![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/434992378_10233914821113553_2076522332794151826_n.jpg\")
<\/figure>\n\n\n\n![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/435060895_10233914820233531_30275296406554361_n.jpg\")
<\/figure>\n<\/figure>\n\n\n\nBu\u00f1uel a 60-as \u00e9vekt\u0151l, \u00fajra modern filmnyelvet kre\u00e1l, kezdve az utols\u00f3 Mexik\u00f3ban k\u00e9sz\u00edtett filmj\u00e9vel. Az \u00f6ld\u00f6kl\u0151 angyal<\/em> (1962) a z\u00e1rt szitu\u00e1ci\u00f3s dr\u00e1m\u00e1k egyik protot\u00edpusa, abszurd t\u00e9rszervez\u00e9ssel a komfortz\u00f3n\u00e1j\u00e1b\u00f3l kimozd\u00edtott embert vizsg\u00e1lja. \u00dajabb francia korszak\u00e1nak m\u00e1sodik filmje, az 1967-ben bemutatott A nap sz\u00e9pe, <\/strong><\/em>amelynek alkot\u00e1sa k\u00f6zben, adatgy\u0171jt\u00e9s ok\u00e1n Jean-Claude Carri\u00e9re forgat\u00f3k\u00f6nyv\u00edr\u00f3val kupler\u00e1jokba szerveztek tanulm\u00e1nyutat \u00e9s mad\u00e1mokkal interj\u00faztak. <\/em>A film narr\u00e1ci\u00f3j\u00e1ban tov\u00e1bb fokoz\u00f3dik val\u00f3s\u00e1g \u00e9s k\u00e9pzelet kevered\u00e9se, ami megalapozza utols\u00f3 alkot\u00f3i korszak\u00e1t, ahol m\u00e9g ink\u00e1bb a v\u00e9gtelen\u00edtett beteljes\u00fcletlens\u00e9g traum\u00e1ja <\/em>ker\u00fcl f\u00f3kuszba. Brav\u00faros id\u0151kezel\u00e9se ellen\u00e9re az elbesz\u00e9l\u00e9se m\u00e9gsem v\u00e1lik t\u00fal elvontt\u00e1, \u00e1mb\u00e1r a f\u0151szerepl\u0151 Catherine Deneuve alak\u00edtotta S\u00e9verine k\u00e9pzelg\u00e9seinek se eleje se v\u00e9ge. \u00c9rett id\u0151szak\u00e1ban k\u00e9sz\u00edtett filmjeire m\u00e9g ink\u00e1bb jellemz\u0151, hogy pszich\u00e9be hatol\u00f3, metafizikusan megbontott, bizarr logik\u00e1j\u00fa vagy nyitott v\u00e9g\u0171 elbesz\u00e9l\u00e9sek, amelyek \u201eegyszerre kritiz\u00e1lj\u00e1k a t\u00e1rsadalmi konvenci\u00f3kat, \u00e9s j\u00e1tszanak ravaszul azokkal az elbesz\u00e9l\u0151i konvenci\u00f3kkal amelyek \u00e9bren tartj\u00e1k benn\u00fcnk a mese b\u0171v\u00f6let\u00e9t.\u201d<\/em> (Thompson \u00e9s Bordwell)<\/p>\n\n\n\n Az izgalmas karakterek sor\u00e1t felvonultat\u00f3 filmet a t\u00e9makezel\u00e9s mellett az id\u0151vel folytatott j\u00e1t\u00e9k avatja mesteriv\u00e9: Bu\u00f1uel egyszerre ny\u00fal vissza Bergmanhoz (A nap v\u00e9ge) \u00e9s Resnais-hez (Tavaly Marienbadban) \u2026 \u00e1lomdramaturgia \u00e9s frusztr\u00e1ci\u00f3anal\u00edzis, sz\u00fcrrealisztikus hangolts\u00e1g \u00e9s fekete humor, vall\u00e1sfricsk\u00e1k \u00e9s kapitalizmuskritika. Mik\u00e9nt nem eld\u00f6nthet\u0151, hogy amit l\u00e1tunk, l\u00e1tom\u00e1s vagy \u2013 \u00fagymond \u2013 a val\u00f3s\u00e1g, akk\u00e9ppen az is nehezen kibogozhat\u00f3, hogy dr\u00e1ma vagy kom\u00e9dia-e a film.<\/em> (Tosoki Gyula)<\/p>\n\n\n \u201eA film els\u0151 moziba ker\u00fcl\u00e9se ut\u00e1n sok\u00e1ig elt\u0171nt \u2026 V\u00e9g\u00fcl Martin Scorsese seg\u00edtett 1995-ben a Miramax Zoe c\u00e9gnek, hogy megszerezze a jogokat, \u00e9s a filmet \u00fajb\u00f3l meg lehessen n\u00e9zni nagyv\u00e1sznon. Tal\u00e1n kicsit sem meglep\u0151, hogy Martin Scorses\u00e9hez hasonl\u00f3an Alfred Hitchcock is im\u00e1dta ezt a filmet.\u201d (Jakab-Benke N\u00e1ndor)<\/span><\/p>\n\n\n Sz\u00e1sz Csongor<\/p>\n\n\n\n A programot t\u00e1mogatta: <\/p>\n\n\n\n Szabadka\/2024.04.09. Luis Bu\u00f1uel: A nap sz\u00e9pe (Belle de jour), 1967, spanyol-francia sz\u00fcrrealista dr\u00e1ma, 100 perc Bu\u00f1uel azon kev\u00e9s filmrendez\u0151k egyike, akinek mindk\u00e9t filmm\u0171v\u00e9szeti forradalomban fontos szerep jutott. A sz\u00fcrrealizmus nagymestere, mexik\u00f3i klasszikusabb filmes elbesz\u00e9l\u00e9sm\u00f3d\u00fa...<\/p>\n","protected":false},"author":3,"featured_media":3375,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-3372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/425773300_10233914820793545_8804324335778454702_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/425773300_10233914820793545_8804324335778454702_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=3372"}],"version-history":[{"count":2,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3372\/revisions"}],"predecessor-version":[{"id":4158,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3372\/revisions\/4158"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/3375"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=3372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=3372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=3372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/435114853_10233914820353534_786972667786377695_n.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/435073344_10233914821353559_8142008986910889830_n.jpg\")
![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/01\/Tartomanyi-Oktatasi-Jogalkotasi-Kozigazgatasi-es-Nemzeti-Kissebsegi-Nemzeti-Kozossegi-Titkarsag.jpg\")
<\/figure>\n","protected":false},"excerpt":{"rendered":"