{"id":2631,"date":"2023-03-21T08:40:51","date_gmt":"2023-03-21T07:40:51","guid":{"rendered":"https:\/\/ctalker.org\/?p=2631"},"modified":"2023-03-28T10:23:11","modified_gmt":"2023-03-28T09:23:11","slug":"kurbli-filmklub-tran-anh-hung-a-riksas-fiu","status":"publish","type":"post","link":"https:\/\/ctalker.org\/en\/2023\/03\/21\/kurbli-filmklub-tran-anh-hung-a-riksas-fiu\/","title":{"rendered":"Kurbli Filmklub: Tran Anh Hung-A riks\u00e1s fi\u00fa"},"content":{"rendered":"\n

Szabadka\/2023.03.21.<\/p>\n\n\n\n

Tran Anh Hung: A riks\u00e1s fi\u00fa (Cyclo, X\u00edch l\u00f4), <\/strong>1995, vietnami (francia-hongkongi) filmdr\u00e1ma, 123 perc<\/p>\n\n\n\n

Tran Anh Hung rendez\u0151 az Oscar-jel\u00f6lt A z\u00f6ld Papaya illata<\/em> ut\u00e1n k\u00e9sz\u00edtett szem\u00e9lyes hangv\u00e9tel\u0171 mesterm\u0171ve a gengszterfilm \u00e9s a melodr\u00e1ma rendk\u00edv\u00fcl j\u00f3 \u00f6tv\u00f6z\u00e9se a dokumentarista st\u00edlusb\u00f3l fakad\u00f3 formai \u00e9s tartalmi jegyekkel. Megr\u00e1z\u00f3 film\u00e9lm\u00e9nyt ny\u00fajt!<\/p>\n\n\n\n

Vietnam 10 milli\u00f3s metropolisz\u00e1ban, az egykor h\u00e1bor\u00fa s\u00fajtotta Saigonban, azaz Ho Si Minh-v\u00e1ros elhanyagolt negyed\u00e9ben j\u00e1runk. \u201eA zaj pokoli, a leveg\u0151 szennyezett. Amit a filmv\u00e1sznon a v\u00e1rosb\u00f3l l\u00e1tnak, az nem mozi, hanem mind maga az \u00e9let.\u201d<\/strong><\/em> (Tran Anh Hung)<\/p>\n\n\n\n

A t\u00f6rt\u00e9net \u00fagy kezd, mintha Vittorio De Sica Biciklitolvajok<\/em> c\u00edm\u0171 neorealista alapm\u0171v\u00e9nek vietnami v\u00e1ltozata lenne \u00e9s \u00fagy folytat\u00f3dik, mint egy skizofr\u00e9n szerz\u0151i stiliz\u00e1lts\u00e1g\u00fa, sokkol\u00f3 j\u00e1t\u00e9kfilm. A riks\u00e1s fi\u00fa<\/strong><\/em> nagyapj\u00e1val \u00e9s testv\u00e9reivel \u00e9l egy\u00fctt, akik az utc\u00e1n dolgoznak eg\u00e9sz nap, majd egyre ink\u00e1bb beszippantja \u0151ket az alvil\u00e1g. K\u00f6ny\u00f6rtelen b\u0171n\u00f6z\u0151knek kiszolg\u00e1ltatott m\u00e9ly szeg\u00e9nyek vil\u00e1ga ez, m\u00e9gis a n\u00e9z\u0151k sz\u00e1m\u00e1ra a d\u00e9l-vietnami v\u00e1ros \u00e9lete egzotikus. Megismer\u00fcnk egy k\u00fcl\u00f6n\u00f6s lelk\u0171, szociopata von\u00e1sokat hordoz\u00f3 gengszter po\u00e9t\u00e1t, akit \u00c1zsia egyik legnagyobb szt\u00e1rja, John Woo \u00e9s Wong Kar-wai sz\u00edn\u00e9sze, Tony Leung Chiu-wai \u201ek\u00eds\u00e9rteties dinamik\u00e1val\u201d kelt \u00e9letre. De a f\u0151 f\u00f3kusz a ker\u00e9kp\u00e1rtaxis fi\u00fa b\u0171n\u00f6z\u0151v\u00e9 alakul\u00e1s\u00e1n marad. A riks\u00e1s fi\u00fa<\/strong><\/em>t egy 18 \u00e9ves \u00e1rva alak\u00edtja, aki napjainkban turistabuszt vezet.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

A riks\u00e1s fi\u00fa <\/strong>az \u00e9rzelmek \u00e9s a gesztusok k\u00f6z\u00f6tti szakad\u00e9k \u00e1thidal\u00e1s\u00e1nak nagyobb artistamutatv\u00e1ny\u00e1t hajtja v\u00e9gre.\u2026 Tran Anh Hung filmje ellent\u00e9tek egyens\u00faly\u00e1ra \u00e9p\u00fclt, keleti \u00e9s nyugati hagyom\u00e1nyok, \u00e9rz\u00e9kenys\u00e9g \u00e9s er\u0151szak. Vil\u00e1gk\u00e9pe ugyan\u00edgy k\u00e9tp\u00f3lus\u00fa, a f\u00f6ldi pokolba val\u00f3, \u00e9rz\u00e9kletesen \u00e1br\u00e1zolt al\u00e1mer\u00fcl\u00e9s mellett megnyitja a szabadul\u00e1s lehet\u0151s\u00e9g\u00e9t is. <\/em>(Nevel\u0151s Zolt\u00e1n)<\/p>\n\n\n\n

hiperrealisztikus \u2026 \u00fagy j\u00f6n \u00e1t, mint valami t\u00falfesz\u00edtett, apokaliptikus pokol-fant\u00e1zia <\/em>(Adrian Martin, ausztr\u00e1l filmkritikus)Tran azt mondta, hogy \u201enagy gyeng\u00e9ds\u00e9ggel\u201d akarta megmutatni az \u00f6sszes er\u0151szakot, \u00e9s azt hiszem, bizonyos szinten meg is tette. Ez egy humanista film m\u00e9g akkor is, ha nem hordja mindig az ujj\u00e1n a sz\u00edv\u00e9t; soha nem tesz \u00e9rz\u00e9ketlenn\u00e9 a kegyetlens\u00e9g ir\u00e1nt, ahogy Quentin Tarantino \u2026 <\/em>(Jonathan Rosenbaum, amerikai filmkritikus, \u00edr\u00f3)<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Andrew Skeates (Warwicki Egyetem, 2016):\u00a0<\/b>Noha a t\u00f6rt\u00e9net meglehet\u0151sen egyszer\u0171nek hangzik,\u00a0A riks\u00e1s fi\u00fa<\/b>\u00a0egy \u00f6sszetett film, amit k\u00f6vetni kell, mik\u00f6zben Tran Anh Hung egyre k\u00eds\u00e9rletez\u0151bb \u00e9s szinte hallucin\u00e1ci\u00f3s \u00e1llapotokba torkollik, mik\u00f6zben a f\u0151 karakterek (a\u00a0riks\u00e1s fi\u00fa<\/b>, a k\u00f6lt\u0151 \u00e9s a\u00a0riks\u00e1s fi\u00fa<\/b>\u00a0n\u0151v\u00e9re) ment\u00e1lis \u00e1llapota romlik. A struktur\u00e1lt narrat\u00edva ink\u00e1bb szabad form\u00e1j\u00fa t\u00f6rt\u00e9netmes\u00e9l\u00e9snek ad teret, mivel az esem\u00e9nyek szinte v\u00e9letlenszer\u0171en t\u00f6rt\u00e9nnek, egy nyers energia viszi \u00e1t az esem\u00e9nyeket egyikr\u0151l a m\u00e1sikra \u2026<\/i><\/p>\n

Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2023.03.21. Tran Anh Hung: A riks\u00e1s fi\u00fa (Cyclo, X\u00edch l\u00f4), 1995, vietnami (francia-hongkongi) filmdr\u00e1ma, 123 perc Tran Anh Hung rendez\u0151 az Oscar-jel\u00f6lt A z\u00f6ld Papaya illata ut\u00e1n k\u00e9sz\u00edtett szem\u00e9lyes hangv\u00e9tel\u0171 mesterm\u0171ve a gengszterfilm \u00e9s a melodr\u00e1ma...<\/p>\n","protected":false},"author":3,"featured_media":2635,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/03\/337273011_130316479994337_1623193730177727591_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/03\/337273011_130316479994337_1623193730177727591_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=2631"}],"version-history":[{"count":3,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2631\/revisions"}],"predecessor-version":[{"id":2638,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2631\/revisions\/2638"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/2635"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=2631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=2631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=2631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}