{"id":1766,"date":"2021-12-17T14:42:57","date_gmt":"2021-12-17T13:42:57","guid":{"rendered":"https:\/\/ctalker.org\/?p=1766"},"modified":"2022-02-06T12:18:48","modified_gmt":"2022-02-06T11:18:48","slug":"kurbli-filmklub-luis-bunuel-portoles-az-oldoklo-angyal","status":"publish","type":"post","link":"https:\/\/ctalker.org\/rs\/2021\/12\/17\/kurbli-filmklub-luis-bunuel-portoles-az-oldoklo-angyal\/","title":{"rendered":"Kurbli Filmklub: Luis Bu\u00f1uel Portol\u00e9s-Az \u00f6ld\u00f6kl\u0151 angyal"},"content":{"rendered":"\n

Szabadka\/2021.12.15.<\/p>\n\n\n\n

Luis Bunuel: Az \u00f6ld\u00f6kl\u0151 angyal (El \u00e1ngel exterminador), 1962, spanyol filmdr\u00e1ma-fantasy, 95 perc.<\/p>\n\n\n\n

\u201eA Gondvisel\u00e9s utca sz\u00e1mkivetettjei.\u201d<\/strong><\/p>\n\n\n\n

Folytat\u00f3dik a nagykor\u00fav\u00e1 \u00e9rett filmm\u0171v\u00e9szet val\u00f3s\u00e1gkeres\u00e9se. A Mexik\u00f3ban gy\u00e1rtott t\u00e1rsadalmi szat\u00edra munkac\u00edme: \u201eA Gondvisel\u00e9s utca sz\u00e1mkivetettjei\u201d. Mi lenne, ha Isten v\u00e9gtelen t\u00fcrelme egyszer csak elfogyna? Mi t\u00f6rt\u00e9nhetett Luis Bu\u00f1uel rossz spir\u00e1lba keveredett partiz\u00f3 arisztokrata t\u00e1rsas\u00e1g\u00e1val? Mi\u00e9rt lettek saj\u00e1t szellemi egzisztenci\u00e1juk rabjai? Vagy Bu\u00f1uel szerte\u00e1gaz\u00f3an asszociat\u00edv tanmes\u00e9je m\u00e1sra figyelmeztet?<\/p>\n

 <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Az avantg\u00e1rd hagyom\u00e1nyokat \u00e1pol\u00f3 film a modern, z\u00e1rt szitu\u00e1ci\u00f3s dr\u00e1ma m\u0171faj\u00e1nak korai darabja. A m\u0171faj defin\u00edci\u00f3ja szerint, a filmes le\u00edr\u00e1s form\u00e1ja id\u0151ben \u00e9s t\u00e9rben is intenz\u00edv, s\u0171r\u00edt\u0151 hat\u00e1s\u00fa. A feszes id\u0151keretbe kibontakoztatott filozofikus dr\u00e1ma ugyanazon villa z\u00e1rt ter\u00e9ben j\u00e1tsz\u00f3dik. Itt a cselekm\u00e9ny \u201emag\u00e1ra az izol\u00e1lt helyzetre \u00e9p\u00fcl\u201d, ahol a szerepl\u0151k egy\u00fcttesen \u00e9lnek \u00e1t egy dr\u00e1mai szitu\u00e1ci\u00f3t. Mint a pszichol\u00f3giai emberk\u00eds\u00e9rletekben, a z\u00e1rt szitu\u00e1ci\u00f3s dr\u00e1m\u00e1ban is egzisztenci\u00e1lis hat\u00e1rhelyzetet modellez\u00fcnk, de a sz\u00fcrrealista Bu\u00f1ueln\u00e9l a z\u00e1rt szitu\u00e1ci\u00f3 kialakul\u00e1s\u00e1nak abszurd fordulata, misztikus kollekt\u00edv l\u00e9t\u00e1llapotot is teremt.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

A m\u0171faj keletkez\u00e9s\u00e9nek fontos r\u00e9sze a \u201940-50-es \u00e9vekb\u0151l ered\u0151 egzisztencialista sz\u00ednh\u00e1z. Filmes el\u0151zm\u00e9nyei Hitchcock \u201eexperiment\u00e1lis\u201d K\u00f6t\u00e9l (1948) c\u00edm\u0171 thrillere \u00e9s Sidney Lumet Tizenk\u00e9t d\u00fch\u00f6s ember (1957) c\u00edm\u0171 filmdr\u00e1m\u00e1ja. Bu\u00f1uel 1962-es filmj\u00e9nek \u00e1br\u00e1zol\u00e1sm\u00f3dja t\u00f6bbnyire klasszikus, elbesz\u00e9l\u00e9sm\u00f3dja pedig alapvet\u0151en minimalista, de a z\u00e1rt helyzet abszurdit\u00e1sa \u00e9s a sz\u00fcrrealista hat\u00e1sok miatt, Az \u00f6ld\u00f6kl\u0151 angyal, mint z\u00e1rt szitu\u00e1ci\u00f3s dr\u00e1ma, \u201ea k\u00e9s\u0151 modern film korai korszak\u00e1nak\u201d legfontosabb p\u00e9ld\u00e1ja, magyar\u00e1zza KAB.-Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2021.12.15. Luis Bunuel: Az \u00f6ld\u00f6kl\u0151 angyal (El \u00e1ngel exterminador), 1962, spanyol filmdr\u00e1ma-fantasy, 95 perc. \u201eA Gondvisel\u00e9s utca sz\u00e1mkivetettjei.\u201d Folytat\u00f3dik a nagykor\u00fav\u00e1 \u00e9rett filmm\u0171v\u00e9szet val\u00f3s\u00e1gkeres\u00e9se. A Mexik\u00f3ban gy\u00e1rtott t\u00e1rsadalmi szat\u00edra munkac\u00edme: \u201eA Gondvisel\u00e9s utca sz\u00e1mkivetettjei\u201d....<\/p>\n","protected":false},"author":3,"featured_media":1841,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-1766","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2021\/12\/266177686_10228349314859375_6055352854518595929_n-1.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2021\/12\/266177686_10228349314859375_6055352854518595929_n-1.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/rs\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/1766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/comments?post=1766"}],"version-history":[{"count":3,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/1766\/revisions"}],"predecessor-version":[{"id":1842,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/posts\/1766\/revisions\/1842"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media\/1841"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/media?parent=1766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/categories?post=1766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/rs\/wp-json\/wp\/v2\/tags?post=1766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}