M\u00edg a Sz\u00fclet\u00e9snap<\/em> az \u00e1lszent, b\u0171nnel terhelt csal\u00e1di viszonyokat \u00e9s elfojt\u00e1sokat t\u00e1rta fel, addig A vad\u00e1szat<\/em><\/strong> egy l\u00e1tsz\u00f3lag erk\u00f6lcs\u00f6s kisv\u00e1rosi k\u00f6z\u00f6ss\u00e9g bels\u0151 erjed\u00e9s\u00e9t mutatja meg \u2013 ahol a s\u00f6t\u00e9t gyan\u00fa \u00e1rny\u00e9ka pillanatok alatt k\u00e9pes sz\u00e9trombolni emberi kapcsolatokat, bizalmat \u00e9s \u00e9rt\u00e9keket. Vinterberg szerint: A Sz\u00fclet\u00e9snap a \u201990-es \u00e9vek hiszt\u00e9ri\u00e1j\u00e1t mutatta be, <\/em>A vad\u00e1szat<\/em><\/strong> pedig az azt k\u00f6vet\u0151 t\u00e1rsadalmi p\u00e1nikot elemzi.<\/em><\/p>\n\n\n\n A t\u00f6rt\u00e9net egy z\u00e1rt k\u00f6zegben j\u00e1tsz\u00f3dik, ahol az arisztokratikus hagyom\u00e1ny \u00e9s a modernit\u00e1s \u00fctk\u00f6z\u00e9se leplezi le a civiliz\u00e1lt viselked\u00e9s felsz\u00edne alatt rejt\u0151z\u0151 \u00f6szt\u00f6n\u00f6ket \u00e9s intoleranci\u00e1t. A t\u00f6rt\u00e9net k\u00f6z\u00e9ppontj\u00e1ban Lucas (Mads Mikkelsen)<\/strong> \u00e1ll, egy kedvelt \u00f3vodapedag\u00f3gus, akit egy kisgyermek \u00e1rtalmatlannak t\u0171n\u0151 hazugs\u00e1ga alapj\u00e1n hamisan megv\u00e1dolnak szexu\u00e1lis zaklat\u00e1ssal. A tabus\u00e9rt\u0151 film fesz\u00fclts\u00e9ge abb\u00f3l fakad, mik\u00e9nt v\u00e1lik a k\u00f6z\u00f6ss\u00e9gi \u00edt\u00e9lkez\u00e9s g\u00e9pezete vak, \u00f6nigazol\u00f3 \u00e9s kegyetlen er\u0151v\u00e9. Vinterberg filmje egyszerre t\u00e1rsadalmi t\u00fck\u00f6r \u00e9s mor\u00e1lis tanulm\u00e1ny<\/strong>: reflekt\u00e1l a mai vil\u00e1g \u00e9rt\u00e9kv\u00e1ls\u00e1g\u00e1ra, a kollekt\u00edv f\u00e9lelemre \u00e9s a csordaszellem erej\u00e9re.<\/p>\n\n\n\n Mikkelsen alak\u00edt\u00e1sa<\/strong> \u00e1rnyalt \u00e9s megrend\u00edt\u0151: Lucas mag\u00e1nya, m\u00e9lt\u00f3s\u00e1ga \u00e9s tehetetlens\u00e9ge v\u00e9gig \u00e9rezhet\u0151, mik\u00f6zben a k\u00f6z\u00f6ss\u00e9g \u00f6nn\u00f6n mor\u00e1lis v\u00e1ls\u00e1g\u00e1t vet\u00edti ki r\u00e1. Cannes-ban elnyert sz\u00edn\u00e9szi d\u00edja m\u00e9lt\u00f3 elismer\u00e9se annak, ahogyan az \u00e1rtatlans\u00e1g tragikum\u00e1t, a t\u00e1rsadalmi p\u00e1nik abszurdit\u00e1s\u00e1t \u00e9s az emberi egy\u00fctt\u00e9rz\u00e9s hi\u00e1ny\u00e1t megjelen\u00edti.<\/p>\n\n\n\n Vinterberg a pedof\u00edli\u00e1t\u00f3l val\u00f3 irracion\u00e1lis f\u00e9lelem prizm\u00e1j\u00e1n kereszt\u00fcl ism\u00e9t a diszfunkcion\u00e1lis k\u00f6z\u00f6ss\u00e9g dr\u00e1m\u00e1j\u00e1t vizsg\u00e1lja \u2013\u00a0ez\u00fattal azonban nem a b\u0171n (Sz\u00fclet\u00e9snap), hanem a hamis v\u00e1d k\u00f6r\u00e9 \u00e9p\u00edtkezve. A film a bizalom, a hit \u00e9s az erk\u00f6lcs jelenkori \u00e1llapot\u00e1ra k\u00e9rdez r\u00e1 \u2013 k\u00f6ny\u00f6rtelen\u00fcl, m\u00e9gis m\u00e9lyen emberien.<\/p>\n\n\n\n Vet\u00edt\u00e9s \u00f6sszegz\u0151<\/p>\n\n\n\n Nagyszer\u0171 est volt! Thomas Vinterberg rendez\u0151 szabadsz\u00e1j\u00fa, intim emberi \u00e1br\u00e1zatokat felnagy\u00edt\u00f3, gyermekien tiszta szemcsat\u00e1kat felvonultat\u00f3 allegorikus Vad\u00e1szat\u00e1n<\/em> \u00e1ltal\u00e1ban minden mozin\u00e9z\u0151 r\u00e9szt vesz. De individualista korunk karaktereinek viselked\u00e9se \u00e9s a vid\u00e9ki k\u00f6z\u00f6ss\u00e9g reakci\u00f3i mi\u00e9rt is v\u00e1ltanak ki bel\u0151l\u00fcnk \u00e9rtetlens\u00e9ggel vegyes d\u00fch\u00f6t \u00e9s szorong\u00e1st? Mert a bemutatott probl\u00e9mak\u00f6r l\u00e9nyege \u2013 a k\u00f6z\u00f6ss\u00e9gnek val\u00f3 kitetts\u00e9gt\u0151l val\u00f3 f\u00e9lelem, illetve az elutas\u00edt\u00f3, meg nem \u00e9rt\u0151 k\u00f6z\u00f6ss\u00e9ggel szembeni mag\u00e1ny \u2013 k\u00f6z\u00f6s, \u0151si alap\u00e9lm\u00e9ny\u00fcnk.<\/p>\n\n\n\n Mindezt \u201efilmre fokozni\u201d, \u00e9s tabus\u00e9rt\u0151 m\u00f3don \u00fagy bemutatni, hogy k\u00f6zben a szem\u00e9lyes \u00e9lm\u00e9nyeinket meghalad\u00f3 tapasztalatokkal gazdagodhatunk, filmm\u0171v\u00e9szetnek h\u00edvj\u00e1k. Az \u00f6nk\u00e9p\u00fcnket is feld\u00fal\u00f3 \u00faj \u00e9lm\u00e9nyek tapasztal\u00e1sa pedig olyan, mint amikor lehet\u0151s\u00e9g\u00fcnk van bar\u00e1tokkal \u2013 szakemberrel, vagy p\u00e9ld\u00e1ul egy filmklubban \u2013 kibesz\u00e9lni egy nyomaszt\u00f3 probl\u00e9m\u00e1t.<\/p>\n\n\n\n Vinterberg c\u00e9lra tart\u00f3 filmt\u00fckr\u00e9ben a kort\u00e1rs Homo sapiens<\/em> meg\u00e9rt\u00e9s\u00e9t egy tradicion\u00e1lisan er\u0151s szexu\u00e1lis tabu megs\u00e9rt\u00e9se ind\u00edtja el: a szexu\u00e1lis v\u00e1gyait v\u00e1llalni tud\u00f3, r\u00e1men\u0151s n\u0151 tabuja. De a botr\u00e1nyos kibesz\u00e9letlen t\u00e9m\u00e1k sora folytat\u00f3dik. Itt van a gyermekkori bar\u00e1t \u00e1rul\u00e1s\u00e1nak tabuja; a sz\u00fcl\u0151i nevel\u00e9si elvek \u00e9s gyakorlatok m\u00f6g\u00f6tti z\u0171rzavar tabui; az \u00e1rtatlanok kiszolg\u00e1ltatotts\u00e1g\u00e1nak k\u00e9rd\u00e9sei; a k\u00f6zrendbe vetett hitet fenntart\u00f3, de diszfunkcion\u00e1lis szab\u00e1lyok k\u00f6vetkezm\u00e9nyeinek tabuja, vagy a benn\u00fcnk \u00e9l\u0151 gyermeki \u00e9n\u00fcnk mesterk\u00e9lt, feln\u0151tt \u00e9n\u00fcnk feletti \u201egy\u0151zelm\u00e9nek\u201d visszat\u00e9r\u0151 \u00e9lm\u00e9nye.<\/p>\n\n\n\n A film paranoid \u00e9s analitikus ember\u00e1br\u00e1zol\u00e1sa ez\u00e9rt sem korl\u00e1toz\u00f3dik puszt\u00e1n a pedof\u00edlia roppant s\u00e9rt\u0151 tabuj\u00e1ra, hanem meg\u00e1gyaz annak \u2013 mik\u00f6zben a gyermeki l\u00e9thez val\u00f3 viszonyul\u00e1sainkkal is szembes\u00edt. Mert ha ismeretlen, idegen \u00e9lm\u00e9nyek mozd\u00edtanak ki a 21. sz\u00e1zadi k\u00e9nyelemkultuszban kialak\u00edtott komfortz\u00f3n\u00e1nkb\u00f3l, \u00e9s m\u00e1r nem hisz\u00fcnk a saj\u00e1t szem\u00fcnknek, akkor vesz\u00fcnk el igaz\u00e1n. Nem \u00fagy, mint a gyermek \u00e9nj\u00fckre eml\u00e9kezni akar\u00f3 feln\u0151ttek \u00e9s a gyerekek, akik, ha kell, bev\u00e9rz\u0151 szemmel figyelnek, \u00e9s tiszt\u00e1n l\u00e1tj\u00e1k verg\u0151d\u00e9s\u00fcnket. …<\/p>\n\n\n\n Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":" 2025.10.15.\/Szabadka Thomas Vinterberg: A vad\u00e1szat (The Hunt), 2012, d\u00e1n filmdr\u00e1ma, 115 p. Thomas Vinterberg m\u00e1sodik nagy, hiperrealista dr\u00e1m\u00e1ja, A vad\u00e1szat a rendez\u0151 kor\u00e1bbi, kultikus Sz\u00fclet\u00e9snap (Festen) c\u00edm\u0171 filmj\u00e9nek antit\u00e9zise M\u00edg a Sz\u00fclet\u00e9snap az \u00e1lszent, b\u0171nnel terhelt csal\u00e1di viszonyokat \u00e9s elfojt\u00e1sokat t\u00e1rta...<\/p>\n","protected":false},"author":3,"featured_media":4746,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:400\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/01\/564233127_10240794854790095_432825878261508506_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:600\/h:600\/q:mauto\/rt:fill\/g:ce\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/01\/564233127_10240794854790095_432825878261508506_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/4743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=4743"}],"version-history":[{"count":2,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/4743\/revisions"}],"predecessor-version":[{"id":4827,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/4743\/revisions\/4827"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/4746"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=4743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=4743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=4743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2026\/01\/563451619_10240794854470087_1490918126067966146_n.jpg\")
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