{"id":2382,"date":"2022-09-21T20:27:21","date_gmt":"2022-09-21T19:27:21","guid":{"rendered":"https:\/\/ctalker.org\/?p=2382"},"modified":"2022-09-21T20:27:22","modified_gmt":"2022-09-21T19:27:22","slug":"kurbli-filmklub-volker-schlondorff-a-badogdob","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2022\/09\/21\/kurbli-filmklub-volker-schlondorff-a-badogdob\/","title":{"rendered":"Kurbli Filmklub: Volker Schl\u00f6ndorff-A b\u00e1dogdob"},"content":{"rendered":"\n

Szabadka\/2022.09.20.<\/p>\n\n\n\n

Volker Schl\u00f6ndorff: A b\u00e1dogdob (Die Blechtrommel), 1979, NSZK h\u00e1bor\u00fas dr\u00e1ma, 135 perc<\/p>\n\n\n\n

Volker Schl\u00f6ndorff eredetileg szociol\u00f3gus. P\u00e1ly\u00e1j\u00e1t a hatvanas \u00e9vekben, Franciaorsz\u00e1gban kezdi. Fel\u00e9p\u00edtett szerz\u0151i filmrealizmusa j\u00f3l vizsg\u00e1lhat\u00f3 egyfajta t\u00e1rsadalomkritikus, kultur\u00e1lis szeml\u00e9letnek a szem\u00e9lyes kontextus\u00e1b\u00f3l.<\/p>\n\n\n\n

Filmjeiben \u00f6tv\u00f6zi az eur\u00f3pai avantg\u00e1rd m\u0171v\u00e9szfilm \u00e9s a \u201eliber\u00e1lis hollywoodi trad\u00edci\u00f3\u201d t\u00f6rt\u00e9netmes\u00e9l\u00e9s\u00e9t \u00e9s \u00e1br\u00e1zol\u00e1sm\u00f3dj\u00e1t. Herzog t\u00e1rsadalom feletti \u00e9s alatti, de mindenk\u00e9ppen k\u00edv\u00fcli karaktereihez k\u00e9pest, Schl\u00f6ndorff k\u00fcl\u00f6nc h\u0151sei \u00e9s azok t\u00f6rt\u00e9netei f\u00f6ldh\u00f6zragadtak. \u201eA n\u00e9met \u00faj film realista ir\u00e1nyzata jellemz\u0151en probl\u00e9macentrikus volt, de \u00e9ppen a szerz\u0151k er\u0151s szem\u00e9lyes elk\u00f6telezetts\u00e9ge miatt, \u2026 ezek a filmek igen szem\u00e9lyes (tiltakoz\u00f3) \u00e1ll\u00e1sfoglal\u00e1sokk\u00e1 v\u00e1ltak.\u201d (ELSAESSER)<\/p>\n

G\u00fcnter Grass 1959-ben megjelent, Nobel-d\u00edjas els\u0151 nagyreg\u00e9ny\u00e9nek, 1979-es filmadapt\u00e1ci\u00f3ja Oscar- \u00e9s Arany P\u00e1lma-d\u00edjat is kapott. A rendez\u0151 a film alaposan kidolgozott forgat\u00f3k\u00f6nyv\u00e9t, az \u00fajhull\u00e1mos Jean-Claude Carri\u00e8re-el k\u00f6z\u00f6sen \u00edrta. Asszociat\u00edv jelent\u00e9sr\u00e9tegeivel\u00a0A b\u00e1dogdob<\/b><\/i> \u00edgy v\u00e1lhatott az \u00faj n\u00e9met film egyik legzajosabb alkot\u00e1s\u00e1v\u00e1 \u00e9s legn\u00e9zettebb kasszasiker\u00e9v\u00e9. A poszt-neorealista m\u0171vekb\u0151l ismert egy\u00e9rtelm\u0171 csoda, itt nem j\u00f3s\u00e1gos \u00e9s igazs\u00e1gos isteni \u00e1ld\u00e1sk\u00e9nt jelenik meg, hanem t\u00f6bbr\u00e9t\u0171 abszurd t\u00e1rsadalmi t\u00fck\u00f6rk\u00e9p eredm\u00e9nye.<\/p>\n\n\n

\n
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jelenet a filmb\u0151l<\/figcaption><\/figure>\n<\/div>\n\n\n

Schl\u00f6ndorff egy k\u00f6z\u00f6ss\u00e9g \u00e1ltal determin\u00e1lt, de nem elszigetelt k\u00edv\u00fcl\u00e1ll\u00f3 perspekt\u00edv\u00e1j\u00e1t t\u00e1rja el\u00e9nk, \u00e9s k\u00f6zben felfed egy l\u00e9nyeg\u00e9ben defini\u00e1lhatatlan \u00e9s bonyolult, kollekt\u00edv \u00e9s egy\u00e9ni szinten is referenci\u00e1lis t\u00f6rt\u00e9nelmi \u00e1llapotrajzot. \u201eSchl\u00f6ndorff bev\u00e1llalta a traumatikus n\u00e9met (k\u00f6zel)m\u00faltat, m\u00e9g akkor is, ha egy t\u00f6bbsz\u00f6r\u00f6sen k\u00f3dolt m\u0171vet v\u00e1lasztott, amelyben viszont a figyelmetlenebb n\u00e9z\u0151 is r\u00f6gt\u00f6n r\u00e1ismerhet az emberis\u00e9g egyik sorsford\u00edt\u00f3 felvon\u00e1s\u00e1ra. \u2026 a l\u00e1zad\u00e1st \u00e9letformak\u00e9nt gyakorl\u00f3 Oskar m\u00e9lyen allegorikus t\u00f6rt\u00e9nete a n\u00e1cizmust t\u0171r\u0151, s\u00fckett\u00e9 v\u00e1lt n\u00e9met t\u00e1rsadalom kritik\u00e1ja, \u00e9s mint olyan, hal\u00e1lkomoly szat\u00edra.\u201d (FERENCZI)<\/p>\n\n\n

\n
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jelenet a filmb\u0151l<\/figcaption><\/figure>\n<\/div>\n\n\n

\u201eA pszichoanal\u00edzis \u00e9s a film tal\u00e1lkoz\u00e1sa a groteszk jelenl\u00e9t\u00e9ben a legt\u00f6bb esetben a gyermekkort tematiz\u00e1lja, meglehet\u0151sen ambivalens m\u00f3don. Ez a tal\u00e1lkoz\u00e1s amolyan mese hab n\u00e9lk\u00fcl \u2013 tele pimasz boh\u00f3cokkal. A groteszk mint eszt\u00e9tikum m\u00e9gsem felt\u00e9tlen\u00fcl\u00a0l\u00e1tv\u00e1ny\u00e1ban (film) vagy k\u00eds\u00e9rtetiess\u00e9g\u00e9ben (pszichoanal\u00edzis) a leg\u00f6sszetettebb. B\u00e1r ezekben az esetekben a legegy\u00e9rtelm\u0171bb \u00e9s a film- \u00e9s pszichoanalitikus elm\u00e9letek \u00e1ltal a legink\u00e1bb \u00e1tgondolt \u00e9s elemzett. … \u201d (SZAB\u00d3 el\u0151ad\u00e1s\u00e1ban a groteszkhez f\u0171z\u0151d\u0151 viszonyul\u00e1sainkban az \u00f6nir\u00f3nia jelent\u0151s\u00e9g\u00e9re vil\u00e1g\u00edtott r\u00e1.)<\/p>\n

Sz\u00e1sz Csongor<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Szabadka\/2022.09.20. Volker Schl\u00f6ndorff: A b\u00e1dogdob (Die Blechtrommel), 1979, NSZK h\u00e1bor\u00fas dr\u00e1ma, 135 perc Volker Schl\u00f6ndorff eredetileg szociol\u00f3gus. P\u00e1ly\u00e1j\u00e1t a hatvanas \u00e9vekben, Franciaorsz\u00e1gban kezdi. Fel\u00e9p\u00edtett szerz\u0151i filmrealizmusa j\u00f3l vizsg\u00e1lhat\u00f3 egyfajta t\u00e1rsadalomkritikus, kultur\u00e1lis szeml\u00e9letnek a szem\u00e9lyes...<\/p>\n","protected":false},"author":3,"featured_media":2386,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/09\/badogdob1.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/09\/badogdob1.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=2382"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2382\/revisions"}],"predecessor-version":[{"id":2387,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/2382\/revisions\/2387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/2386"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=2382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=2382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=2382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}