{"id":5003,"date":"2026-03-04T13:46:06","date_gmt":"2026-03-04T12:46:06","guid":{"rendered":"https:\/\/ctalker.org\/?p=5003"},"modified":"2026-04-20T13:56:23","modified_gmt":"2026-04-20T12:56:23","slug":"ku-5","status":"publish","type":"post","link":"https:\/\/ctalker.org\/en\/2026\/03\/04\/ku-5\/","title":{"rendered":"Kurbli Filmklub-Roy Andersson: Egy galamb le\u00fclt egy \u00e1gra, hogy t\u0171n\u0151dj\u00f6n a l\u00e9tez\u00e9sr\u0151l"},"content":{"rendered":"\n<p>2026.03.04.\/Szabadka<\/p>\n\n\n\n<p>Roy Andersson: Egy galamb le\u00fclt egy \u00e1gra, hogy t\u0171n\u0151dj\u00f6n a l\u00e9tez\u00e9sr\u0151l (En duva satt p\u00e5 en gren och funderade p\u00e5 tillvaron), sv\u00e9d-n\u00e9met-norv\u00e9g-francia szat\u00edra, 101p., 2014.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Roy Andersson sv\u00e9d rendez\u0151&nbsp;<em>Living&nbsp;<\/em><strong>tril\u00f3gi\u00e1ja a posztmodern eur\u00f3pai filmm\u0171v\u00e9szet \u00e9ke.<\/strong>&nbsp;Befejez\u0151 darabj\u00e1t a&nbsp;<em>Dalok a m\u00e1sodik emeletr\u0151l<\/em>&nbsp;\u00e9s a&nbsp;<em>Te, aki \u00e9lsz<\/em>&nbsp;(Kurbliban m\u00e1r vet\u00edtett) el\u0151zt\u00e9k meg. Alapt\u00e9m\u00e1ja a&nbsp;<strong>modern emberi \u00e9let abszurdit\u00e1sa, kiszolg\u00e1ltatotts\u00e1ga \u00e9s komikusan tragikus \u00e1br\u00e1zolata<\/strong>. Nem k\u00f6vet hagyom\u00e1nyos dramaturgi\u00e1t, hanem r\u00f6vid, szabadon kapcsol\u00f3d\u00f3 jelenetsorok ment\u00e9n felt\u00e1rja az emberi l\u00e9t paradoxonjait<\/p>\n\n\n\n<p>A film szerkezete&nbsp;<strong>nem line\u00e1ris t\u00f6rt\u00e9netet mes\u00e9l \u2013&nbsp;<\/strong>formanyelve 39 \u00f6n\u00e1ll\u00f3, de tematikailag \u00f6sszef\u00fcgg\u0151 kis \u201ejelenet-tabl\u00f3\u201d sorozat\u00e1t adja. Nincs konfliktus-megold\u00e1s \u00edv, hanem&nbsp;<strong>k\u00e9p\u2013gondolat sorozatok<\/strong>, amelyek egyenk\u00e9nt az emberi l\u00e9t mozzanatait, ill\u00fazi\u00f3it (rem\u00e9ny\u00e9t), kudarcait (dr\u00e1mais\u00e1g\u00e1t) \u00e9s banalit\u00e1s\u00e1t (komikum\u00e1t) ragadj\u00e1k meg. A&nbsp;<strong>kameramozg\u00e1s hi\u00e1nyzik<\/strong>; a be\u00e1ll\u00edt\u00e1sok statikusak, mint egy festm\u00e9ny vagy \u00e9l\u0151 tabl\u00f3k\u00e9p (<em>tableau vivant<\/em>). Apr\u00f3l\u00e9kos d\u00edszlettervez\u00e9s (meticulous set-design), st\u00fadi\u00f3ban \u00e9p\u00edtett terek jellemzik, a val\u00f3s\u00e1g \u00e9s \u00e1lom hat\u00e1r\u00e1t sugall\u00f3 sz\u00fcrk\u00e9s, pasztellsz\u00ednek. A sz\u00edn\u00e9szek arca kifejez\u00e9stelen \u2013 \u201ek\u00e1ba tabl\u00f3figur\u00e1k\u201d. A k\u00e9pek ink\u00e1bb&nbsp;<strong>vizu\u00e1lis metafor\u00e1k, gondolati pillanatok<\/strong>, mint hagyom\u00e1nyos filmjelenetek \u2013 filmnyelve egyfajta \u201emozg\u00f3 festm\u00e9ny\u201d vagy \u201ek\u00e9pi essz\u00e9\u201d form\u00e1t hoz l\u00e9tre. \u00cdgy a<strong>&nbsp;n\u00e9z\u0151 alkot narrat\u00edv koh\u00e9zi\u00f3t \u2013&nbsp;<\/strong>elt\u00e1volodva a hollywoodi t\u00f6rt\u00e9netvezet\u00e9st\u0151l.<\/p>\n\n\n\n<p>A film c\u00edme a flamand fest\u0151 Pieter Bruegel&nbsp;<em>A vad\u00e1szok a havon<\/em>&nbsp;c\u00edm\u0171 1565-\u00f6s m\u0171v\u00e9re utal, ahol a galamb a&nbsp;<strong>megfigyel\u0151 n\u00e9z\u0151pontj\u00e1t<\/strong>&nbsp;testes\u00edti meg. Andersson ezt \u00fagy magyar\u00e1zza, a film k\u00e9rd\u00e9se az:&nbsp;<em>val\u00f3j\u00e1ban mit is csin\u00e1lunk?<\/em><\/p>\n\n\n\n<div id=\"wp-block-themeisle-blocks-slider-5bd36e35\" class=\"wp-block-themeisle-blocks-slider glide\" data-per-view=\"1\" data-gap=\"0\" data-peek=\"0\" data-autoplay=\"true\" data-height=\"400px\" data-hide-arrows=\"false\"><div class=\"glide__track\" data-glide-el=\"track\"><div class=\"glide__slides\"><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=2122258805  fetchpriority=\"high\" decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:Ut4r.b225\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/645767524_10242808286324625_1583893138075721238_n.jpg\" alt=\"\" title=\"\" data-id=\"5004\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=660194262  fetchpriority=\"high\" decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:Ut4r.b225\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/645819371_10242808288644683_8793686601503261000_n.jpg\" alt=\"\" title=\"\" data-id=\"5008\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1671610415  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/645882825_10242808287724660_2562632419585647559_n.jpg\" alt=\"\" title=\"\" data-id=\"5006\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1270512028  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:Ut4r.b225\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/645933571_10242808287444653_7162254175476996853_n.jpg\" alt=\"\" title=\"\" data-id=\"5005\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=2000866475  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:Ut4r.b225\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/645938721_10242808286644633_963296711149316267_n.jpg\" alt=\"\" title=\"\" data-id=\"5007\"\/><\/figure><\/div><\/div><div class=\"glide__bullets\" data-glide-el=\"controls[nav]\"><button class=\"glide__bullet\" data-glide-dir=\"=0\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=1\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=2\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=3\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=4\"><\/button><\/div><\/div><\/div>\n\n\n\n<p>A filmelm\u00e9let Andersson-tril\u00f3gi\u00e1j\u00e1t a modern filmk\u00e9p filoz\u00f3fiai vizsg\u00e1lat\u00e1nak egyik legmark\u00e1nsabb p\u00e9ld\u00e1jak\u00e9nt \u00e9rtelmezi, amely \u00f6tv\u00f6zi a pl\u00e9hpofa vagy&nbsp;<em>deadpan humor<\/em>&nbsp;abszurdit\u00e1s\u00e1t, szatirikus szoci\u00e1lis reflexi\u00f3kat, \u00e9s a filmk\u00e9pi minimalizmust, amely elt\u00e1volodik a t\u00f6rt\u00e9netvez\u00e9relt narrat\u00edv\u00e1t\u00f3l.<\/p>\n\n\n\n<p>A film 2014-ben elnyerte a Velencei Nemzetk\u00f6zi Filmfesztiv\u00e1l Arany Oroszl\u00e1n d\u00edj\u00e1t.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2026.03.04.\/Szabadka Roy Andersson: Egy galamb le\u00fclt egy \u00e1gra, hogy t\u0171n\u0151dj\u00f6n a l\u00e9tez\u00e9sr\u0151l (En duva satt p\u00e5 en gren och funderade p\u00e5 tillvaron), sv\u00e9d-n\u00e9met-norv\u00e9g-francia szat\u00edra, 101p., 2014. Roy Andersson sv\u00e9d rendez\u0151&nbsp;Living&nbsp;tril\u00f3gi\u00e1ja a posztmodern eur\u00f3pai filmm\u0171v\u00e9szet&#46;&#46;&#46;<\/p>\n","protected":false},"author":3,"featured_media":5006,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-5003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:400\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/645882825_10242808287724660_2562632419585647559_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:600\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/04\/645882825_10242808287724660_2562632419585647559_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/5003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=5003"}],"version-history":[{"count":2,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/5003\/revisions"}],"predecessor-version":[{"id":5011,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/5003\/revisions\/5011"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/5006"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=5003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=5003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=5003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}