{"id":4942,"date":"2026-01-21T18:38:27","date_gmt":"2026-01-21T17:38:27","guid":{"rendered":"https:\/\/ctalker.org\/?p=4942"},"modified":"2026-02-02T18:57:41","modified_gmt":"2026-02-02T17:57:41","slug":"kurbli-filmklub-20","status":"publish","type":"post","link":"https:\/\/ctalker.org\/en\/2026\/01\/21\/kurbli-filmklub-20\/","title":{"rendered":"Kurbli Filmklub: Robert Bresson-Egy falusi pl\u00e9b\u00e1nos napl\u00f3ja"},"content":{"rendered":"\n<p>Szabadka\/2026.01.21.<\/p>\n\n\n\n<p>Robert Bresson: Egy falusi pl\u00e9b\u00e1nos napl\u00f3ja (\/Diary of a Country Priest), 1951, francia filmdr\u00e1ma, 95 p.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Tarr B\u00e9la filmjei a l\u00e9t s\u00faly\u00e1t teszik \u00e1t\u00e9lhet\u0151v\u00e9; Tarkovszkij a transzcendens rem\u00e9ny\u00e9t keresi; Antonioni a modern ember hi\u00e1ny\u00e1t mutatja meg;\u00a0<strong>Bresson<\/strong>n\u00e1l pedig a metafizika az erk\u00f6lcsi d\u00f6nt\u00e9sek \u00e9s a kegyelem letisztult tere<\/p>\n\n\n\n<p><strong>Robert Bresson<\/strong>&nbsp;az 1950-es \u00e9vek elej\u00e9n alak\u00edtja ki radik\u00e1lisan \u00faj filmnyelv\u00e9t, melynek els\u0151 p\u00e9ld\u00e1ja az&nbsp;<strong><em>Egy falusi pl\u00e9b\u00e1nos napl\u00f3ja.<\/em><\/strong>&nbsp;Ezzel a filmet v\u00e9gleg lev\u00e1lasztja az irodalom \u00e9s a sz\u00ednh\u00e1z hat\u00e1s\u00e1r\u00f3l, \u00e9s \u00f6n\u00e1ll\u00f3 gondolkod\u00e1si formak\u00e9nt jel\u00f6li ki \u2013 megteremti a modern szerz\u0151i filmfelfog\u00e1st.<\/p>\n\n\n\n<p>Ez nem egyszer\u0171en \u201er\u00e9gi m\u0171v\u00e9szfilm\u201d, hanem egy&nbsp;<strong>radik\u00e1lisan modern mozg\u00f3k\u00e9pes \u00e9lm\u00e9ny,<\/strong>&nbsp;amely meglep\u0151en j\u00f3l rezon\u00e1l zajos, t\u00falstimul\u00e1lt vil\u00e1gunkra. A t\u00f6rt\u00e9net l\u00e1tsz\u00f3lag kicsi, intim \u2013 val\u00f3j\u00e1ban<strong>&nbsp;egyetemes egzisztenci\u00e1lis dr\u00e1ma.&nbsp;<\/strong>A hit k\u00e9rd\u00e9se itt az emberi kitart\u00e1s, integrit\u00e1s \u00e9s \u00f6nazonoss\u00e1g probl\u00e9m\u00e1ja.<br><strong>Nem \u201ek\u00e9szen kapod\u201d az \u00e9lm\u00e9nyt<\/strong>: Ha szereted azokat a filmeket, amelyek partnerk\u00e9nt kezelnek, ez igazi felfedez\u00e9s.<\/p>\n\n\n\n<p><strong>Filmt\u00f6rt\u00e9neti \u0151sforr\u00e1s:<\/strong>&nbsp;Ha \u00e9rdekel, honnan j\u00f6n Tarkovszkij, Tarr B\u00e9la vagy ak\u00e1r a kort\u00e1rs slow cinema, ez a film alap\u00e9lm\u00e9ny.<\/p>\n\n\n\n<p><br>Alexandre Astruc cam\u00e9ra-stylo (\u201ekamera\u2013toll\u201d) elm\u00e9lete szerint: A film&nbsp;<strong>\u00f6n\u00e1ll\u00f3 gondolkod\u00e1si forma<\/strong>. A rendez\u0151&nbsp;<strong>\u00fagy haszn\u00e1lja a kamer\u00e1t, mint az \u00edr\u00f3 a tollat. A<\/strong>&nbsp;film&nbsp;<strong>szem\u00e9lyes kifejez\u00e9s<\/strong>, nem ipari term\u00e9k. Robert Bresson Astruc sz\u00e1m\u00e1ra a&nbsp;<strong>legtiszt\u00e1bb filmszerz\u0151<\/strong>, aki a filmet erk\u00f6lcsi-filoz\u00f3fiai tapasztalatt\u00e1 teszi.<\/p>\n\n\n\n<div id=\"wp-block-themeisle-blocks-slider-4e7f88a6\" class=\"wp-block-themeisle-blocks-slider glide\" data-per-view=\"1\" data-gap=\"0\" data-peek=\"0\" data-autoplay=\"true\" data-height=\"400px\" data-hide-arrows=\"false\"><div class=\"glide__track\" data-glide-el=\"track\"><div class=\"glide__slides\"><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=473675447  fetchpriority=\"high\" decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/615903041_10242203680049846_4822190525723976193_n.jpg\" alt=\"\" title=\"\" data-id=\"4946\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1329501694  fetchpriority=\"high\" decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/616083506_10242203680889867_8107841341342862737_n.jpg\" alt=\"\" title=\"\" data-id=\"4945\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1286000649  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/616391716_10242203679729838_2107606468446508279_n.jpg\" alt=\"\" title=\"\" data-id=\"4944\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=325946543  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/616557498_10242203685649986_2183037223792542599_n.jpg\" alt=\"\" title=\"\" data-id=\"4943\"\/><\/figure><\/div><div class=\"wp-block-themeisle-blocks-slider-item-wrapper glide__slide\" tabindex=\"0\"><figure><img data-opt-id=1754724938  decoding=\"async\" class=\"wp-block-themeisle-blocks-slider-item\" src=\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/617084952_10242203680089847_3914313274634423899_n.jpg\" alt=\"\" title=\"\" data-id=\"4947\"\/><figcaption>Nicole Maurey (mademoiselle Louise), Claude Laydu (le cur\u00e9 d&#8217;Ambricourt)<\/figcaption><\/figure><\/div><\/div><div class=\"glide__bullets\" data-glide-el=\"controls[nav]\"><button class=\"glide__bullet\" data-glide-dir=\"=0\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=1\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=2\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=3\"><\/button><button class=\"glide__bullet\" data-glide-dir=\"=4\"><\/button><\/div><\/div><\/div>\n\n\n\n<p class=\"has-text-align-right\">Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Szabadka\/2026.01.21. Robert Bresson: Egy falusi pl\u00e9b\u00e1nos napl\u00f3ja (\/Diary of a Country Priest), 1951, francia filmdr\u00e1ma, 95 p. Tarr B\u00e9la filmjei a l\u00e9t s\u00faly\u00e1t teszik \u00e1t\u00e9lhet\u0151v\u00e9; Tarkovszkij a transzcendens rem\u00e9ny\u00e9t keresi; Antonioni a modern ember&#46;&#46;&#46;<\/p>\n","protected":false},"author":3,"featured_media":4944,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-4942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:400\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/616391716_10242203679729838_2107606468446508279_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:600\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/02\/616391716_10242203679729838_2107606468446508279_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/4942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=4942"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/4942\/revisions"}],"predecessor-version":[{"id":4948,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/4942\/revisions\/4948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/4944"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=4942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=4942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=4942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}