{"id":2464,"date":"2022-11-14T22:16:55","date_gmt":"2022-11-14T21:16:55","guid":{"rendered":"https:\/\/ctalker.org\/?p=2464"},"modified":"2022-11-14T22:16:57","modified_gmt":"2022-11-14T21:16:57","slug":"kurbli-filmklub-agnes-varda-sem-fedel-sem-torveny","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2022\/11\/14\/kurbli-filmklub-agnes-varda-sem-fedel-sem-torveny\/","title":{"rendered":"Kurbli Filmklub: Agn\u00e9s Varda-Sem fed\u00e9l, sem t\u00f6rv\u00e9ny"},"content":{"rendered":"\n

Szabadka\/2022.11.15.<\/p>\n\n\n\n

Agn\u00e9s Varda: Sem fed\u00e9l, sem t\u00f6rv\u00e9ny (Sans toi ni loi), 1985, francia road-movie filmdr\u00e1ma, 105 p.<\/p>\n\n\n\n

Az eszt\u00e9tikai, filmnyelvi hat\u00e1r\u00e1tl\u00e9p\u00e9seir\u0151l ismert Agn\u00e8s Varda, a Francia \u00faj hull\u00e1m (Nouvelle Vague<\/em>) legismertebb n\u0151i filmrendez\u0151je, a\u00a0Cl\u00e9o 5-t\u0151l 7-ig\u00a0<\/em>alkot\u00f3ja, sem t\u00f6bbet sem kevesebbet nem v\u00e1llal, mint a filmm\u0171v\u00e9szet eszk\u00f6zeivel \u00e9s felszabadult nyelv\u00e9n, felel\u0151ss\u00e9gteljesen mes\u00e9lni; a gravit\u00e1ci\u00f3 t\u00e9ny\u00e9t nem figyelmen k\u00edv\u00fcl hagyva rep\u00edteni a n\u00e9z\u0151t a magasba; ok\u00edtani, gy\u00f6ny\u00f6rk\u00f6dtetni \u00e9s megd\u00f6bbenteni.<\/p>\n\n\n\n

\u201eVarda h\u00e9tk\u00f6znapi, marginaliz\u00e1lt emberek \u00e9s t\u00f6rt\u00e9netek ir\u00e1nti empatikus k\u00edv\u00e1ncsis\u00e1ga, \u00e1lland\u00f3 k\u00eds\u00e9rletez\u0151kedve, formakeres\u0151 szubjektivit\u00e1sa a kezdetekt\u0151l vil\u00e1gos; \u00e9letm\u0171ve m\u00e9gis folyamatos v\u00e1ltoz\u00e1s \u00e9s \u00fajrakezd\u00e9s \u2026\u201d (Margith\u00e1zi Beja) \u00c9rett, 1985-\u00f6s road-moviej\u00e9ben, a szerz\u0151i elm\u00e9let bar\u00e1zd\u00e1in tov\u00e1bbhaladva, zavarba ejt\u0151 \u00e9lm\u00e9nyek sor\u00e1n, Vard\u00e1n\u00e1l megjelenik a fest\u0151i francia t\u00e1j ridegs\u00e9ge, a fot\u00f3realizmus, a t\u00e9r kompoz\u00edci\u00f3inak ereje, a Cin\u00e9ma V\u00e9rit\u00e9 hum\u00e1n naturalisztikuss\u00e1g\u00e1nak f\u00f6ldszaga, a n\u0151i sorsok \u00e9rz\u00e9kletes filoz\u00f3fi\u00e1ja, az id\u0151tudat \u00e9s az eml\u00e9kez\u00e9s szem\u00e9lyess\u00e9ge.<\/p>\n

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\"\"<\/figure>\n<\/figure>\n\n\n\n

A haz\u00e1j\u00e1ban kasszasikert \u201esz\u00fcretelt\u201d filmdr\u00e1m\u00e1ban egy \u00e1tlagosan csinos, fiatal cselleng\u0151 n\u0151 \u00e9let\u00e9nek utols\u00f3 szakasza t\u00e1rul el\u00e9nk, mik\u00f6zben bej\u00e1rhatjuk a vil\u00e1g legnagyobb borvid\u00e9k\u00e9t, a Languedoc-Roussillon r\u00e9gi\u00f3ban. A\u00a0Vagabond<\/strong><\/em>\u00a0n\u0151i perspekt\u00edv\u00e1j\u00fa t\u00f6rt\u00e9nete a szabad akarat hat\u00e1rair\u00f3l, a merev t\u00e1rsadalmi konvenci\u00f3k kiszolg\u00e1ltatottjair\u00f3l, tov\u00e1bb\u00e1 az emberi gyarl\u00f3s\u00e1gr\u00f3l, gonoszs\u00e1gr\u00f3l, rem\u00e9nyr\u0151l \u00e9s kil\u00e1t\u00e1stalans\u00e1gr\u00f3l is sz\u00f3l. Az interj\u00far\u00e9szleteket tartalmaz\u00f3, visszaeml\u00e9kez\u0151 filmszerkezet\u0171 Vagabond, mik\u00f6zben erk\u00f6lcstelen igazs\u00e1gtalans\u00e1gokat t\u00e1r fel, tal\u00e1n a legkomplexebben mutatja be a n\u0151kkel szembeni el\u0151\u00edt\u00e9leteket. A f\u0151szerepben a zseni\u00e1lis alak\u00edt\u00e1st ny\u00fajt\u00f3 Sandrine Bonnaire j\u00e1tszik. Varda nagyfok\u00fa eredetis\u00e9ggel illethet\u0151 rendez\u00e9s\u00e9nek f\u0151h\u0151sn\u0151je, az egyszer\u0171 \u201ej\u00f3zan paraszti \u00e9sz\u201d logik\u00e1j\u00e1t, kem\u00e9nys\u00e9get \u00e9s \u0151szintes\u00e9get, de naivit\u00e1st \u00e9s j\u00f3indulatot is kifejez\u0151, rejt\u00e9lyes Mona elhagyatotts\u00e1ga \u201eegyszerre gyeng\u00e9den humanista \u00e9s teljesen k\u00f6ny\u00f6rtelen.\u201d- f\u0171zi hozz\u00e1 Richard Chandler blogger, aki Godard eszt\u00e9tik\u00e1j\u00e1nak meghalad\u00e1s\u00e1t l\u00e1tja a m\u0171ben, valamint Wenders\u00a0T\u00e9ves mozdulatok<\/em>-j\u00e1hoz \u00e9s Fellini\u00a0Cabiria \u00e9jszak\u00e1i-<\/em>hoz hasonl\u00edtja Varda k\u00fcl\u00f6n\u00f6s ihletetts\u00e9g\u0171 remekm\u0171v\u00e9t.<\/p>\n

\u00a0<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

Mona \u201earra t\u00f6rekszik, hogy ne olyan munk\u00e1\u00e9rt dolgozzon, amelyet ut\u00e1l. Arra t\u00f6rekszik, hogy ne hamis\u00edtson szerelmet egy olyan f\u00e9rfi ir\u00e1nt, akit megvet. Igyekszik tanulni \u00e9s a maga m\u00f3dj\u00e1n \u00e9lni. \u00c9s b\u00e1r sodr\u00f3d\u00f3 \u00e9lete lehet\u0151v\u00e9 tette sz\u00e1m\u00e1ra, hogy kiszabaduljon azokb\u00f3l a kapitalista l\u00e1ncokb\u00f3l, amelyekbe kor\u00e1bban be volt z\u00e1rva, ez egy\u00fattal t\u00e1rsadalmilag teljesen kiszolg\u00e1ltatott\u00e1 tette. \u2026 De vajon Aphrodit\u00e9 azt k\u00e9rte, hogy k\u00edv\u00e1natos legyen? Azt k\u00e9rte, hogy a sz\u00fclet\u00e9se ekkora erotikus figyelmet keltsen? K\u00e9rte-e a saj\u00e1t test\u00e9t, hogy mitikus er\u0151szakot sz\u00edtson? Vagy \u0151 is, mint minden n\u0151, k\u00e9nytelen volt elviselni?- ezekkel a jogosnak l\u00e1tsz\u00f3 k\u00e9rd\u00e9sekkel z\u00e1rul Maggie Hill londoni szak\u00edr\u00f3 2022-es eszmefuttat\u00e1sa.<\/p>\n

\u00a0<\/p>\n\n\n

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Agn\u00e9s Varda, rendez\u0151<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Szabadka\/2022.11.15. Agn\u00e9s Varda: Sem fed\u00e9l, sem t\u00f6rv\u00e9ny (Sans toi ni loi), 1985, francia road-movie filmdr\u00e1ma, 105 p. Az eszt\u00e9tikai, filmnyelvi hat\u00e1r\u00e1tl\u00e9p\u00e9seir\u0151l ismert Agn\u00e8s Varda, a Francia \u00faj hull\u00e1m (Nouvelle Vague) legismertebb n\u0151i filmrendez\u0151je, a\u00a0Cl\u00e9o...<\/p>\n","protected":false},"author":3,"featured_media":2469,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/11\/315688518_10230512029325885_7196535865621922828_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/11\/315688518_10230512029325885_7196535865621922828_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=2464"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2464\/revisions"}],"predecessor-version":[{"id":2470,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2464\/revisions\/2470"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/2469"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=2464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=2464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=2464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}