{"id":2425,"date":"2022-10-18T08:25:38","date_gmt":"2022-10-18T07:25:38","guid":{"rendered":"https:\/\/ctalker.org\/?p=2425"},"modified":"2022-10-18T08:25:39","modified_gmt":"2022-10-18T07:25:39","slug":"kurbli-filmklub-jos-stelling-az-illuzionista","status":"publish","type":"post","link":"https:\/\/ctalker.org\/en\/2022\/10\/18\/kurbli-filmklub-jos-stelling-az-illuzionista\/","title":{"rendered":"Kurbli Filmklub: Jos Stelling-Az illuzionista"},"content":{"rendered":"\n

Szabadka\/2022.10.18<\/p>\n\n\n\n

Jos Stelling: Az illuzionista (De illusionist), 1983 holland v\u00edgj\u00e1t\u00e9k-filmdr\u00e1ma, 90 perc<\/p>\n\n\n\n

Egy id\u0151rend b\u00e9li helycsere ut\u00e1n, tov\u00e1bb haladva az eur\u00f3pai filmes palett\u00e1n, ism\u00e9t egy \u00ednyenceknek val\u00f3 b\u00f6rleszkkel rukkolunk el\u0151, egy saj\u00e1tos st\u00edlus\u00fa holland filmes rendez\u00e9s\u00e9ben, aki az ezredfordul\u00f3 k\u00f6r\u00fcli \u00e9vekben a gy\u0151ri Mediawave-n vezette a filmes zs\u0171rit \u00e9s akinek a filmfesztiv\u00e1l \u00fajra \u00e9s \u00fajra v\u00e1szonra t\u0171zte h\u00edres erotikus kisj\u00e1t\u00e9kfilmjeit. A\u00a0The waiting room\u00a0<\/em>\u00e9s a\u00a0The gas station<\/em>\u00a0ut\u00e1n harmadiknak elk\u00e9sz\u00edtett a\u00a0The gallery<\/em>\u00a0az els\u0151 k\u00e9t r\u00f6vidfilm formai \u00e9s tartalmi szempont\u00fa beteljes\u00fcl\u00e9s\u00e9nek is tekinthet\u0151.<\/p>\n\n\n\n

Az Utrechtben \u00e9l\u0151 Jos Stelling f\u00fcggetlen filmes \u00e9s mozitulajdonos 1981-ben megalap\u00edtotta a Dutch Film Days fesztiv\u00e1lt holland rendez\u0151k sz\u00e1m\u00e1ra, hogy lehet\u0151s\u00e9get adjon filmjeik bemutat\u00e1s\u00e1ra, \u00e9s inform\u00e1lis platformot teremtsen filmeseknek. Stelling f\u0151leg amat\u0151r sz\u00edn\u00e9szeket szerepeltet \u00e9s \u00f6n\u00e1ll\u00f3 gy\u00e1rt\u00f3 st\u00fadi\u00f3t vezet.\u00a0Az illuzionista\u00a0<\/strong><\/em>c\u00edm\u0171 alkot\u00e1sa \u2013 is \u2013 a n\u00e9maj\u00e1t\u00e9kra \u00e9p\u00fcl, ahol az audiovizu\u00e1lis burleszk jelenetekben szinte mindent a tekintetekkel, a gesztusokkal \u00e9s a non-verb\u00e1lis kommunik\u00e1ci\u00f3val mes\u00e9l el a rendez\u0151, aki a kom\u00e9di\u00e1z\u00e1sba gyakran a leselked\u0151 poz\u00edci\u00f3b\u00f3l kil\u00e9p\u0151, kocsiz\u00f3 kamer\u00e1t is cinkoss\u00e1 teszi. A parodisztikus elemekben b\u0151velked\u0151, geg-f\u00fcz\u00e9rekb\u0151l \u00e1ll\u00f3 vizu\u00e1lis show \u201eboh\u00f3ctr\u00e9f\u00e1kat, helyzetgyakorlatokat, burleszk-szipork\u00e1kat k\u00f6t csokorba. Keveredik egym\u00e1ssal a val\u00f3s\u00e1g \u00e9s az \u00e1lom. \u2026 a magatart\u00e1sok\u00e9 \u00e9s a gesztusok\u00e9 a korl\u00e1tlan terep.\u201d (Iv\u00e1n G\u00e1bor) A t\u00e9nyleges verb\u00e1lis kommunik\u00e1ci\u00f3t\u00f3l mentes narrat\u00edv\u00e1nak a k\u00f6z\u00e9ppontj\u00e1ban egy testv\u00e9rp\u00e1r \u00e9s csal\u00e1dt\u00f6rt\u00e9net\u00fck helyezhet\u0151 el. A szitu\u00e1ci\u00f3s j\u00e1t\u00e9kokb\u00f3l \u00e1ll\u00f3 jelenetek befogad\u00e1sa sor\u00e1n, felt\u00e1rul el\u0151tt\u00fcnk egy kom\u00e9di\u00e1s \u00e9s \u201enorm\u00e1list\u00f3l\u201d elt\u00e9r\u0151 kogn\u00edci\u00f3j\u00fa fiv\u00e9r\u00e9nek k\u00e1lv\u00e1ri\u00e1ja. A f\u0151szerepben Freek de Jonge, aki a film forgat\u00f3k\u00f6nyv\u00e9nek meg\u00edr\u00e1s\u00e1b\u00f3l is kivette a r\u00e9sz\u00e9t, \u00e9s aki a filmsz\u00edn\u00e9szked\u00e9s mellett maga is komikuisk\u00e9nt dolgozik.<\/p>\n\n\n\n

\n
\"\"
Freek de Jonge<\/figcaption><\/figure>\n\n\n\n
\"\"
Freek de Jonge<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

\u201eA tipikus \u00e9s a k\u00fcl\u00f6nleges \u00fctk\u00f6z\u00e9si mezeje a film, s ebben Stelling pszichoanalitikus j\u00e1rtass\u00e1ggal haszn\u00e1lja a mim\u00e9zist. \u2026 mindig van valami \u00e1lomszer\u0171 abban, ami a figur\u00e1ival t\u00f6rt\u00e9nik, ugyanakkor a k\u00f6vetkezm\u00e9nyek pr\u00f3zais\u00e1ga is ijeszt\u0151. A sz\u00edn\u00e9szeit k\u00ednos gonddal v\u00e1logatja. \u00bbCsak olyanokkal dolgozom, akik jobbak n\u00e1lam.\u00ab \u2026 Szerinte \u0151 t\u00edpusokat fog meg, s a k\u00f6zt\u00fck l\u00e9v\u0151 viszony mindig hordoz ir\u00f3ni\u00e1t\u201d \u2013 foglalja \u00f6ssze a k\u00e9rdez\u0151 filmkritikus Bak\u00e1cs Tibor Settenked\u0151, Stelling sz\u00edn\u00e9szvezet\u00e9sre vonatkoz\u00f3 v\u00e1lasz\u00e1t.<\/p>\n\n\n\n

Az Illuzionista<\/strong><\/em>\u00a0az 1984-es Utrechti Filmfesztiv\u00e1lon elnyerte a legjobb filmnek j\u00e1r\u00f3 Aranyborj\u00fa d\u00edjat.\u00a0<\/p>\n\n\n\n

Ezt is Jos Stelling mondta: “A film a huszadik sz\u00e1zad legnagyobb \u00e9s legeredetibb m\u0171faja, \u00fagyhogy ehhez k\u00e9pest komolyan kellene venni v\u00e9gre.”<\/em><\/p>\n\n\n\n

Sz\u00e1sz Csongor<\/p>\n","protected":false},"excerpt":{"rendered":"

Szabadka\/2022.10.18 Jos Stelling: Az illuzionista (De illusionist), 1983 holland v\u00edgj\u00e1t\u00e9k-filmdr\u00e1ma, 90 perc Egy id\u0151rend b\u00e9li helycsere ut\u00e1n, tov\u00e1bb haladva az eur\u00f3pai filmes palett\u00e1n, ism\u00e9t egy \u00ednyenceknek val\u00f3 b\u00f6rleszkkel rukkolunk el\u0151, egy saj\u00e1tos st\u00edlus\u00fa holland...<\/p>\n","protected":false},"author":3,"featured_media":2428,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/312113620_10230114374064752_9190989753170977099_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/10\/312113620_10230114374064752_9190989753170977099_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=2425"}],"version-history":[{"count":1,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2425\/revisions"}],"predecessor-version":[{"id":2429,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2425\/revisions\/2429"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/2428"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=2425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=2425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=2425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}