{"id":2397,"date":"2022-10-05T19:00:14","date_gmt":"2022-10-05T18:00:14","guid":{"rendered":"https:\/\/ctalker.org\/?p=2397"},"modified":"2022-10-05T19:00:16","modified_gmt":"2022-10-05T18:00:16","slug":"kurbli-filmklub-rainer-werner-fassbinder-veronika-voss-vagyakozasa","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2022\/10\/05\/kurbli-filmklub-rainer-werner-fassbinder-veronika-voss-vagyakozasa\/","title":{"rendered":"Kurbli Filmklub: Rainer Werner Fassbinder-Veronika Voss v\u00e1gyakoz\u00e1sa"},"content":{"rendered":"\n<p>+Kurbli 2 \u00e9ves sz\u00fclinap!<\/p>\n\n\n\n<p>Szabadka\/2022.10.04.<\/p>\n\n\n\n<p>Rainer Werner Fassbinder: Veronika Voss v\u00e1gyakoz\u00e1sa (Die Sehnsucht der Veronika Voss), 1982, NSZK filmdr\u00e1ma, 104 perc.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Rainer Werner Fassbinder a legeredm\u00e9nyesebb NSZK rendez\u0151, akinek filmjei a n\u00e9met n\u00e9pl\u00e9lekkel mindv\u00e9gig k\u00f6zeli viszonyban maradtak. Eg\u00e9sz \u00e9let\u00e9n kereszt\u00fcl a h\u00e9tk\u00f6znapi urb\u00e1nus t\u00e1rsadalmi \u00e9s kultur\u00e1lis k\u00e9rd\u00e9sek provokat\u00edv szeml\u00e9ltet\u00e9s\u00e9n dolgozott.\u00a0<\/p>\n\n\n<p style=\"text-align: justify;\">Ezt t\u00e1masztja al\u00e1\u00a0<em>Berlin Alexanderplatz<\/em>\u00a0c\u00edm\u0171 t\u00f6rt\u00e9nelmi t\u00e9v\u00e9sorozata is amellyel, elmond\u00e1sa szerint megalkotta saj\u00e1t \u00e9let\u00e9nek l\u00e1tom\u00e1s\u00e1t, \u201espiritu\u00e1lis \u00f6n\u00e9letrajz\u00e1t\u201d.\u00a0<em>Autorenfilm<\/em>jeiben (szerz\u0151i film) megtal\u00e1lhat\u00f3 \u201ea brechti elem, a tandr\u00e1maszer\u0171s\u00e9g, az elidegen\u00edt\u00e9s; fellelhet\u0151 benn\u00fck a kleisti elem, azoknak az elidegen\u00edt\u0151 ki\u00e1lt\u00e1sa, akik sz\u00e1m\u00e1ra nincs seg\u00edts\u00e9g ezen a vil\u00e1gon; \u00e9s fellelhet\u0151 benn\u00fck a h\u00f6lderlini elem, a sz\u00fcks\u00e9ges, m\u00e9gis lehetetlen forradalom. Van benn\u00fck realizmus \u00e9s naturalizmus \u2026 minimalizmus \u00e9s sok barokkos \u00e9p\u00edtm\u00e9ny. Fassbinder mindent felhaszn\u00e1lt a filmjeiben, amihez csak hozz\u00e1juthatott \u2026 Ha nem lenne m\u00e1r foglalt ez a sz\u00f3, nevezhetn\u00e9nk Fassbinder filmjeit ak\u00e1r romfilmeknek is.\u201d (Georg See\u00dflen)<\/p>\n<p>\u00a0<\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img data-opt-id=851807725  fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/850_c_01_veronika_voss_blu-ray.jpg\" alt=\"\" class=\"wp-image-2398\" width=\"576\" height=\"323\" srcset=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:850\/h:478\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/850_c_01_veronika_voss_blu-ray.jpg 850w, https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:300\/h:169\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/850_c_01_veronika_voss_blu-ray.jpg 300w, https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:768\/h:432\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/850_c_01_veronika_voss_blu-ray.jpg 768w, https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:850\/h:478\/q:mauto\/f:best\/dpr:2\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/850_c_01_veronika_voss_blu-ray.jpg 2x\" sizes=\"(max-width: 576px) 100vw, 576px\" \/><\/figure>\n<\/div>\n\n\n<p style=\"text-align: justify;\">A n\u00e9met \u00fajfilm szerz\u0151i el\u0151szeretettel haszn\u00e1ltak \u201eneveket sorsokhoz k\u00f6t\u0151 c\u00edmeket\u201d, kontextusba emelt vezet\u00e9k \u00e9s keresztneveket filmc\u00edmben, melyek KAB szerint az \u201eerk\u00f6lcsi \u00e9rt\u00e9k p\u00e1tosz\u00e1t keltik fel\u201d a n\u00e9z\u0151ben. Van figyelemfelkelt\u0151 c\u00edm, mint a\u00a0<em>Steiner k\u00e9pfarag\u00f3 nagy ext\u00e1zisa<\/em>\u00a0(r. Werner Herzog), van ironikus\u00a0<em>Christa Klages m\u00e1sodik \u00e9bred\u00e9se<\/em>\u00a0(r. Margarethe von Trotta) \u00e9s van a melodramatikus vonal. Ide sorolhat\u00f3 Fassbinder k\u00e9t filmje, a\u00a0<em>Petra von Kant keser\u0171 k\u00f6nnyei<\/em>\u00a0\u00e9s a\u00a0<em><strong>Veronika Voss v\u00e1gyakoz\u00e1sa<\/strong><\/em>.<\/p>\n<p>\u00a0<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-opt-id=1516950681  fetchpriority=\"high\" decoding=\"async\" width=\"650\" height=\"250\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/mediacritica_veronika_voss_1-650x250-1.jpg\" alt=\"\" class=\"wp-image-2399\" srcset=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:650\/h:250\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/mediacritica_veronika_voss_1-650x250-1.jpg 650w, https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:300\/h:115\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/mediacritica_veronika_voss_1-650x250-1.jpg 300w, https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:650\/h:250\/q:mauto\/f:best\/dpr:2\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/mediacritica_veronika_voss_1-650x250-1.jpg 2x\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/figure>\n<\/div>\n\n\n<p>Az 1982-re profi mesteremberr\u00e9 lett Fassbinder cizell\u00e1lt rendez\u00e9se 1955-ben az Adenauer-korszak elej\u00e9n, M\u00fcnchenben j\u00e1tsz\u00f3dik. A krimibe ill\u0151, melankolikus, fekete feh\u00e9r expressz\u00edv megvil\u00e1g\u00edt\u00e1s\u00fa film a&nbsp;<em>N\u00e9met Sz\u00f6vets\u00e9gi K\u00f6zt\u00e1rsas\u00e1g-tril\u00f3gi\u00e1<\/em>nak a befejez\u0151 darabja. A t\u00f6rt\u00e9nelmi filmcsokrot tematikailag egybef\u0171zi a moderniz\u00e1l\u00f3d\u00f3 N\u00e9metorsz\u00e1g kritik\u00e1ja, melyet mindh\u00e1rom esetben egy k\u00fcl\u00f6nleges n\u0151 sors\u00e1nak alakul\u00e1s\u00e1n kereszt\u00fcl szeml\u00e9lhet\u00fcnk. A filmszerepre v\u00e1gyakoz\u00f3 valaha szebb napokat meg\u00e9lt morfinist\u00e1v\u00e1 lett sz\u00edn\u00e9szn\u0151, Veronika Voss karakter\u00e9t Sybille Schmitz n\u00e9met filmszt\u00e1r \u00e9let\u00fatja ihlette, aki 1955-ben M\u00fcnchenben halt meg. Fassbinder teh\u00e1t &#8217;55-b\u0151l id\u00e9zi meg a legnagyobb n\u00e9met filmgy\u00e1r m\u0171k\u00f6d\u00e9s\u00e9t, a birodalmi UFA f\u00e9nykor\u00e1nak neg\u00e9des st\u00edlus\u00e1t \u00e9s csal\u00f3ka mili\u0151j\u00e9t, amihez az amerikai filmekb\u0151l ismer\u0151s helysz\u00ednt \u00e9s dramaturgi\u00e1t t\u00e1rs\u00edt.<\/p>\n\n\n\n<p style=\"text-align: justify;\">A film 1982-ben elnyerte a Berlini Nemzetk\u00f6zi Filmfesztiv\u00e1l f\u0151d\u00edj\u00e1t.<\/p>\n<p style=\"text-align: right;\">Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"<p>+Kurbli 2 \u00e9ves sz\u00fclinap! Szabadka\/2022.10.04. Rainer Werner Fassbinder: Veronika Voss v\u00e1gyakoz\u00e1sa (Die Sehnsucht der Veronika Voss), 1982, NSZK filmdr\u00e1ma, 104 perc. Rainer Werner Fassbinder a legeredm\u00e9nyesebb NSZK rendez\u0151, akinek filmjei a n\u00e9met n\u00e9pl\u00e9lekkel mindv\u00e9gig&#46;&#46;&#46;<\/p>\n","protected":false},"author":3,"featured_media":2400,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/309275976_10229994129458712_6252228167858357787_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/309275976_10229994129458712_6252228167858357787_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=2397"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2397\/revisions"}],"predecessor-version":[{"id":2402,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2397\/revisions\/2402"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/2400"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=2397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=2397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=2397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}