{"id":2676,"date":"2023-05-16T19:37:28","date_gmt":"2023-05-16T18:37:28","guid":{"rendered":"https:\/\/ctalker.org\/?p=2676"},"modified":"2023-05-29T20:01:00","modified_gmt":"2023-05-29T19:01:00","slug":"kurbli-filmklub-jan-svankmajer-a-gyonyor-osszeeskuvoi","status":"publish","type":"post","link":"https:\/\/ctalker.org\/en\/2023\/05\/16\/kurbli-filmklub-jan-svankmajer-a-gyonyor-osszeeskuvoi\/","title":{"rendered":"Kurbli Filmklub: Jan \u0160vankmajer-A gy\u00f6ny\u00f6r \u00f6sszeesk\u00fcv\u0151i"},"content":{"rendered":"\n

Szabadka\/2023.05.16.<\/p>\n\n\n\n

Jan \u0160vankmajer:\u00a0A gy\u00f6ny\u00f6r \u00f6sszeesk\u00fcv\u0151i (Spiklenci slasti), 1996, cseh v\u00edgj\u00e1t\u00e9k, 75 perc<\/p>\n\n\n\n

Helsinki ut\u00e1n (utalva el\u0151z\u0151 heti vet\u00edt\u00e9s\u00fcnkre: Aki Kaurismaki-Gomolyg\u00f3 felh\u0151k<\/em>, finn fimdr\u00e1ma-a szerk.), most Pr\u00e1ga a helysz\u00edn. Aktu\u00e1lis karaktereink a finn munk\u00e1sok t\u00e1rsadalm\u00e1ban perif\u00e9ri\u00e1ra ker\u00fcltek ut\u00e1n, most a mag\u00e1nyos, individualiz\u00e1l\u00f3d\u00f3 cseh polg\u00e1rok elfajzott szabads\u00e1gban tobz\u00f3d\u00f3, a k\u00fclvil\u00e1g nyilv\u00e1noss\u00e1g\u00e1t ignor\u00e1l\u00f3, zsigeri gy\u00f6ny\u00f6r\u00f6ket titokban meg\u00e9l\u0151, perverz v\u00e1gyak kiel\u00e9g\u00fcl\u00e9s\u00e9t hajszol\u00f3 devi\u00e1ns figur\u00e1i<\/p>\n\n\n\n

Ami k\u00f6z\u00f6s mindkett\u0151ben, az a konszenzusos, transzparens polg\u00e1ri \u00e9rt\u00e9kek hamiss\u00e1g\u00e1nak \u00e9s az egy\u00e9n elveszetts\u00e9g\u00e9nek tapasztalata. Ez Jan \u0160vankmajer filmjeiben m\u00e9g hangs\u00falyosabb, mint ahogy a csal\u00e1d h\u00e1tt\u00e9rbe szorul\u00e1sa. Am\u00edg Kaurism\u00e4kin\u00e1l a\u00a0Gomolyg\u00f3 felh\u0151k<\/em>ben m\u00e9g \u00f6sszetartja az egy\u00e9bk\u00e9nt roppant csal\u00e1dias \u00e9s egym\u00e1shoz \u0151szinte k\u00f6z\u00f6ss\u00e9get valami felebar\u00e1ti szeretet \u00e9s a f\u0151szerepl\u0151 p\u00e1r szerelme is szil\u00e1rd, addig\u00a0A gy\u00f6ny\u00f6r \u00f6sszeesk\u00fcv\u0151i\u00a0<\/strong><\/em>eset\u00e9ben a bar\u00e1ti \u00e9s csal\u00e1di int\u00e9zm\u00e9nyt\u0151l val\u00f3 teljes elidegened\u00e9s t\u00fcnetei mutatkoznak. A protokoll\u00e1ris terek, mint pl. a munkahelyen elv\u00e1rt egy\u00e9ni \u00e9s t\u00e1rsas viselked\u00e9s \u00edrott \u00e9s \u00edratlan szab\u00e1lyai, a felettes \u00e9n seg\u00edts\u00e9g\u00e9vel korl\u00e1tozz\u00e1k a szem\u00e9lyis\u00e9g kreativit\u00e1s\u00e1nak kibontakoz\u00e1s\u00e1t. Ezt kompenz\u00e1lja az egy\u00e9nileg meg\u00e9lt szabadid\u0151s tev\u00e9kenys\u00e9g testet \u00e9s lelket felt\u00f6lt\u0151 id\u0151szaka, a h\u00e9tv\u00e9ge. \u0160vankmajern\u00e9l ebben az \u00e9lett\u00e9rben az ember boldogs\u00e1g\u00e1hoz az \u00f6nazonoss\u00e1g pihentet\u0151 \u00e1llapot\u00e1nak meg\u00e9l\u00e9s\u00e9n t\u00fal, term\u00e9keny akt\u00edv imagin\u00e1ci\u00f3k sz\u00fcks\u00e9gesek a szoci\u00e1lis l\u00e9ny elfojt\u00e1sokb\u00f3l \u00e9s v\u00e1gyakb\u00f3l fakad\u00f3 sz\u00fcks\u00e9gleteinek kiel\u00e9g\u00edt\u00e9s\u00e9re. Teh\u00e1t a finn urb\u00e1nus l\u00e9thez k\u00e9pest, a cseh konzumkult\u00far\u00e1ban \u00e9l\u0151k az erk\u00f6lcs\u00f6t csup\u00e1n sz\u00ednlelik, nem hisznek benne \u00e9s titokban a z\u00e1rt ajt\u00f3k m\u00f6g\u00f6tt m\u00e1s, betegesen \u00e9lvhajh\u00e1sz ig\u00e9nyek t\u00f6rnek a felsz\u00ednre. \u0160vankmajer botr\u00e1nyos filmje ezeket a zugt\u00e9nyked\u00e9seket fesz\u00edti v\u00e1szonra, a film n\u00e9z\u0151inek szembogarai m\u00f6g\u00e9.<\/p>\n\n\n\n

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A sz\u00fcrrealista filmm\u0171v\u00e9szet \u00fajra-felfedez\u0151je kezdetben, a hatvanas \u00e9vek k\u00f6zep\u00e9t\u0151l r\u00f6vid gyurma- \u00e9s b\u00e1banim\u00e1ci\u00f3kat alkot. Jellemz\u0151en stop-motion filmtr\u00fckkel\u00a0\u201eegyszerre \u00e1lomszer\u0171 \u00e9s illogikus, ugyanakkor zsigeri \u00e9s materi\u00e1lis\u201d<\/em>\u00a0vil\u00e1gokat \u00e9p\u00edt. K\u00f6t\u0151dik a cseh \u00fajhull\u00e1mhoz, b\u00e1r annak ink\u00e1bb az ut\u00f3\u00e9let\u00e9ben v\u00e1lik meghat\u00e1roz\u00f3v\u00e1.\u00a0\u201eA kapcsol\u00f3d\u00e1si pontokat a groteszk figuraalkot\u00e1s, a j\u00e1t\u00e9kos, t\u00f6redezett formavil\u00e1g \u00e9s a balj\u00f3s, s\u00f6t\u00e9t humor jelentik.\u201d\u00a0<\/em>(KR\u00c1NICZ, LICHTER) A 90-es \u00e9vekt\u0151l \u0160vankmajer az \u00e9l\u0151szerepl\u0151s j\u00e1t\u00e9kfilmek fel\u00e9 nyit,\u00a0\u201eezek a m\u0171vek nemcsak az \u00e9rz\u00e9ki tabus\u00e9rt\u00e9s szintj\u00e9n provokat\u00edvak, hanem gondolatilag is.\u201d<\/em>\u00a0(VARGA)\u00a0A gy\u00f6ny\u00f6r \u00f6sszeesk\u00fcv\u0151i\u00a0<\/strong><\/em>f\u00e9rfih\u0151seiben porn\u00f3magazinok frusztr\u00e1lt b\u0171v\u00f6lete keveredik Jean-Claude Van Damme \u00e9s James Dean filmikonok olcs\u00f3 plak\u00e1tjainak ig\u00e9zet\u00e9vel, a t\u00e9v\u00e9k\u00e9perny\u0151 m\u00e1gi\u00e1j\u00e1nak m\u00e1ni\u00e1j\u00e1val vagy a csupasz b\u0151rh\u00f6z hozz\u00e1\u00e9r\u0151 sz\u0151rm\u00e9k cir\u00f3gat\u00f3 sz\u00e1lainak zsigeri \u00e9lvezet\u00e9vel. A 20. sz\u00e1zadi, olykor abszurdba ny\u00fal\u00f3 emberi kreativit\u00e1s, besz\u00e9d n\u00e9lk\u00fcli n\u00e9maj\u00e1t\u00e9kkal el\u0151adott \u00e9rz\u00e9ki formavil\u00e1g\u00e1t, itt komolyzenei al\u00e1fest\u00e9s emeli intellektu\u00e1lis er\u0151t\u00e9rbe. Teh\u00e1t a k\u00e9jelg\u0151 figur\u00e1k fant\u00e1ziaj\u00e1t\u00e9ka mellet a komolyzene dramatikus jelenl\u00e9te, a n\u00e9z\u0151i \u00e9szlel\u00e9st is felfokoz\u00f3 zajok-z\u00f6rejek \u00e9s emberi testhangok dokumentum\u00e9rt\u00e9k\u0171 \u00e9rz\u00e9ki r\u00e9tegei tel\u00edtik az elbesz\u00e9l\u00e9st.<\/p>\n\n\n

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A film k\u00e9pvil\u00e1ga olykor pornogr\u00e1f \u00e9s nyersen k\u00f6z\u00f6ns\u00e9ges, de intimit\u00e1s\u00e1nak forr\u00e1sa az emberi pszich\u00e9 egyedi m\u0171k\u00f6d\u00e9s\u00e9nek p\u00e9ld\u00e1z\u00e1s\u00e1n \u00e9s a viselked\u00e9sform\u00e1k elmek\u00f3rtan\u00e1n alapszik. \u0160vankmajer filmj\u00e9t pont \u00e9rz\u00e9keny\u00edtett embers\u00e9gess\u00e9ge t\u00e1vol\u00edtja el a benne rejl\u0151 obszcenit\u00e1s durv\u00e1bb n\u00e9z\u0151i asszoci\u00e1ci\u00f3it\u00f3l. Ugyanis\u00a0\u201ea gy\u00f6ny\u00f6r titkos t\u00e1rsas\u00e1g\u00e1nak tagjai egyszer\u0171 pr\u00e1gai dolgoz\u00f3k. \u2026 Szadista, fetisiszta, maszturb\u00e1ns, szodomita\u201d\u00a0<\/em>h\u00e9tv\u00e9gi hobbist\u00e1k, akik mag\u00e1nszf\u00e9r\u00e1jukban\u00a0\u201emegsz\u00e1llottan \u00fcgyk\u00f6dnek perverz v\u00e1gyaik szolg\u00e1lat\u00e1ban. \u2026 Mert h\u00e1t kinek f\u00e1j az, ha az \u00fagyis csak der\u00e9kig l\u00e1tsz\u00f3 bemond\u00f3n\u0151 l\u00e1b\u00e1t egy lav\u00f3rba, nagyl\u00e1ba ujj\u00e1t egy k\u00f6v\u00e9r hal sz\u00e1j\u00e1ba dugva, s igaz\u00e1n csak apr\u00f3kat sikongatva konfer\u00e1lja be a Dallast?\u201d<\/em>\u00a0(BORI)<\/p>\n\n\n\n

Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2023.05.16. Jan \u0160vankmajer:\u00a0A gy\u00f6ny\u00f6r \u00f6sszeesk\u00fcv\u0151i (Spiklenci slasti), 1996, cseh v\u00edgj\u00e1t\u00e9k, 75 perc Helsinki ut\u00e1n (utalva el\u0151z\u0151 heti vet\u00edt\u00e9s\u00fcnkre: Aki Kaurismaki-Gomolyg\u00f3 felh\u0151k, finn fimdr\u00e1ma-a szerk.), most Pr\u00e1ga a helysz\u00edn. Aktu\u00e1lis karaktereink a finn munk\u00e1sok t\u00e1rsadalm\u00e1ban...<\/p>\n","protected":false},"author":3,"featured_media":2679,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/05\/pic_20141103222916_q96cfwmghjh.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/05\/pic_20141103222916_q96cfwmghjh.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=2676"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2676\/revisions"}],"predecessor-version":[{"id":2682,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2676\/revisions\/2682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/2679"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=2676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=2676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=2676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}