f6njel\u00f6lt poj\u00e1cak\u00e9nt \u00e1br\u00e1zolja az eredetm\u00edtosz \u00fajrateremt\u00e9s\u00e9nek egyik legnagyobb \u00e9llovas\u00e1v\u00e1 avanzs\u00e1lt pr\u00e9mvad\u00e1sz, pisztolyh\u0151s \u00e9s indi\u00e1n\u00f6l\u0151 William Codyt, alias Buffalo Billt.\u00a0<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

\u201eAltman ironikus-szatirikus \u2013 s er\u0151sen anakronisztikus \u2013 filmje nem a vadnyugatr\u00f3l sz\u00f3l, hanem a mai Amerika tudat\u00e1r\u00f3l. \u2026 az \u00f6ncsal\u00e1s, a t\u00f6rt\u00e9nelmi showbiz kezdeteinek\u201d k\u00edm\u00e9letlen\u00fcl szenvtelen vizsg\u00e1lat\u00e1r\u00f3l. (Sz\u00e1sz Imre) \u201eMik\u00e9nt a\u00a0Nashville<\/em>\u00a0eset\u00e9ben a country-f\u0151v\u00e1ros, \u00fagy a\u00a0Buffalo Bill<\/strong><\/em>-ben ez a m\u00edtoszgy\u00e1rt\u00f3 t\u00e1rsulat jelenti a k\u00f6zponti metafor\u00e1t, amely nem csup\u00e1n az amerikai t\u00e1rsadalom reflexeir\u0151l (az indi\u00e1nokat n\u00e9ha feket\u00e9k alak\u00edtj\u00e1k) vagy a sz\u00f3rakoztat\u00f3ipar \u00e9s a hollywoodi filmk\u00e9sz\u00edt\u00e9s term\u00e9szet\u00e9r\u0151l besz\u00e9l, de egy\u00fattal lej\u00e1rt szavatoss\u00e1g\u00fa hamis\u00edtv\u00e1nyk\u00e9nt, \u00f6n\u00e1m\u00edt\u00f3 konstrukci\u00f3k\u00e9nt leplezi le a pion\u00edrm\u00edtoszt \u00e9s az amerikai t\u00f6rt\u00e9neti tudatot. Az \u00f6nn\u00f6n legend\u00e1j\u00e1ba habarodott Buffalo Bill az elnyomott b\u0171ntudat \u00e1gensek\u00e9nt felt\u0171n\u0151 \u00bbszi\u00fa t\u00f6rzsf\u0151n\u00f6kkel\u00ab \u00dcl\u0151 Bik\u00e1val keveredik konfliktusba \u2026\u201d (Nagy V. Gerg\u0151)<\/p>\n

Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2022.11.29. Robert Altman: Buffalo Bill \u00e9s az indi\u00e1nok (Buffalo Bill\u00a0and the Indians), 1976, amerikai western szat\u00edra, 123 perc Buffalo Bill \u00e9s az indi\u00e1nok, avagy \u00dcl\u0151 Bika t\u00f6rt\u00e9nelemleck\u00e9je Az amerikai f\u00fcggetlen filmalkot\u00f3 Robert Altman legnevesebb,\u00a0Nashvill...<\/p>\n","protected":false},"author":3,"featured_media":2480,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/12\/316684136_10230601646926269_8210051105451974985_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/12\/316684136_10230601646926269_8210051105451974985_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=2476"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2476\/revisions"}],"predecessor-version":[{"id":2481,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2476\/revisions\/2481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/2480"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=2476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=2476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=2476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}