Truffaut k\u00e9s\u0151re sikeredett, \u00f6nreflex\u00edv \u00e9s egyben \u00f6n- \u00e9s Amerika kritikus, szatirikus \u201c\u00edgy j\u00f6ttem\u201d filmj\u00e9b\u0151l megtudhatjuk, hogy ki az a filmrendez\u0151 \u00e9s, hogy hogyan m\u0171k\u00f6dik Truffaut \u00e1lomgy\u00e1ra. Ugyanis a film egy filmforgat\u00e1sr\u00f3l sz\u00f3l, ahol a filmb\u00e9li rendez\u0151t Truffaut alak\u00edtja \u00e9s a h\u00e1tt\u00e9rben kibontakoz\u00f3 cs\u00e1sz\u00e1rt meztelen\u00edt\u0151 t\u00f6rt\u00e9netb\u0151l kider\u00fcl nemcsak a francia \u00daj-Hull\u00e1mos filmszerz\u0151 vallom\u00e1sos manifesztuma, hanem a korabeli filmfinansz\u00edroz\u00f3-gy\u00e1rt\u00f3-forgalmaz\u00f3 rendszer val\u00f3di k\u00e9pe is felrajzol\u00f3dik. \u00c9s persze a professzion\u00e1lis nyugatias filmgy\u00e1rt\u00e1sr\u00f3l ler\u00e1ntott lepel m\u00f6g\u00fcl kit\u0171nik az olykor \u00e1ld\u00e1sos, olykor \u00e1tkozott szt\u00e1rrendszer is, ami kihagyhatatlan r\u00e9sze az aranykor\u00e1t \u00e9l\u0151, nagybet\u0171s nyugati moziipar legend\u00e1j\u00e1nak. A film val\u00f3s\u00e1ga a filmben forgatott film val\u00f3s\u00e1g\u00e1val keveredik, ahogyan a film szerepl\u0151i is ki-be l\u00e9pkednek a k\u00fcl\u00f6nb\u00f6z\u0151 val\u00f3s\u00e1gr\u00e9tegek k\u00f6z\u00f6tt.<\/p>\n
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Az imm\u00e1ron feln\u0151tt\u00e9 v\u00e1lt, \u00f6n\u00e1ll\u00f3sodott filmm\u0171v\u00e9szet, eme gyorsan amerikaniz\u00e1l\u00f3d\u00f3 peri\u00f3dusa, amikor az \u00daj-Hull\u00e1mos Eur\u00f3p\u00e1t megvil\u00e1g\u00edt\u00f3 spotl\u00e1mp\u00e1k f\u00e9nye, ism\u00e9t egyre ink\u00e1bb amerikai csillagokra kezd ragyogni, a hetvenes \u00e9vek k\u00f6zep\u00e9n indul\u00f3 \u00daj-Hollywoodt\u00f3l elv\u00e1laszthatatlan. A filmm\u0171v\u00e9szet t\u00f6rt\u00e9net\u00e9nek ezen szakasz\u00e1ban, a m\u00e1sodik vil\u00e1gh\u00e1bor\u00fa ut\u00e1n a t\u00e9v\u00e9 egyre sz\u00e9lesebb k\u00f6rben hozz\u00e1f\u00e9rhet\u0151 sug\u00e1rz\u00e1sa, az \u00e9rt\u00e9kek populariz\u00e1l\u00f3d\u00e1sa, vagyis a kapitalista fogyaszt\u00e1sra \u00e9p\u00fcl\u0151 vil\u00e1grend cukorszirupos tespedts\u00e9ge \u00e9s az \u00fatkeres\u0151 avantg\u00e1rd filmnyelv elf\u00e1rad\u00e1sa, a nagy eur\u00f3pai rendez\u0151b\u00f6l\u00e9nyek szikr\u00e1j\u00e1nak kop\u00e1sa, tov\u00e1bb\u00e1 az amerikai filmek forgalmaz\u00e1s\u00e1nak eur\u00f3pai d\u00f6mpingje, mind a kommersz film elterjed\u00e9s\u00e9nek kedvezett. Mindez pedig a 20. sz\u00e1zad 60-as \u00e9veire kiteljesed\u0151 – szellemi konstrukci\u00f3kat \u00e9s leg\u00fajabb kori filoz\u00f3fi\u00e1kat a hetedik m\u0171v\u00e9szet legegyetemesebb nyelv\u00e9n megfogalmaz\u00f3 -, eur\u00f3pai szerz\u0151i filmre rendk\u00edv\u00fcl k\u00e1rosan hatott.<\/p>\n\n\n
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<\/figure>\n<\/div>\n\n\nTruffaut \u00e9s Jean Luc Godard ezer\u00e9ves bar\u00e1ts\u00e1ga, \u00e9ppen ezen a filmen val\u00f3 \u00f6sszevesz\u00e9s\u00fck ut\u00e1n szakad meg. Godard ut\u00e1lta ezt a filmet, kritik\u00e1j\u00e1val megs\u00e9rtette Truffautot. Ugyanis Truffaut st\u00edlusa \u2013 aki Godarddal szemben, a klasszikus hollywoodi narrat\u00edv\u00e1t haszn\u00e1lja – sokkal n\u00e9z\u0151bar\u00e1tabb. Truffautn\u00e1l nem a destruktivit\u00e1s, a nyers k\u00eds\u00e9rletez\u00e9s, a filmnyelv t\u00f6rdel\u00e9se, a n\u00e9z\u0151 elidegen\u00edt\u00e9se volt a fontos, hanem \u00e9ppen a film k\u00f6z\u00e9rthet\u0151s\u00e9ge \u00e9s a mozi m\u00e1gikus hat\u00e1s\u00e1nak, a var\u00e1zslatnak a folyamatos fenntart\u00e1sa, mik\u00f6zben a tartalom, a film l\u00e9nyegl\u00e1t\u00f3, elm\u00e9s \u00fczenete k\u00f6nnyed\u00e9n c\u00e9lba \u00e9r. R\u00e1ad\u00e1sul ez a film, pont err\u0151l az elemi filmk\u00e9sz\u00edt\u0151 st\u00edlusr\u00f3l mes\u00e9l. \u201cAz Amerikai \u00e9jszaka egyszerre el\u00e9g\u00edti ki a n\u00e9z\u0151 voyeuri k\u00edv\u00e1ncsis\u00e1g\u00e1t (hiszen bepillanthatunk a filmk\u00e9sz\u00edt\u00e9s boszork\u00e1nykonyh\u00e1j\u00e1ba), \u00e9s jelzi, hogy ebben a mesevil\u00e1gban minden titkot sohasem fognak meg\u00e9rteni a be nem avatottak \u2013 ez pedig \u00edgy van j\u00f3l, hiszen en\u00e9lk\u00fcl nem m\u0171k\u00f6dne az ill\u00fazi\u00f3.\u201d (GY\u00d6NGY\u00d6SI)<\/p>\n\n\n\n Szabadka\/2022.04.19. Francois Truffaut-Amerikai \u00e9jszaka, 1973, francia filmdr\u00e1ma, 112 p. \u201cAz Amerikai \u00e9jszaka \u00fagy vall a filmk\u00e9sz\u00edt\u00e9s ezernyi buktat\u00f3j\u00e1r\u00f3l \u00e9s zs\u00e1kutc\u00e1j\u00e1r\u00f3l, hogy k\u00f6zben \u00e1rad bel\u0151le a der\u0171 \u2013 sokak szerint ez a legszerethet\u0151bb film, ami valaha a...<\/p>\n","protected":false},"author":3,"featured_media":1994,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-1983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/04\/61RH-LX3QSL._AC_SL1000_.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/04\/61RH-LX3QSL._AC_SL1000_.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/1983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=1983"}],"version-history":[{"count":5,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/1983\/revisions"}],"predecessor-version":[{"id":2312,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/1983\/revisions\/2312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/1994"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=1983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=1983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=1983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:1024\/h:576\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/04\/a9b02702.png\")
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