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Mindenb\u0151l s\u00fct a torokkapar\u00f3an sz\u00e1raz forr\u00f3s\u00e1g, aminek kontraszt \u00e1llapota nemcsak a sz\u00edneket stiliz\u00e1lja, de a k\u00e9pet is torz\u00edtja. Az \u00edgy kapott egym\u00e1st kieg\u00e9sz\u00edt\u0151 s\u00edkokon fut\u00f3 filmszerkezetben a belass\u00edtott, rekken\u0151 sz\u00fcrke mag\u00e1nyt \u00e1raszt\u00f3 viszonyok, megkoreograf\u00e1lt hars\u00e1ny zen\u00e9s-t\u00e1ncos d\u00e9lib\u00e1bos fantazmag\u00f3ri\u00e1kba tet\u0151znek, ahol kommunik\u00e1ci\u00f3k\u00e9ptelen h\u0151seink \u0151szint\u00e9n \u00e9nekelhetnek sz\u00ednes \u00e9rzelmeikr\u0151l, v\u00e1gyaikr\u00f3l \u00e9s szexualit\u00e1sukr\u00f3l.<\/p>\n\n\n\n
\u201eMindig \u00fagy tekintek filmjeim szerepl\u0151ire, mint n\u00f6v\u00e9nyekre, melyeket a kisz\u00e1rad\u00e1s fenyeget. Igaz\u00e1b\u00f3l sz\u00e1momra a v\u00edz jelenti a szerelmet, ez az, amiben hi\u00e1nyt szenvednek. Amit szimbolikusan megmutatni pr\u00f3b\u00e1lok az az, hogy szerelemre van sz\u00fcks\u00e9g\u00fck.\u201d<\/em> (Tsai Ming-liang)<\/p>\n\n\n Tsai Ming-liang az 1982-t\u0151l felemelked\u0151 tajvani filmes \u00fajhull\u00e1m, 90-es \u00e9vekt\u0151l kialakul\u00f3 m\u00e1sodik hull\u00e1m\u00e1nak alkot\u00f3ja. Ezek a rendez\u0151k \u201em\u00e1r nem a m\u00falt szomor\u00fas\u00e1g\u00e1t akarj\u00e1k bemutatni, elutas\u00edtj\u00e1k a nosztalgikus, historiz\u00e1l\u00f3 megk\u00f6zel\u00edt\u00e9st, \u00e9s ehelyett annak a f\u00e1jdalomnak \u00e9s abszurdit\u00e1snak a felt\u00e1r\u00e1s\u00e1ra t\u00f6rekszenek, ami a kort\u00e1rs Tajvant jellemzi. \u00cdgy veszi \u00e1t a nosztalgikus szomor\u00fas\u00e1g hely\u00e9t a depressz\u00edv tompults\u00e1g, melynek k\u00fcl\u00f6n\u00f6s megsz\u00e1llottja Tsai. \u2026 A t\u00e1vols\u00e1gtart\u00f3 (f\u0151leg t\u00e1voli pl\u00e1nokkal dolgoz\u00f3) \u00e9s kameramozg\u00e1s n\u00e9lk\u00fcli st\u00edlus tal\u00e1n Tsai legf\u0151bb vizu\u00e1lis k\u00e9zjegye, mely a szerepl\u0151k elszigetelts\u00e9g\u00e9t er\u0151s\u00edti, illetve g\u00e1tolja a n\u00e9z\u0151i azonosul\u00e1st, ami egy\u00e9bk\u00e9nt dramaturgiailag is akad\u00e1lyozva van, hiszen az esem\u00e9nyek \u00e9s cselekv\u00e9sek motiv\u00e1ci\u00f3it, csak\u00fagy mint a szerepl\u0151k \u00e9rzelmeit, teljes hom\u00e1ly fedi e filmekben. \u2026 Tsai szerepl\u0151i a Huncut felh\u0151csk\u00e9ben is n\u00e9v \u00e9s identit\u00e1s n\u00e9lk\u00fcli figur\u00e1k. \u2026 Tsai most is igen lelem\u00e9nyes \u00e9s hat\u00e9kony a \u00bbnem kommunik\u00e1l\u00e1s\u00ab bemutat\u00e1s\u00e1ban, ami ez\u00fattal a szexualit\u00e1s mint lehets\u00e9ges kommunik\u00e1ci\u00f3, mint k\u00f6zvetlen emberi kontaktus megsemmis\u00edt\u00e9s\u00e9re is kiterjed.\u201d<\/em> (VINCZE)<\/p>\n Sz\u00e1sz Csongor<\/p>\n\n\n Szabadka\/2022.06.13. Tsai Ming-liang: Huncut felh\u0151cske (Tian bian yi duo yun), 2005, tajvani erotikus musical-v\u00edgj\u00e1t\u00e9k, 114 p. Itt a k\u00e1nikula \u00e9s a g\u00f6r\u00f6gdinnyeszezon! Ez\u00e9rt az asz\u00e1ly s\u00fajtotta Tajvanra l\u00e1togatunk, ahol ilyenkor a v\u00edz dr\u00e1g\u00e1bb mint...<\/p>\n","protected":false},"author":3,"featured_media":2084,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[8,9],"tags":[],"class_list":["post-2081","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurbli","category-kurbli-filmklub"],"featured_image_src":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/06\/287794497_2798694177106023_3449442600614171650_n.jpg","featured_image_src_square":"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/06\/287794497_2798694177106023_3449442600614171650_n.jpg","author_info":{"display_name":"Kari","author_link":"https:\/\/ctalker.org\/en\/author\/karina\/"},"_links":{"self":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/comments?post=2081"}],"version-history":[{"count":2,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2081\/revisions"}],"predecessor-version":[{"id":2332,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/posts\/2081\/revisions\/2332"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media\/2084"}],"wp:attachment":[{"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/media?parent=2081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/categories?post=2081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ctalker.org\/en\/wp-json\/wp\/v2\/tags?post=2081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/06\/18447903.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/mladjxeqsxgv.i.optimole.com\/cb:B3zE.b136\/w:1024\/h:229\/q:mauto\/f:best\/https:\/\/ctalker.org\/wp-content\/uploads\/2022\/08\/megvalosult_a_magyar_kormany_tamogatasaval_bga_alap-1.jpg\")