{"id":3513,"date":"2024-10-30T22:26:31","date_gmt":"2024-10-30T21:26:31","guid":{"rendered":"https:\/\/ctalker.org\/?p=3513"},"modified":"2024-12-18T14:17:09","modified_gmt":"2024-12-18T13:17:09","slug":"kurbli-filmklub-robert-altman-nashville","status":"publish","type":"post","link":"https:\/\/ctalker.org\/en\/2024\/10\/30\/kurbli-filmklub-robert-altman-nashville\/","title":{"rendered":"Kurbli Filmklub: Robert Altman-Nashville"},"content":{"rendered":"\n

Szabadka\/2024.10.30.<\/p>\n\n\n\n

Robert Altman: Nashville, amerikai zen\u00e9s szat\u00edra, 1975<\/p>\n\n\n\n

Amerika eln\u00f6kv\u00e1laszt\u00e1sra k\u00e9sz\u00fcl. A \u201970-es \u00e9vek k\u00f6zep\u00e9n j\u00e1runk, Nixon eln\u00f6k lemond\u00e1sa \u00e9s a Watergate-botr\u00e1ny idej\u00e9n, Tennessee \u00e1llam f\u0151v\u00e1ros\u00e1ban, Nashville<\/strong><\/em>ben a country zene fellegv\u00e1r\u00e1ban. <\/p>\n\n\n\n

Altman grandi\u00f3zus tabl\u00f3ja bemutatja a cowboyok historikus, anekdotikus, \u00e1lomszer\u0171 paradicsom\u00e1t, az USA modern kori t\u00f6rt\u00e9net\u00e9nek legs\u00f6t\u00e9tebb id\u0151szak\u00e1ban, ahol term\u00e9szetesen el\u0151ker\u00fcl a l\u0151fegyver okozta politikai mer\u00e9nylet \u00e9s t\u00e1rsadalomkritik\u00e1ja.<\/p>\n\n\n\n

A politikai rekl\u00e1mkamp\u00e1ny r\u00e9szek\u00e9nt szervezett nagyszab\u00e1s\u00fa country koncert \u2013 a rendez\u0151 jellegzetes, mar\u00f3an szatirikus st\u00edlus\u00e1ban, kaleidoszk\u00f3pszer\u0171en bemutatva \u2013 gigantikus \u00e9s brav\u00faros par\u00f3dia a fenn\u00e1ll\u00e1sa 200. \u00e9vfordul\u00f3j\u00e1t \u00fcnnepl\u0151 Egyes\u00fclt \u00c1llamokr\u00f3l. \u201eAmbivalens vagyok Amerik\u00e1val kapcsolatban. Szeretem \u00e9s gy\u0171l\u00f6l\u00f6m\u201d \u2013 vallja Altman, s \u00edgy a filmje is az ellentmond\u00e1sos attit\u0171d\u00f6k \u00e9s k\u00fcl\u00f6nf\u00e9le val\u00f3s\u00e1gok szikr\u00e1z\u00f3an eleven \u00e9s szellemes \u201edialektikus koll\u00e1zsa\u201d \u2013 sok j\u00f3 zen\u00e9vel \u00e9s Keith Carradine Oscar-d\u00edjas dal\u00e1val (I’m Easy).<\/em><\/p>\n\n\n\n

\u201eaz amerikai t\u00e1rsadalom \u00e9s v\u00e1gyak komplex t\u00fckr\u00e9t mutatja be\u201d<\/em> (Bert Cardullo filmelm\u00e9let professzor, filmkritikus)<\/p>\n\n\n\n

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\"\"<\/figure>\n<\/figure>\n\n\n\n

\u201eAz \u00daj-Hollywoodra keresztelt korszak Hollywoodi Renesz\u00e1nsznak nevezett, 1975-ig tart\u00f3 szakasz\u00e1ban a helyi m\u0171faji hagyom\u00e1nyok randev\u00faztak az eur\u00f3pai m\u0171v\u00e9szfilmes inspir\u00e1ci\u00f3kkal, k\u00fcl\u00f6nleges mozg\u00f3k\u00e9pi alakzatokat teremtve. \u2026 Robert Altman korszaktemet\u0151 Nashville-je \u2026 \u00f6sszegezte mindazt a t\u00f6rekv\u00e9st, amely a Hollywoodi Renesz\u00e1nszot k\u00fcl\u00f6nlegess\u00e9 tette.\u201d (P\u00e1pai Zsolt, Filmvil\u00e1g foly\u00f3irat, 2017\/09)<\/p>\n\n\n\n

Sz\u00e1sz Csongor<\/p>\n\n\n\n

A programot t\u00e1mogatta: <\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2024.10.30. Robert Altman: Nashville, amerikai zen\u00e9s szat\u00edra, 1975 Amerika eln\u00f6kv\u00e1laszt\u00e1sra k\u00e9sz\u00fcl. A \u201970-es \u00e9vek k\u00f6zep\u00e9n j\u00e1runk, Nixon eln\u00f6k lemond\u00e1sa \u00e9s a Watergate-botr\u00e1ny idej\u00e9n, Tennessee \u00e1llam f\u0151v\u00e1ros\u00e1ban, Nashvilleben a country zene fellegv\u00e1r\u00e1ban.  Altman grandi\u00f3zus tabl\u00f3ja bemutatja...<\/p>\n","protected":false},"author":3,"featured_media":3517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-3513","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/10\/464149115_10235777229272593_3172276015448407496_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/10\/464149115_10235777229272593_3172276015448407496_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=3513"}],"version-history":[{"count":2,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3513\/revisions"}],"predecessor-version":[{"id":4176,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3513\/revisions\/4176"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/3517"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=3513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=3513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=3513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}