\u201c\u2026 1989-et \u00edrunk. \u2026 k\u00fclv\u00e1rosi prolet\u00e1rl\u00e9t \u2026 Budapest legrosszabb h\u00edr\u0171 negyede. \u2026 Szomjas a kor\u00e1bbi szocio-v\u00edgj\u00e1t\u00e9kaiban (K\u00f6nny\u0171 testi s\u00e9rt\u00e9s, Falf\u00far\u00f3) is megteremtette m\u00e1r ugyanezt a mili\u0151t, a\u00a0Roncsfilm<\/strong><\/em>\u00a0pont az\u00e1ltal lesz \u00fct\u0151sebb, hogy tal\u00e1n m\u00e9g az el\u0151z\u0151ekn\u00e9l is kil\u00e1t\u00e1stalanabb vil\u00e1got \u00e1br\u00e1zol, mik\u00f6zben \u00e9pp \u00f6r\u00fclni k\u00e9ne a szabads\u00e1gnak. A film olyan nevekkel is megismertette tov\u00e1bb\u00e1 a n\u00e9z\u0151ket, mint Mucsi Zolt\u00e1n, Sz\u0151ke Andr\u00e1s vagy \u00e9ppen F\u00e1bry S\u00e1ndor, akik k\u00e9s\u0151bb \u00edgy vagy \u00fagy, de \u00e1lland\u00f3 szerepl\u0151i lettek a rendszerv\u00e1lt\u00e1s ut\u00e1ni magyar kultur\u00e1lis \u00e9letnek. A\u00a0Roncsfilm<\/strong><\/em>\u00a0pedig fontos hivatkoz\u00e1si pont maradt a k\u00f6vetkez\u0151 \u00e9vtizedekben, de ilyen sz\u00f3rakoztat\u00f3, a magyar r\u00f6gval\u00f3s\u00e1got bemutat\u00f3 filmv\u00edgj\u00e1t\u00e9kunk az\u00f3ta se k\u00e9sz\u00fclt.\u201d (Inkei Bence)<\/p>\n<\/blockquote>\n\n\n\n \u201cSzomjas Gy\u00f6rgy agyonid\u00e9zett kultuszfilmje a rendszerv\u00e1ltoz\u00e1s kor\u00e1nak fergeteges tragikom\u00e9di\u00e1ja. \u2026 Szomjas Gy\u00f6rgy rendez\u0151 a nyolcvanas \u00e9vekben lett a pesti b\u00e9rh\u00e1zakban \u00e9s panelekben \u00e9l\u0151 lecs\u00faszott szerencs\u00e9tlenek kr\u00f3nik\u00e1sa, de am\u00edg a K\u00f6nny\u0171 testi s\u00e9rt\u00e9s (1983) vagy a Falf\u00far\u00f3 (1985) a szatirikus hangv\u00e9tel \u00e9s a k\u00e9pi k\u00eds\u00e9rletez\u00e9sek ellen\u00e9re is hagyom\u00e1nyos t\u00f6rt\u00e9netet mes\u00e9lt el, a\u00a0Roncsfilm<\/strong><\/em>\u00a0egym\u00e1sba fon\u00f3d\u00f3 groteszk anekdot\u00e1k f\u00fcz\u00e9re. A rendez\u0151 ugyanazt a dramaturgiai tr\u00fckk\u00f6t haszn\u00e1lja, mint a kor\u00e1bbi filmekben: a kisebb-nagyobb csetepat\u00e9kat a szemtan\u00fak a kamer\u00e1ba n\u00e9zve id\u00e9zik fel, mintha csak egy telev\u00edzi\u00f3s b\u0171n\u00fcgyi m\u0171sornak nyilatkozn\u00e1nak. \u2026 Grunwalsky kaotikus, ferde \u00e9s helyenk\u00e9nt sz\u00e1nd\u00e9kosan roncsolt k\u00e9pei kiz\u00f6kkentik a n\u00e9z\u0151t, de j\u00f3l illusztr\u00e1lj\u00e1k a k\u00f6zeget, \u00e9s azt a szellemi, erk\u00f6lcsi \u00e9s fizikai nyomort, ami a szerepl\u0151k \u00e9letter\u00e9t uralja. \u2026 A legt\u00f6bbet a B\u00e9l\u00e1t alak\u00edt\u00f3, a st\u00e1blist\u00e1n dial\u00f3g\u00edr\u00f3k\u00e9nt is felt\u00fcntetett Sz\u0151ke Andr\u00e1s tette hozz\u00e1 a t\u00f6rt\u00e9nethez; \u0151 a Szomjas Gy\u00f6rgy vezette K\u0151b\u00e1nyai Filmst\u00fadi\u00f3b\u00f3l kiindulva lett a magyar f\u00fcggetlen film egyik emblematikus figur\u00e1ja.”<\/p>\n (Baksi S\u00e1ndor)<\/p>\n\n\n\n R\u00e9szletek D\u00e9k\u00e1ny Istv\u00e1n szakfel\u00fcgyel\u0151i jelent\u00e9s\u00e9b\u0151l:<\/p>\n\n\n\n \u201cA K\u0151b\u00e1nyai Amat\u0151rfilm St\u00fadi\u00f3 1962-ben alakult, \u2026 1975-ben Szomjas Gy\u00f6rgy lett a klub m\u0171v\u00e9szeti vezet\u0151. \u2026 T\u00f6bb sikertelen helykeres\u00e9si k\u00eds\u00e9rlet ut\u00e1n a Pataki M\u0171vel\u0151d\u00e9si K\u00f6zponthoz tartoz\u00f3 V\u00e1rossz\u00e9li M\u0171vel\u0151d\u00e9si H\u00e1zban jutottak \u00f6n\u00e1ll\u00f3 helyis\u00e9ghez. A sz\u00ednpadnak k\u00e9t tart\u00f3pill\u00e9r miatt nem haszn\u00e1lt h\u00e1ts\u00f3 r\u00e9sz\u00e9t lev\u00e1lasztva v\u00e1g\u00f3szob\u00e1t, a folyos\u00f3 egy r\u00e9sz\u00e9t lefalazva vet\u00edt\u0151f\u00fclk\u00e9t alak\u00edtottak ki. Ez az \u00e1t\u00e9p\u00edt\u00e9s is t\u00e1rsadalmi munk\u00e1ban t\u00f6rt\u00e9nt. … A 70-es \u00e9vek k\u00f6zep\u00e9re a K\u0151b\u00e1nyai Amat\u0151rfilm St\u00fadi\u00f3 Budapest legeredm\u00e9nyesebb klubja \u00e9s az orsz\u00e1g h\u00e1rom legjelent\u0151sebb k\u00f6z\u00f6ss\u00e9g\u00e9nek egyike lett. \u2026 a m\u0171v\u00e9szi \u00e9s technikai vezet\u0151knek az a v\u00e9lem\u00e9nye, hogy a tagokat nem szabad \u201etan\u00edtani\u201d, vagyis t\u0151l\u00fck idegen m\u0171v\u00e9szeti elveket r\u00e1juk er\u0151szakolni. Saj\u00e1ts\u00e1gos form\u00e1ban nyilv\u00e1nul meg a vezet\u0151k seg\u00edts\u00e9ge: arra \u00f6szt\u00f6nzik a tagokat, hogy egy-egy bemutatott anyagban nem a j\u00f3 megold\u00e1sok, hanem a hib\u00e1k mellett \u00e9rdemes elindulni …”<\/p>\n Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":" Szabadka\/2023.02.14. Szomjas Gy\u00f6rgy: Roncsfilm, 1992, magyar filmszat\u00edra, 89 perc \u201c\u2026 1989-et \u00edrunk. \u2026 k\u00fclv\u00e1rosi prolet\u00e1rl\u00e9t \u2026 Budapest legrosszabb h\u00edr\u0171 negyede. \u2026 Szomjas a kor\u00e1bbi szocio-v\u00edgj\u00e1t\u00e9kaiban (K\u00f6nny\u0171 testi s\u00e9rt\u00e9s, Falf\u00far\u00f3) is megteremtette m\u00e1r ugyanezt a...<\/p>\n","protected":false},"author":3,"featured_media":2593,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/02\/330909274_3401713170147299_3937352515909636878_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/02\/330909274_3401713170147299_3937352515909636878_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=2588"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2588\/revisions"}],"predecessor-version":[{"id":2594,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2588\/revisions\/2594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/2593"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=2588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=2588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=2588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/02\/330930926_1047057026251265_2750920095060389529_n.jpg\")
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<\/figure>\n\n\n\n![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2023\/02\/szomjas-gyorgy-roncsfilm-2.jpg\")