Az 1989-es rom\u00e1niai telev\u00edzi\u00f3s forradalmat<\/em> \u2013 a kiki\u00e1ltott Magyar K\u00f6zt\u00e1rsas\u00e1g friss demokr\u00e1ci\u00e1j\u00e1ban \u2013, \u00e9l\u0151ben k\u00f6zvet\u00edtette a magyar k\u00f6zszolg\u00e1lati telev\u00edzi\u00f3 is. Pontosabban, a nem sokkal ezek ut\u00e1na lev\u00e1ltott h\u00edrad\u00f3 f\u0151szerkeszt\u0151, Acz\u00e9l Endre \u00e9s helysz\u00ednre kik\u00fcld\u00f6tt telev\u00edzi\u00f3s st\u00e1bja is felszabad\u00edt\u00f3 erej\u0171 tapasztalatokat gy\u0171jthetett az el\u0151tte soha nem l\u00e1tott dr\u00e1mai m\u00e9diaesem\u00e9ny r\u00e9szeseik\u00e9nt. Akit \u00e9rdekel, err\u0151l b\u0151vebben H\u00e1mos Guszt\u00e1v: A h\u00edrad\u00f3 hatalma<\/em> c\u00edmen k\u00e9sz\u00edtett egy \u00f3r\u00e1s vide\u00f3essz\u00e9t.\u2028Ak\u00e1rcsak egy szociol\u00f3gus, aki r\u00e9szletesen elemez egy k\u00f6z\u00f6ss\u00e9get, egy mikrouniverzumot, hogy \u00e1ltal\u00e1nos k\u00f6vetkeztet\u00e9seket vonhasson le, Corneliu Porumboiu a Forradalm\u00e1rok<\/strong>kal egy minimalista, esszenci\u00e1lis \u00e9s m\u00e9ly tanulm\u00e1nyt hoz l\u00e9tre.<\/em> (Ioan-Pavel Azap) A k\u00e9t\u00e9rtelm\u0171s\u00e9g hat\u00e1r\u00e1ig \u00e1rnyalt karakterei felett nem \u00edt\u00e9lkezik.\u2028\u2026 egyszerre vizsg\u00e1lja a kollekt\u00edv tudat \u00e9s az egy\u00e9ni meg\u00edt\u00e9l\u00e9s k\u00f6zti k\u00fcl\u00f6nbs\u00e9geket, \u00e9s kritiz\u00e9lja mar\u00f3 g\u00fannyal a m\u00e9dia m\u0171k\u00f6d\u00e9s\u00e9t. A textilm\u00e9rn\u00f6kb\u0151l lett riporter, az isz\u00e1kos t\u00f6rt\u00e9nelemtan\u00e1r \u00e9s a kisv\u00e1ros mindenkori t\u00e9lap\u00f3j\u00e1nak k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel k\u00e9sz\u00fclt talkshow-val a fiatal direktor finoman egyens\u00falyozik par\u00f3dia \u00e9s realizmus k\u00f6z\u00f6tt.<\/em> (Klacs\u00e1n Csaba)\u2028<\/p>\n <\/p>\n\n\n\n Corneliu Porumboiu<\/strong> a Bukaresti K\u00f6zgazdas\u00e1g-tudom\u00e1nyi Egyetem menedzsment szak\u00e1n tanul 1994 \u00e9s 1998 k\u00f6z\u00f6tt. A Sz\u00ednh\u00e1z- \u00e9s Filmm\u0171v\u00e9szeti Egyetem rendez\u0151 szak\u00e1n 2003-ban diplom\u00e1zik. A nemzetk\u00f6zi h\u00edrnevet els\u0151 eg\u00e9sz est\u00e9s j\u00e1t\u00e9kfilmje, a 2006-ban bemutatott\u00a0Volt-e vagy sem? (Forradalm\u00e1rok) hozza el sz\u00e1m\u00e1ra, amely elnyeri a Cannes-i Fesztiv\u00e1l Camera d\u2019Or \u00e9s European Cinemas Label d\u00edj\u00e1t.\u2028\u201eEzeknek a filmeknek a t\u00e9m\u00e1i univerz\u00e1lisak, \u00e9s az alkot\u00f3knak mindig siker\u00fcl t\u00fall\u00e9pni\u00fck a r\u00e9gi\u00f3i saj\u00e1toss\u00e1gain. \u2026 A Volt-e vagy sem? c\u00edm\u0171 els\u0151 j\u00e1t\u00e9kfilmem l\u00e9nyege, hogy h\u00e1rom perspekt\u00edv\u00e1b\u00f3l l\u00e1tunk egy t\u00f6rt\u00e9nelmi esem\u00e9nyt, \u00e9s hogy mindegyik szerepl\u0151\u00a0misztifik\u00e1lja a t\u00f6rt\u00e9nelmet, hogy \u00f6nmag\u00e1t mentse.\u201d<\/em> (Corneliu Porumboiu)<\/p>\n A vet\u00edt\u00e9s ut\u00e1n a filmr\u0151l \u00e9s az eg\u00e9sz rom\u00e1n \u00faj hull\u00e1mr\u00f3l besz\u00e9lgett\u00fcnk Gyenge Zsolt<\/strong> filmeszt\u00e9t\u00e1val!<\/p>\n Sz\u00e1sz Csongor<\/p>\n\n\n\n A programot t\u00e1mogatta: <\/p>\n\n\n\n Szabadka\/2024.03.19. Corneliu Porumboiu- Volt-e vagy sem\/Forradalm\u00e1rok (A fost sau n-a fost?), rom\u00e1n v\u00edgj\u00e1t\u00e9k, 89 perc, 2006 K\u00e9t nappal szent kar\u00e1csony el\u0151tt j\u00e1runk. Moldvai kisv\u00e1rosi h\u0151seink, Pisconi \u00far \u00e9s k\u00e9t t\u00e1rsa, 16 \u00e9v t\u00e1vlat\u00e1b\u00f3l, a helyi...<\/p>\n","protected":false},"author":3,"featured_media":3345,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-3341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/433201332_10233804123066171_3101891439045729478_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/433201332_10233804123066171_3101891439045729478_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=3341"}],"version-history":[{"count":3,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3341\/revisions"}],"predecessor-version":[{"id":4151,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/3341\/revisions\/4151"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/3345"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=3341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=3341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=3341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2024\/04\/432873743_10233804122346153_6645220020241498764_n.jpg\")
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